Dark City [1998]
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| List Price: | £19.99 |
| Price: | £3.67 |
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Average customer review:Product Details
- Amazon Sales Rank: #3029 in DVD
- Released on: 1999-07-26
- Rating: Suitable for 15 years and over
- Aspect ratio: 2.35:1
- Number of discs: 1
- Formats: PAL, Widescreen
- Original language: English
- Subtitled in: English
- Number of discs: 1
- Running time: 96 minutes
Editorial Reviews
Amazon.co.uk Review
If you're a fan of brooding comic-book anti-heroes, got a nihilistic jolt from The Crow (1994) and share director Alex Proyas's highly developed preoccupation for style over substance, you might be tempted to call Dark City an instant classic of visual imagination. It's one of those films that exists in a world purely of its own making, setting its own rules and playing by them fairly, so that even its derivative elements (and there are quite a few) acquire their own specific uniqueness. Before long, however, the film becomes interesting only as a triumph of production design. And while that's certainly enough to grab your attention (Blade Runner is considered a classic, after all), it's painfully clear that Dark City has precious little heart and soul. One-dimensional characters are no match for the film's abundance of retro-futuristic style, so it's best to admire the latter on its own splendidly cinematic terms. Trivia buffs will be interested to know that the film's 50-plussets (partially inspired by German expressionism) were built at the Fox Film Studios in Sydney, Australia, home base of director Alex Proyas and producer Andrew Mason. The underground world depicted in the film required the largest indoor set ever built in Australia. --Jeff Shannon
Video Description
DVD Special Features
The Making Of Featurette
Trailer: 2 mins approx
Subtitles :English
Synopsis
Upon awakening with a start in an icy bathtub in a strange room--with a woman's dead body inconveniently nearby--John Murdoch can't remember how he got there. With a police detective hot on his trail and a psychiatrist skulking around, Murdoch discovers that the key to his mystery is the presence of strange extraterrestrial creatures, the Strangers, who are experimenting with the memories of the humans in his city--from which there may be no escape. Ambitious sci-fi noir, with rich production design and a dense, Kafkaesque concept.
Customer Reviews
boring
simply rubbish. a complete waste of time. enough well known names to persuade you to buy or rent but pointless and one of the worst films i have ever seen.
a masterpiece
my wife being a huge fan of the matrix thinking it so original was dumb founded when i disagreed but this gem of a film {and ghosts in the shell} proved where the wachowski brothers "borrowed their ideas" the one etc buy it!
In the city, in the dark
Cult films don't come much more groundbreaking than "Dark City" -- it was bending reality before the Matrix ever did.
At first glance, Alex Proyas' movie seems like a basic sci-fi little-man-against-the-evil-night-aliens movie, with all the plot complexity that implies. But it isn't. Instead, it's a dark grimy nightmare where nothing is what it seems, and everything we think is real is just an elaborate illusion. This is one of the rare films that is creepy from start to finish.
The Strangers are pasty-faced, bald, leather-coat-wearing aliens (think Darth Vader, post-mask), whose survival depends on somehow imitating human souls and dreams. So they created the Dark City, to observe and manipulate the unwitting humans.
Our hero John Murdoch (Rufus Sewell) wakes up naked in a tub, with no memory of who he is, and the police hunting him for brutal murders that he is sure he didn't commit. And worse, hes being pursued by the Strangers, without even knowing who they are or why they're after him.
And then he starts seeing past the Strangers' illusions. Buildings are reshaped, people's memories change, and the sun never appears. As John searches for hints to his past, he finds that the places he knew never existed -- and it's connected to the Strangers. Now John and a suspicious cop will unravel the truth of the City -- and of why the Strangers want John.
It's not surprising that "The Matrix" and "Dark City" are often compared. They deal with an illusionary "real" world, malevolent manipulation, and one man who might be able to stop the bad guys. But "Dark City" is very much unique -- it's dark, angular, and haunted, like if Fritz Lang made a sci-fi noir with an eerie Philip K. Dick twist.
The Dark City is a pretty creepy place, like a... well, like a city at night, with some surreal skyscrapers, enormous cogs and giant clocks. Proyas gives all these scenes a creepy feeling, which is only increased by the fact that there are so few people in the streets and houses. Even everyday things like eating soup and going to work become unreal.
But it's also paired with a very suspenseful script, which is equal parts surrealism and gnostic philosophy. All the dialogue is well written ("You know something, I don't think the sun even... exists... in this place"), and very spare. But Proyas makes all the dialogue weirdly disconnected, as if the characters are never really communicating fully. It adds to the dreamlike feeling.
Sewell is well-suited to the role of John Murdoch, moving seamlessly from confusion to skepticism to a pretty wild action scene where he clashes with all the Strangers. Connelly has a good if underused role as his nightclub-singer wife. Kiefer Sutherland is a bit annoying, but he does a good Peter Lorre impersonation with all those nervous gasps.
The original DVD was rather bare-bones in its presentation, but apparently Alex Proyas slapped together a long-awaited director's cut. Apparently it restores a substantial amount of cut footage, some updated special effects, remixed sound, and a lighter-colored, techno-creepy cover that emphasizes the sci-fi elements over the noir darkness. Remember the director's cut cover of "Donnie Darko"? It's a little like that.
Like Kafka on acid, "Dark City" is a unique and compelling sci-fi movie, with outstanding direction and an amazing plot. Definitely a must-see.

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