Product Description

Enthralled by his own exquisite portrait, Dorian Gray exchanges his soul for eternal youth and beauty. Influenced by his friend Lord Henry Wotton, he is drawn into a corrupt double life; indulging his desires in secret while remaining a gentleman in the eyes of polite society. Only his portrait bears the traces of his decadence. "The Picture of Dorian Gray" was a succes de scandale. Early readers were shocked by its hints at unspeakable sins, and the book was later used as evidence against Wilde at the Old Bailey in 1895.

Product Details

• Amazon Sales Rank: #285 in Books
• Published on: 1994-02-24
• Original language: English
• Binding: Mass Market Paperback
• 256 pages

From Amazon.co.uk
A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife", Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."

As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment."

Amazon.co.uk Review
A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife", Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."

As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment."

Synopsis
Enthralled by his own exquisite portrait, Dorian Gray exchanges his soul for eternal youth and beauty. Influenced by his friend Lord Henry Wotton, he is drawn into a corrupt double life; indulging his desires in secret while remaining a gentleman in the eyes of polite society. Only his portrait bears the traces of his decadence. "The Picture of Dorian Gray" was a succes de scandale. Early readers were shocked by its hints at unspeakable sins, and the book was later used as evidence against Wilde at the Old Bailey in 1895.

Customer Reviews

A New Light.....
After reading a review of "The Ripper Code" in the TLS, I had to return to my school favourite and reread it. It was fascinating to read it in a new light.

Sublime
I loved this book, not so much for the cautionary tale or the disintigration of Dorian's conscience, but for the beautiful philosophy embelishing the story; many of the things Henry says, for example, are interesting and thought-provoking theories on life. And I loved how youth and beauty were depicted in the book. The only criticism I would give is that it was far too short for my liking, and I thought that the part between Dorian's youth and his 38th year could've been elaborated on. Though an original, genius story!

WONDERFUL
A great work that encapsulates many of the author's thoughts on the form and (non-)function of art, highlights various scientific modes of thought fashionable at the time, and focuses on effects of moral hypocrisy. All of which serve as a frame within which a highly entertaining and thought-provoking tale is told.

However, as Wilde himself said:

"All art is at once surface and symbol.
Those who go beneath the surface do so at their peril.
Those who read the symbol do so at their peril.
It's the spectator, and not life, that art really mirrors."

So I shall say no more, except that it's an excellent read and one that will have to be read once more in order to again immerse myself in, and appreciate anew, the varied and colourful layers of the text.