Product Description

This volume contains all of Sylvia Plath's mature poetry written from 1956 up to her death in 1963. It was awarded the 1981 Pulitzer Prize for Poetry. The text is preceded by an introduction by Ted Hughes and followed by notes and comments on individual poems. An appendix contains 50 earlier poems.

Product Details

• Amazon Sales Rank: #27331 in Books
• Published on: 2002-08-19
• Original language: English
• Binding: Paperback
• 351 pages

Amazon.co.uk Review
Sylvia Plath died in 1963, and even now her outsize persona threatens to bury her poetry--the numerous biographies and studies often drawing the reader toward anecdote and away from the work. It's a relief to turn to the poems themselves and once more be jolted by their strange beauty, hard-wrought originality and acetylene anger. "It is a heart, / This holocaust I walk in, / O golden child the world will kill and eat." While the juvenilia and poems written before 1960 that Ted Hughes has included here prefigure Plath's later obsessions, they also enable us to witness her turn from thesaurus-heavy verse to stripped-down art as they gather power through raw simplicity. "The blood jet is poetry. / There is no stopping it," she declares in "Kindness."

Review
Her death at 30, by her own hand, sealed the Plath legend and set it afloat with all its mysteries. This edition contains all Plath's work, from the highly stylized poems of The Colossus to the final stark ones. (Kirkus UK)

Synopsis
This volume contains all of Sylvia Plath's mature poetry written from 1956 up to her death in 1963. It was awarded the 1981 Pulitzer Prize for Poetry. The text is preceded by an introduction by Ted Hughes and followed by notes and comments on individual poems. An appendix contains 50 earlier poems.

Customer Reviews

Underestimated - magnificent
Collected Plath and Collected Hughes should be read and enjoyed alongside one another. Plath's development as a writer is a fascinating study in itself. Reading her poetry, even just dipping in at a random point, will reveal endless surprises and stunning imagery throughout her life's work. Don't just go over and over the Ariel poems. Sylvia's poetry matured steadily and the 'Ariel voice' gathered depth, beauty and power; it seemed to burst out of nowhere. Through the Collected Poems, we can trace Sylvia's passionate talent.

Spellbinding
It is easy - all too easy - to become obsessed with Plath's real-life mental illness, relationships, demons and ultimate suicide. It's an unfortunate fact of life that an artist dies young and her life is placed in greater prominence than her art - her life BECOMES her art. For this reason Plath is all too often dismissed as a 'feminist poet' (read 'Lesbos' and think again, frankly) and a 'troubled artist' sniffily categorised as a purveyor of 'sixth form poetry'. Christ, how anyone believing this is missing out!

Plath's rich mastery of words lends itself to a jaunty, lyrical style that seems to sing from the page. It adds a compelling immediacy to such intense and intricate poetry as 'Daddy' and 'Lady Lazarus'. Frankly, at her best Plath is a joy to read and a master storyteller - both of her own emotions ('Edge', the final poem in this collection, is perhaps the single most harrowing work of art ever written) and of products of an unnervingly fertile imagination - one so versatile that she evades all stereotypes with a sidestep as neat and sharp as her turn of phrase.

It's not all doom and gloom, either. 'Balloons', despite it's uncertain and chilling pathos, displays a razor sharp wit, while 'You're' offers a sweet, bouncing lullaby to a sweet, bouncing newborn baby - hope and renewal delivered through the birth of a child ('a clean slate/with your own face on'). 'Cut' too, is an incredibly observant and tongue-in-cheek ode to a severed thumb, while 'Three Women' tackles the lives and feelings of three women undergoing three very different childbirths (one gives birth and returns home with her child, another is a young student who gives her 'terrible red girl' up for adoption and another is appalled by her male 'flatness' having miscarried) with such grace and intensity that it is a profoundly moving masterpiece.

I could go on. 'Mirror', 'The Moon and the Yew Tree', 'Fever 103' and 'Insomniac' are all personal favourites, and the Ariel poems alone are utterly life-altering, but there is so much more in this collection - from her Juvenilia through The Colossus to the very last poems - that is testament to the intense and intelligent scope of Plath's poetry, all of which is majestically woven with the threads of language more lyrical and alive than anything else I have ever read.

An introduction from the late Ted Hughes does appear to be somewhat cold and detached, even apathetic to Plath's work, but the poetry beyond will charm and sadden and cheer and astound and enrich read after read, year after year.

A truly essential purchase.

Deep,profound,and delightfully disturbing
By reading this book you are entering the world of Sylvia Plath.Her happiness and her depression.Poems like "The Ghosts Leavetaking","Daddy",and "Ariel" are filled with beautiful language with some of the most energetic language with a disturbing message.It will leave ytou satisfied and slightly chilled.