Product Description

Dumbledore lowered his hands and surveyed Harry through his half-moon glasses. 'It is time,' he said, 'for me to tell you what I should have told you five years ago, Harry. Please sit down. I am going to tell you everything.' Harry Potter is due to start his fifth year at Hogwarts School of Witchcraft and Wizadry. He is desperate to get back to school and find out why his friends Ron and Hermione have been so secretive all summer. However, what Harry is about to discover in his new year at Hogwarts will turn his whole world upside down...But before he even gets to school, Harry has an unexpected and frightening encounter with two Dementors, has to face a court hearing at the Ministry of Magic and has been escorted on a night-time broomstick ride to the secret headquarters of a mysterious group called 'The Order of the Phoenix'. And that is just the start. A gripping and electrifying novel, full of suspense, secrets, and - of course - magic.

Product Details

• Amazon Sales Rank: #838 in Books
• Published on: 2004-07-10
• Original language: English
• Binding: Paperback
• 768 pages

From Amazon.co.uk
As his fifth year at Hogwarts School of Witchcraft and Wizardry approaches in Harry Potter and the Order of the Phoenix, 15-year-old Harry Potter is in full-blown adolescence, complete with regular outbursts of rage, a nearly debilitating crush, and the blooming of a powerful sense of rebellion. It's been yet another infuriating and boring summer with the despicable Dursleys, this time with minimal contact from our hero's non-Muggle friends from school. Harry is feeling especially edgy at the lack of news from the magic world, wondering when the freshly revived evil Lord Voldemort will strike. Returning to Hogwarts will be a relief… or will it?

Book five in JK Rowling's Harry Potter series follows the darkest year yet for our young wizard, who finds himself knocked down a peg or three after the events of last year. Over the summer, gossip (usually traced back to the magic world's newspaper, the Daily Prophet) has turned Harry's tragic and heroic encounter with Voldemort at the Triwizard Tournament into an excuse to ridicule and discount the teenager. Even Professor Dumbledore, headmaster of the school, has come under scrutiny from the Ministry of Magic, which refuses to officially acknowledge the terrifying truth: that Voldemort is back. Enter a particularly loathsome new character: the toad-like and simpering ("hem, hem") Dolores Umbridge, senior undersecretary to the minister of Magic, who takes over the vacant position of defence against dark arts teacher--and in no time manages to become the high inquisitor of Hogwarts. Life isn't getting any easier for Harry Potter. With an overwhelming course load as the fifth years prepare for their examinations, devastating changes in the Gryffindor Quidditch team line-up, vivid dreams about long hallways and closed doors, and increasing pain in his lightning-shaped scar, Harry's resilience is sorely tested.

Harry Potter and the Order of the Phoenix, more than any of the four previous novels in the series, is a coming-of-age story. Harry faces the thorny transition into adulthood, when adult heroes are revealed to be fallible, and matters that seemed black and white suddenly come out in shades of gray. Gone is the wide-eyed innocent, the whiz kid of Harry Potter and the Philosopher's Stone. Here we have an adolescent who's sometimes sullen, often confused (especially about girls), and always self-questioning. Confronting death again, as well as a startling prophecy, Harry ends his year at Hogwarts exhausted and pensive. Readers, on the other hand, will be energised as they enter yet again the long waiting period for the next title in the marvellous magical series. --Emilie Coulter

Review
'I can honestly say I can't remember the last time I encountered an author who has had this effect on me. For the first time in years the book lives up to the hype perfection' Daily Express 'The most remarkable publishing sensation for a generation the story is told with such momentum, imagination and irrepressible humour that it can captivate both adults and children' Sunday Express 'Rowling deserves all the plaudits that are being heaped upon her. For once, the word phenomenon is an understatement' Scotland on Sunday 'Extraordinarily vivid and exceptionally well-imagined' Independent on Sunday

Book Information
The adult edition features different cover artwork, but has the same text as the children's edition.

Customer Reviews

Stephen Fry is Magical...
Rather than focusing on the merits of the book itself, this is a review of the Cover to Cover production featuring Stephen Fry. Having listned to all of the previous installments as read by the great man, I finally bit the bullet and shelled out the almost £60 for the latest chapter. And boy, was I not dissapointed!

28 hours after it began I have just reached the end of the Order of the Phoenix (I spread that out over 3 weeks, I couldn't quite manage one sitting!). Stephen Fry is truly amazing providing significanlty differnt voices for each of the many characters contained within the book. For me Fry is Hagrid! It is easy to get swept up in his telling of the tale, its almost addictive, you may find yourself having listned to 3 cds in a row, and at 75 minutes per CD this is no mean feat!

