Product Details
Withnail And I : 20th Anniversary Edition (3 Disc Digitally Remastered Special Edition) [1988]

Withnail And I : 20th Anniversary Edition (3 Disc Digitally Remastered Special Edition) [1988]
Directed by Bruce Robinson

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Product Details

  • Amazon Sales Rank: #1620 in DVD
  • Released on: 2006-10-02
  • Rating: Suitable for 18 years and over
  • Aspect ratio: 1.77:1
  • Formats: Anamorphic, Box set, PAL
  • Original language: English
  • Number of discs: 3
  • Running time: 107 minutes

Editorial Reviews

Amazon.co.uk Review
Set in 1969, the year in which the hippy dreams of so many young Englishmen went sour, 1986's Bruce Robinson's Withnail and I is an enduring British cult. Fellow enthusiasts cry immortal phrases from the endlessly brilliant script to one another like mating calls; "Scrubbers!", "We want the finest wines known to humanity and we want them now!" Withnail is played by the emaciated but defiantly effete Richard E Grant, "I" (i.e., Marwood) by Paul McGann. Out-of-work actors living in desperate penury in a rancid London flat, their lives are a continual struggle to keep warm, alive and in Marwood's case sane, until the pubs open. A sojourn in the country cottage of Withnail's gay Uncle Monty only redoubles their privations--they have to kill a live chicken to eat. The arrival of Monty spells further misery for Marwood as he must fend off his attentions. This borderline homophobic interlude apart, Withnail and I is a delight, enhanced by an aimless but appallingly eventful plot. Popular among students, it strikes a chord with anyone who has undergone a period of debauchery and impoverished squalor prior to finding their way onto life's straight and narrow.--David Stubbs

DVD Description
London. The '60s. Two unemployed actors - acerbic, elegantly wasted Withnail (Richard E. Grant) and the anxiety-ridden I (Paul McGann) - drown their frustrations in booze, pills and lighter fluid. When Withnail's Uncle Monty (Richard Griffiths) offers his cottage, they escape the squalor of their flat for a week in the country, but soon realise they've gone on holiday by mistake when their wits - and friendship - are sorely tested by violent downpours, less-than-hospitable locals and empty cupboards.

Disc One:

· BRAND NEW Digitally remastered widescreen (1.78:1) Presentation Enhanced for Widescreen TVs

· Audio commentary by writer-director Bruce Robinson

· Audio commentary by actors Paul McGann and Ralph Brown

· Stereo 2.0 (Original)

· Optional 5.1 Dolby Surround Sound

· Optional DTS

Disc Two:

· Brand new interview with writer-director Bruce Robinson

· Postcards From Penrith featurette

· Withnail and Us Ð 1999 documentary on Withnail and I

· Drinking game

· Behind the scenes stills by Ralph Steadman

· Original Theatrical Trailer

· Swearathon (Easter Egg)

Disc Three:

· Withnail & I: original music score

Synopsis
Bruce Robinson's semi-autobiographical account of his early years as an actor has become a cult hit of massive proportions, inspiring countless numbers of young men and women to quote stars Paul McGann and Richard E. Grant and their booze-soaked dialogue. The story follows these two unemployed actors in 1969 London, as they take a holiday in the country. Trapped inside a dank, empty cabin with each other, an endless downpour of heavy rain battering their roof, the two men form a complicated bond fuelled by booze, disaster, and nihilism. Though not much happens in terms of plot, WITHNAIL AND I is one of the most subtly hilarious films to come out of 1980s.


Customer Reviews

Watch it5
The simplicity of this film, along with superb acting and a wonderful script make this a classic. I can say very little more about this film than other reviewers have already done, but i stress the importance of watching this film, especially if you are British.

The catchphrases (I'm not drunk; I've only had a little ale) resound as relevantly and humourously now as they did then, and of course the idea of the struggling acting is a constant theme and is so well epitomised here.

For the sake of your own humanity and culture I would implore you to watch this film and feast your eyes on a great episode in British film making.

The anachronisms spoil it3
For the content of the film you can read the other 100 odd reviews. I think they tend to overrate it but it is an engrossing drama of how out of work actors seek the high life and it's true enough. Out of work actors love this film , I can attest to that. What really spoils it for me is how it doesn't make me feel that it's 1969 at all. As soon as you get any long shots you start seeing cars, crash barriers, road signs and so on that you know were not a thing of that era. Sure, they have a few classic cars they use in close ups but it's mixed in with modern ones in the distance. It's all very well for young people who can't remember the 80s either, and wouldn't know the difference, but for someone who does it just reminds you this is a wannabe 1969 film. Even George Harrison, the executive producer of the film, complained that the M25 wasn't there at that time (a much more modern looking road than its predecessor) and it would have been possible to film on the A30. The film makers, I just don't know what they were thinking about. We all know mistakes creep into films but these are big ones.

Ice In The Cider4
This film, set in 1969 but made in the 1980's, follows the attempt of two young people trying to escape from unmoneyed squalor in London (Camden Town)for a break in the North Country in a cottage, only to find that the cottage is worse than their London lodgings...it is so true to life that, although funny, it can also be bittersweet.

As someone who lived in London for many years, I noticed that a few locations are not quite right: the place where they are stopped by the police on return from the North is the roundabout under the M40 elevated section between Little Venice and Paddington, whereas it is supposed to be off the M1; when they drive down the M1, there is a sign visible indicating the M25...whoops! The M25 was not in existence in 1969, had not even been approved or started.

To my way of thinking, the London drug dealer acquaintance, a kind of sinister Harry H. Corbett clone, was overdone, but it could be argued that that was dramatically deliberate and also true of most of the other characters.

This is a film of quality, though --and one which you will wish to keep for future viewings.