Track Listing

1. American Life
2. Hollywood
3. I'm So Stupid
4. Love Profusion
5. Nobody Knows Me
6. Nothing Fails
7. Intervention
8. X-Static Process
9. Mother and Father
10. Die Another Day
11. Easy Ride

Product Details

• Amazon Sales Rank: #8395 in Music
• Released on: 2003-04-21
• Number of discs: 1
• Formats: Enhanced, Explicit Lyrics

Amazon.co.uk Review
Having reinvented herself for the umpteenth time on her last album of jittery electronic effects and shuffling beats, American Life, finds the Queen of Pop in familiar territory and in a self-obsessed mood. Keeping with the Music formula and utilising the talent of French production-wizard Mirwais Ahmadzai has resulted in an album rich in delightful digital disco rhythms, exuberant electro and shattered beats. In the main, Mirwais' magic makes for spellbinding music; unfortunate then that the 44-year-old mum's self indulgent ramblings induce a less pleasurable stupor. The single "American Life" swaggers along with a jaunty cyber strut, while Madge offers us a witty lyrical dismantling of fame and the attendant somewhat soulless "luxuries". It's hard too feel too much sympathy though and her incessant first-person references (nearly 350 of them) begin to grate even before she announces "I am so stupid 'cause I used to be in a fuzzy dream". As well as sarcastic attacks on the fame machine she has so cleverly oiled during her 21-year tenure as music's monarch, Madge is quick to defend her relationship with a sprinkling of odes to current squeeze Guy Ritchie. Subtle and tender acoustic-based moments such as "X-Static Process" and "Nothing Fails" and the string-led beauty of "Easy Ride" add variety while truculent tracks such as "Hollywood" make for a mixed bag, but one that certainly swings in style. --Christopher Barrett

CD Description
'American Life' is Madonna's tenth studio album and the follow-up to her 2000 release, 'Music'. It features eleven new songs, including the title track and single along with the Bond theme, 'Die Another Day'. Written and produced with Mirwais - with whom she collaborated with on 'Music' - the albumalso features production work and remixes from William Orbit and Victor Calderone.

Customer Reviews

What is the Message Behind the Music? Love Changes Us
What can you expect if you buy this album? The Limited Edition comes with stamps, poster, and is presented in a white leatherette fabric box, silk-screened in black and red ink with a CD-ROM portion. The songs are soft pop and acoustic with some guitar as it conveys a more personal look into Madonna's emotions and views of the American Dream as it is not what it seems.

If you are expecting a "Ray of Light" or "Music" Album then you will have a surprise. This album is a more personal style of lyrics with sounds, beats, and pop styles not at all comparable to high tech trance club sounds yet very impacting to soften even the hardest of hearts. Collector's will find this to be a similar style as "Like A Prayer" as Madonna opens up and reveals more of her fears, visions, experiences, and love for her life, family and world.

Songs sure to be of great impact in my view would be "Love Profusion", "Nothing Fails", and "Mother and Father" as all 3 have messages that have shown how Madonna has learned to deal with certain issues of her life as well as valued what is important which is love and not material things. It is apparent that her learnings of the Kabbalah have had a way to impact her enough to have them in her songs.

The second single with video, or so it seems "Hollywood" has a faster paced tempo and a catchy type music that is sure to become a hit. "Nobody Knows Me" has a very techno electronic introduction as Madonna sings through the lyrics of how nobody knows her. Unfair critics as well as jealous people would probably fall into this category. I like that song for the empowerment it portrays since it shows confidence, power, and control are still strong in Madonna.

On the same techno/electronica style, "Die Another Day" is more likely to make any listener feel an energized feeling of wanting to move, dance, or just sing along. It may seem to some that this song was out of place from the others but I feel it was a very nice compliment in it's effect to have very cool sounding enhanced vocals which create a different mood for the average listener.

It may take some Madonna fans or listeners a while to adjust to the constant changes of Madonna but isn't that what makes her such a success? You never know what's next, nobody knows her, not really.

As Madonna continues to conquer the world like a Falcon and with a hunger so strong it is obvious she only gets better with time. It is apparent her life events and experiences will help the world be a better place for others to feel love in their hearts, be more spiritual, and put God in the center of their lives rather than the passing material things of this life. For the American Life is not what it seems and Madonna has shown by living it that the key is LOVE.