Even if you have read the books (and in this case I had) go back to the beginning and buy his reading of the Philosophers Stone. Lie in bed at night, turn the lights out and enter the world of Harry Potter through a different door...

Brilliant and Complex
There has been a distinct strain of bemusement in reactions to this book. It's as if people recognize the features of the first four books - the cracking plot, great characters, hilarious episodes - but sense that there is something, well, a little bit different about this one.

And they'd be right. Because this is a more mature, more serious, more political book than the previous volumes in the series. The problem is that people don't like to recognize the fact that books are political. Especially children's books. Many adults are absolutely desperate to read their favourite kid's classics as fluffy, cutesy, comforting works, which have no engagement with their "real" world. So when a text like this comes along, which mixes contemporary satire with fantastic and magical elements, they become slightly uncomfortable.

The problem for this type of reader is that it cannot be denied that this book deals with some highly contentious current issues. Most obviously, it's a satire on government regulation of secondary education. But it also has some serious things to say about action and appeasement, about truth, narrative and the press and, above all, about cultural imperialism.

For example: the house elf plot. In book four this seemed to fizzle out into acquiescence in the "naturalness" of their oppression. But in book five it becomes the lynchpin of an impassioned argument for respecting difference. The central image of the novel (cleverly used by Bloomsbury on the back cover) is the statue at the Ministry of Magic - look out for Rowling's rather wonderful description of Harry's reaction when he first sees it. From a distance, it looks great, but closer to, Harry is able to see all of its weaknesses as a representation of the different magical beings. Measuring the extent to which it falls short of his own personal experiences of other "races", Harry gains an insight into the ideological work which the statue performs. Art, in this novel, is political. It's a real "Tom Brown" moment, - the fact that Harry's adventures have taken him outside of the normal confines of the wizarding world enables him to achieve an important insight into the workings of inequality.

Similarly, there are other elements which one wouldn't expect to find in a fluffy children's novel - in particular, Rowling's trademark treatment of pain. Few children's authors can write about the suffering created by death and loss in children's lives with such pathos. But here we also have a darker side of pain, the operations of torture and sadism in the actions of both Umbridge and Belletrix. Rowling manages to achieve the impossible, dealing with such subjects in a manner suitable to the youth of her readership, while maintaining a sense of their deeply disturbing nature. And while the much-hyped death of the "major character" is understated, Rowling uses it to ground Dumbledore's extraordinary view, which could come straight out of Dickens's Christmas books: that it is suffering which acts as the ground of humanity.

How much better can it get?
I am constantly amazed by the depth and strength of J.K.Rowlings writing. Even in the first book of the series `Harry Potter and the Philosophers Stone`, when the writing was simpler and more geared to Harry`s then age-group, there were complexities visible to older readers. As the characters have aged so has the style and content changed and, as Rowling herself says, become darker. No longer does every book end on a more or less happy note. The violence, torture and death of an adult world are beginning to impinge on Hogwarts and to increasingly affect Harry and his friends. On an emotional level too the characters are changing although there is always the typical J.K.Rowling wit and humour! She has the gift of a quality writer for creating a vivid picture with the perfect choice of just one or two words. Obviously she`s not infallible but any mistakes she makes tend to relate to small oversights in the plot or background which in the context of the whole really don`t seem to matter.
`Order of the Phoenix` is, for me, the best book yet in every sense of the word. The others were each valuable in their own way and this one is simply the result of a natural progression - it needs the others for the development of plot and style - but Rowling is now really showing the power of her writing. Without going into detail for those who have not yet caught up with the series I can still say that there are scenes in `Goblet of Fire`and Òrder of the Phoenix` which contain so much tension and action that it could be difficult to maintain but she never lets your attention flag.
The recording of the books is done with as little disruption to the story flow as possible. The crucial thing, though , with the recorded version has to be Stephen Fry. He is absolutely brilliant! I can`t imagine anyone replacing him and I hope he`s already signed up for the rest of the series. His interpretation of the different characters is amazing. One word of warning though - once you`ve listened to him reading the books you`ll never be able to read them yourself without hearing him. The power of his interpretation just makes you appreciate Rowling`s writing more. A perfect match! Once The Half-Blood Prince`has been published the next thing I shall look forward to is Stephen Fry`s recording of it.