From Rozsa's London days (before his move to Hollywood), a stirring score for a romantic drama of the British Empire.

Another Billy Wilder urban drama: Rozsa uses the theramin (electronic instrument) to underline the hero's alcoholism, then rescues him with a love theme to die for.

Gripping desert war drama with Humphrey Bogart and just a few bursts from Rozsa, swirling and dramatic.

Another historical epic that Rozsa takes incredibly seriously: he lived in Madrid during the production, and the score bursts with Spanish rhythms and passion.

Rozsa adapted his Violin Concerto to make the exquisite score for this great Billy Wilder film: Holmes plays the main tune on his fiddle, and Rozsa appears on screen conducting a ballet.

Steve Martin's spoof of 1940s film noir was Rozsa' last film: partly adapting some of his own music from 40 years earlier, Rozsa plays it brilliantly dead-pan.