Four and a half, to be precise
Okay, the dust has settled. I've had 'American Life' on my CD player for a week now; it's time for the verdict. Let me start off by saying I am a fan of Madge, but not blind to her faults. 'Erotica' for instance, was dreadful, and 'Bedtimes Stories' average at best. After the sheer joy of 'Ray Of Light', I found 2000's 'Music' album rather disappointing - a handful of decent tracks, but also a surprising amount of bland non-starters, plus the truly awful 'Nobody's Perfect'. There was far too much of the irritating vocorder effect for my liking, and even William Orbit's meagre contributions were shockingly weak. The overall problem, to my mind, was Mirwais... so you can imagine my horror when it was announced that he would be taking the reins once again on this album. I expected the worst.

The lead single and title track seems to have divided opinion even amongst Madonna devotees, although why the same people who embraced 'Music' should detest 'American Life' (the song) is a mystery to me. It may be defiantly uncommercial, but I find it's aggressive beats far more enticing, and the rap parody (yes, you ignorant humour-free critics, it is CLEARLY a parody, not an "unintentional" joke) is simply brilliant. However, for all those people who hated the single, don't despair - it's far from representative of the album's contents.

Until you reach the halfway point in the album, however, you may have lingering doubts. The second track, 'Hollywood' is apparently favourite to be the follow-up single, but it's actually one of the least impressive cuts. Jangly guitar with a humming electronic beat and not terribly original lyrics about how appealing and yet unpleasant Tinseltown can be. Next up is 'I'm So Stupid', which I hated on first listen but which has grown on me since then. It's the wig-out rock track, with Madonna's voice coming over all rough and growl-y, and has an excellent chorus but poor verses. Shortly after comes the worst track on the album, the only one with no redeeming features: 'Nobody Knows Me'. It's just a horrible bleepy whine all the way through without any tune whatsoever. So far, so unremarkable.

Suddenly, things begin to look brighter. 'Love Profusion' is the first sign of what's to come. It's a fairly gentle accoustic strum with - hurrah - the album's first great hook: the sweet melody of it's undeniably catchy chorus. Then comes the Big Ballad, 'Nothing Fails', and you know everything's going to be alright, because Madge has clearly not lost her touch. It starts off as a straightforward love song with just a guitar accompanying the vocal, then the strings set in, and finally a gospel choir. It's sweeping and tender and just...incredible.

There isn't another poor song on the album from this moment on. 'Intervention' is another country-esque song with a sweet chorus and impressive harmonies (Madonna's voice sounds stronger and more accomplished on this album than it ever has before). 'Mother and Father', despite it's confessional subject matter, is actually the closest thing to a disco track on the album, with a dancefloor beat straight out of the late '70s and a surprising, oriental-style vocal. There's 'Die Another Day' and finally 'Easy Ride', another string-laden ballad to round things off.

Finally I can see why Madonna holds Mirwais in such high regard; their songwriting partnership has born fruit at last. The once-beloved vocorder is largely absent; the electronic effects are far more subtle this time around, or perhaps they are just blended into the accoustic elements with more finesse.It's the accoustic that dominates here - the melodies are everything; electronica is just the icing on the cake rather than forming the basis of songs as it did on 'Music'. In fact, my favourite track features nothing but a guitar and Madonna's vocal harmonies. 'X-static Process' is perhaps the simplest song she's ever recorded, but it's also one of the most beautiful and affecting. The lyrics deal with Madonna's somewhat ambivalent attitude to religion (the 'X' or 'cross' of the title refers to the crucifix, apparently) and appears to bring her to some kind of healthy resolution, in spite of the painful struggle endured to reach it. It is moments of sheer brilliance like this which remind you why you loved Madonna in the first place.

So, despite a couple of weak moments early on, 'American Life' grows into a work fit to stand amongst the very best of Madonna's output. She still reigns supreme.

Massively Underrated
People seem to have been waiting forever for madonna to run out of ideas. But dont believe the press-THIS IS A REALLY GOOD ALBUM!

It has followed on from the musical styles laid down by 'Music' and 'Ray of Light' but dot be fooled, this album is just as original as those which have come before. It blends effortlessly between high-mid tempo electronica and sombre acoustic ballads creating an eerily dark album.

The singles give a rather lop-sided preview of the general mood of the album. Though 'Die Another Day','American Life' and 'Hollywood' are good tracks, the true core of the album is the middle three tracks 'Nothing Fails', 'Intervention' and 'X-Static Process' all of which are superb, thoughtful odes to the life of an aging pop icon in the twentyfirst century. Questioning herslf, god and her career whilst reflecting on her husband and family.

'Love Profusion' is also a wonderful song and more typical of the general feel of the album than the first three singles were.

The album has taken a lot of bad press for its darker and more philosophical feel- not many signs of 'Holiday' or 'Las Isla Bonita' here. But for the most part it is a fantastic album of underrated, cutting edge tunes.

I repeat: Dont listen to the press, give this one a chance. I think you'll be quietly impressed.