Product Details

• Amazon Sales Rank: #1241 in DVD
• Released on: 2007-01-08
• Rating: Universal, suitable for all
• Aspect ratio: 1.33:1
• Formats: Full Screen, PAL
• Original language: English
• Number of discs: 1
• Running time: 120 minutes

Amazon.co.uk Review
Something of a cult item among British war movies (and brilliantly spoofed a few years back by a lager ad), The Dam Busters turns a minor World War II incident into a saga of heroic stiff-upper-lippery in the classic British style. A bombing raid is proposed on a strategically vital Ruhr dam, but its position is inaccessible. Enter eccentric inventor Dr Barnes Wallis (Michael Redgrave in best daffy professor mode) who comes up with a genius idea--a bomb that will bounce on water like a skimmed pebble. Naturally the top brass pooh-pooh it, but gallant Wing Commander Guy Gibson (Richard Todd) is persuaded, and between them flyer and boffin forge ahead. The touches of carefully understated emotion now verge on self-parody, but it's hard not to get caught up in the narrative sweep, especially when the bombers take off on their mission and Eric Coates' stirring march hits the soundtrack. The modelwork, state-of-the-art for its early 1950s period, still looks impressive, and the death of Gibson's beloved black Labrador (embarrassingly called Nigger) is a three-hanky moment to rival the shooting of Bambi's mum. --Philip Kemp

Synopsis
One of the most popular British war films of all time, THE DAM BUSTERS tells the true story of one of the most daring and brilliant raids of World War II. With the campaign for Europe in the balance, Dr. Barnes Wallis (Michael Redgrave) comes up with an ingenious design for a bouncing bomb which could be used to target the great dams in Germany's Ruhr valley. Wing Commander Guy Gibson (Richard Todd) leads the specially-convened squadron on a mission that would become symbolic for the Allies eventual victory over Germany.

Customer Reviews

The best of British - an impressive film
This is one of the best of British stiff-upper-lip War films, and pretty faithful to its factual subject. It tells the two stories - of the invention of the bouncing bomb which would do severe damage to the Ruhr dams, and of the raid which used those bombs to inflict that damage - well. Characterisation is good and the performances of Richard Todd as Guy Gibson and, particularly, Michael Redgrave as Barnes Wallis, the inventor, are entirely appropriate and convincing. While the special effects of the raid itself are very much 1954 and now unconvincing, the tests of the bomb are very well depicted and seem true to life. It is perhaps worth knowing that Todd, with John Mills and others one of the archetypal British-military-hero film actors of the 50s, found one scene difficult to play, and that the very last one, when he tells Wallis that he must go away and write to the parents and families of those who did not come back ; difficult because, as a wartime officer himself in reality, he had done that more often than he cared to remember. The film generally carries that stamp of authenticity and, as such, is a good deal more than just an exciting tale. Well worth watching

A bomb that bounces? What a crazy notion!
If only our clever old boffins could come up with some way to blow up Germany's dams. But surely it's impossible. How do you get a bomb into just the right position to shatter a huge structure of solid concrete that's cushioned against any sort of impact by a vast body of water on one side? One boffin, Barnes Wallis, had the nutty idea that you could get a bomb into the perfect place for dam destruction if you could just get it to bounce across the reservoir then sink on impact with the dam. Ridiculous! Or so the men from the ministry were inclined to think. But Barnes did it. He needed all his perseverance and ingenuity and when he finally succeeded, he modestly gave credit for the original idea to Nelson, who found that canon balls could do enemy ships more damage if you could get them to bounce across the water. Because the RAF fliers had to drop the bombs so precisely, they had to invent a way of ensuring the right altitude (it had to be exactly 60 feet) and distance from the dams (600 yards). The needs of the time seem to have given rise to a fountain of ingenious solutions from our brave, clever chaps.

The Dam Busters is a wonderful film of heroism and stoicism in fighting a strong and resourceful foe abroad and battling the frustrating inertia of a rigid bureaucracy at home. It's a remarkable, true story, very moving, reminds us of what we have to be grateful for, who we should be proud of, and why. The acting is excellent and the music is that *Dam Busters Music* that we always associate with The Dam Busters film. I couldn't tell you how many times I've watched this film on the telly - only that I watch it whenever it's been broadcast. And I've watched the DVD twice since I received it last week. It's over 50 years old, made in black and white, the special effects are pretty good for the time it was made (but of their time nevertheless) and there are no special features - not even subtitles. It doesn't matter. Whether it's despite its age and limitations or because of them, this is one of my favourite films and I recommend it.

A nigh-on flawless presentation for a true British classic
Anyone who has only ever seen Michael Anderson's definitive 1954 war film on a muddy, soft television transmission or the previous standard definition DVD should prepare themselves to be floored when they sit down to watch this new 1080P Blu-Ray.

The visual presentation is nothing short of perfection, and I do not say such things lightly. To their credit, Optimum have got absolutely EVERYTHING right on this one.

Firstly, the frequent temptation with HD to crop films that were originally shot Academy down to fill a 16:9 frame has been resisted, with the film retaining its full original 1.33:1 aspect ratio, pillar-boxed within the 16:9 frame.

The clarity of the image is so stunning that I cannot imagine they used anything other than the original negative, which would mean that the film would have had to have undergone a full-blown restoration (not cheap!)

Grading is absolutely first rate, with a terrific grey scale and no discernible clipping of white areas of the image. I did notice some slight black crush on very dark jackets, but this may well just be my TV. The image is as sharp as a razor, with the amount of extra detail being revealed nothing short of staggering for a film made over fifty years ago.

Most importantly, this sharpness is entirely natural and I did not detect the slightest bit of artificial processing of any kind; no edge enhancement, no artificial sharpening and no DNR.

The image retains a wonderfully natural, film-like quality with grain present throughout, as it should be, but always mild and controlled, and never bothersome.

They've even left the original, beautifully ornate BBFC censor card on the front, a lovely touch which is much appreciated as it helps transport you immediately back to the time that the film was made (well, it does me, anyway!).

Sound-wise, things aren't quite as impressive. The film is constrained by the inevitable technical limitations of the time, and I suspect by the rather compressed, mid-rangey sound that they used an optical track rather than a superior magnetic one. However, not knowing what sound materials survive on the film, it is not really fair to criticize. The Dolby Digital Stereo 2.0 track (most likely twin-channel Mono) is completely adequate for a film of this period, and as long as you don't go into it expecting a full immersive surround sound mix and accept it for what it is, you shouldn't be disappointed.

Extras wise, there is absolutely squat, unfortunately, not even a trailer, but again expecting reams of bonus features for a film of this vintage (the term 'making-of' hadn't even been invented yet!) is rather unfair. An interview with Richard Todd would have been nice, though.

Finally, for purists who may be worried, don't be... they've left the dog's name alone!