Track Listing

1. Si Naani
2. Elyne Road
3. Ali Farka Toure
4. Kaunding Cissoko
5. Ismael Drame
6. Djourou Kara Nany
7. El Nabiyouna
8. Cantelowes

Product Details

• Amazon Sales Rank: #8779 in Music
• Released on: 2008-02-25
• Number of discs: 1

Songlines magazine, April/May 2008 (issue #51
Toumani Diabaté is today for the kora (harp-lute) what Ravi Shankar was for the sitar 40 years ago - not just the outstanding virtuoso of his generation but a musician with the visionary genius to exert a profound influence far beyond world music. Just as Shankar influenced George Harrison and others, Toumani has already made an impact on the music of Björk, Damon Albarn and those at the more adventurous end of the rock spectrum.
If the album title was chosen to echo Bach's Goldberg Variations, it's a good analogy, for there's a courtly grace and elegance to these eight long, solo instrumental pieces. The effect is meditative - this is music for the head. And yet there is rhythm, too, of an astonishingly subtle complexity, although you'd have trouble dancing to it. Some have found the music's intricate, dignified counterpoint too austere to maintain concentration. Repeated listening pays dividends however - there's a voluptuousness in Toumani's endlessly varying contours of interdependent melody, harmony and rhythm that is quite engrossing. How a solo instrument recorded without overdubs can sound so lush and layered is remarkable - once again, Shankar comes to mind. Nor has the general seriousness of purpose dimmed Toumani's sense of fun - I am indebted to fellow music critic John Mulvey for pointing out that the opening phrases of `Cantelowes' are a playful quotation from The Good, The Bad & The Ugly, a little riff Toumani picked up from Bassekou Kouyaté while recording his Djelika album back in 1995. This is a heroic record in every sense.
Nigel Williamson

Jazzwise, (Jane Cornwell), March 2008
(4 stars) Diabate has created a modern classic, a benchmark of traditional African music by a maestro in his prime.

The Guardian, (Robin Denselow), February 22, 2008
(4 stars) Remarkable...mixes the African praise song tradition with playful new influences...classy and gently intriguing.

Customer Reviews

A modern masterpiece of Malian music.
Toumani Diabate is a Malian master of the kora(a 21-stringed West African harp). 'The Mande Variations' is only his second solo album although Toumani has been a guest of various artists such as Ali Farka Toure('In The Heart of the Moon'), Bjork('Volta'), Taj Mahal('Kulanjan') and Roswell Rudd('Malicool'-see my review).
This beautifully recorded acoustic album is a masterpiece of traditional African music which should appeal to a wide audience and deserves to be a strong contender for World Music record of 2008.

Very good, but not his best
Unlike New Ancient Strings and Kaira, on which every track is superb, this latest album has a couple of less strong, meandering improvisations that really demonstrate nimbleness of fingers rather than great musicianship. If you are already a fan, definitely buy it, but if this is your first, I'd recommend New Ancient Strings or Kaira.

Warning - highly addictive
Toumani Diabaté, the kora guru of Africa, has outdone himself with this collection of solo instrumental pieces. The virtuosity in fingering the kora, the richness of the rhythms and range of melodies is unmatched by anything this Malian musician has done previously. I enjoyed his earlier solo collection, "Kaira", produced twenty years ago and his "New Ancient Strings" (1999), with which he and the younger Ballake Sissoko paid homage to their fathers' musical genius. Yet now, with this CD he has reached a level of maturity, depth and musicality not previously achieved. For fans of the West African kora, this is a must in their collection; for the "newbies", this is a great introduction into a mesmerizing aspect of Malian music and treat to enjoy over and over again. It will very likely become addictive. This is music to lose yourself in, over and over again.

Toumani Diabaté comes from a long line of Malian musicians. His father was the most famous kora player of his time and Toumani often pays credit to him through his music. Nonetheless, the younger Diabaté has refined the abilities of the instrument and enriched the playing techniques over the years. Elements of these could already be detected in the award winning In The Heart of the Moon, a collaboration with the legendary guitarist, the late Ali Farka Touré. Toumani, being largely self-taught, has been open to experimenting with this traditional instrument, without abandoning its unique sound and complex harmonies. As he traveled the world, he absorbed and learned from other musical cultures, such as Indian classical music, flamenco and blues. The compositions on this CD harmoniously integrate such influences with melodies and rhythms of the past. All are his, or presented in his adaptation. Soft melodies that seem to tell gentle stories alternate with more vivacious and energetic pieces. Not surprisingly, a special homage is included for Ali Farka that he would have treasured. Toumani's extraordinary technical skill lets him expand the fingering to incorporate the bass line as an accompaniment creating the impression that two koras are playing. Furthermore, recently Toumani has been experimenting, successfully as the pieces here exemplify, with two differently strung koras, one for the traditional melodies and harmonies, the other for his more "modern" compositions. The photos in the included booklet show the details of the finger settings. The explanations of the background to the two kora stringings and insights into the stories behind each piece are written by the musician himself. A beautiful gift to yourself or for people you care deeply about. [Friederike Knabe]