Product Description

William de Worde is the editor of the Discworld's first newspaper. Now he must cope with the traditional perils of a journalist's life - suicidal vampires, obssesional readers and people who want him dead. William just wants to get at "the truth". Unfortunately, everyone else wants to get at him.

Product Details

• Amazon Sales Rank: #3095 in Books
• Published on: 2001-11-01
• Original language: English
• Binding: Paperback
• 443 pages

Amazon.co.uk Review
The Truth is Terry Pratchett's 25th novel about Discworld in general and the dirt-encrusted metropolis of Ankh-Morpork in particular--home of the sinister Patrician, the Unseen University of magicians and guilds for everything from Assassins to Thieves, taking in Clowns (but not mimes) along the way. Ankh-Morpork has weathered several influxes of technology in its time--a demon-inspired invention of the movies, the brief fad for Music with Rocks in it--and now it has acquired a free press, dedicated newshounds, dwarf printers with not especially nasty tempers (for dwarves), and people who want to see their amusing vegetables in the "On a Lighter Note" section. The business of politics (attempts by the old aristocracy to unseat the Patrician) is ratcheted up a notch and Vimes, of the City Watch, is in a worse temper than usual. William de Worde, editor, reporter and investigator, is another attractive Pratchett hero, captured for us in the middle of wonderfully parodied routines from old movies and fiction that he, in his world, is doing for the first time. This is inventive farce with touches of high seriousness and ethical good sense, and two of the nastiest doomed hitmen outside Tarantino. --Roz Kaveney

Review
'Other writers are mining the rich seam of comic fantasy that Pratchett first unearthed, but what keeps Pratchett on top is - quite literally - the way he tells them' The Times; 'He will remain an enduring, endearing presence in comic literature' Guardian; 'Pratchett's writing is a constant delight. No one mixes the fantastical and mundane to better comic effect or offers sharper insights into the absurdities of human endeavour' Daily Mail

From the Back Cover
WILLIAM JUST WANTS TO GET AT THE TRUTH. UNFORTUNATELY, EVERYONE ELSE WANTS TO GET AT WILLIAM. AND IT'S ONLY THE THIRD EDITION...

William de Worde is the accidental editor of the Discworld's first newspaper. Now he must cope with the traditional perils of a journalist's life - people who want him dead, a recovering vampire with a suicidal fascination for flash photography, some more people who want him dead in a different way and, worst of all, the man who keeps begging him to publish pictures of his humorously shaped potatoes.

Customer Reviews

Not just light entertainment . . .
Terry Pratchett's 'mirror of worlds' is staring us right in the face. He wants us to take him and ourselves more seriously. Fantasy is on the decline on the Discworld, humour becoming more cynical and real-life issues reaching out to claim our attention. The origins of this trend aren't easy to pinpoint. Certainly all of the Sam Vimes series demonstrate it, with FEET OF CLAY and JINGO prominent in presenting us with the round world Discworld mirrors. This latest product of one of our world's more penetrating writers challenges us to look at ourselves closely. Which values do we truly subscribe to today?

Many who use Pratchett to escape from the realities of life will grizzle about this trend. This book is easily the least 'escapist' of any he's written. We are given a dedicated newsman who's challenged by business 'ethics'. A tabloid competitor emerges, offering readers glaring sensationalism, but false "news". Supplies of paper dry up, the press is demolished and survival of both the Ankh-Morpork Times and its publisher comes into question. This book isn't fantasy, it's history. It just happens to be Discworld's reflection of Round world's chronicle of business ethics. The only thing missing in this account is the "market survey" to assess what will sell to the population. Indeed, the most telling line in the book is Vetanari's comment that "people don't want news, they want olds" - the confirmation of what they already believe. "News" will simply cause people to think, and we all know how dangerous that is.

William de Worde's choice of "newsboys" an interesting touch. Foul Ol' Ron, the Duckman, and, in particular, Gaspode, purveying the A-M Times on the city's streets, would have been a memorable sight, but Pratchett pushes them into the background. Foul Ol' Ron as a reporter might have led the Times down an interesting path. The biggest news, however, is an almost murder. Vetanari is again placed in an unusual position for a City Manager, and the twists of that tale are Pratchett at his finest.

One thing missing in this book is the progeny expected by Sam Vimes and Sibyl at the end of FIFTH ELEPHANT. It's too soon for that in the Discworld timeframe, of course. Since Sam appears in this book, the image of Ol' Stoneface as a parent would have been priceless. Printing and spreading the news immediately called up anticpation of The Librarian making an appearance, but we have to do with Foul Ol' Ron instead - not a bad trade, just a small disappointment. Foul Ol' Ron might have been puffed a bit. After all, the only coherent expression he's uttered 'Queen Mary says to watch your back, mister' might well have been enlarged on here. Leaving all communication to Gaspode, who has his own agenda to follow.

Long-term fans of Pratchett shouldn't be disappointed that the light-hearted days of Rincewind and the Wyrd Sisters seem to be fading into the background. We should be glad he's still producing. Years ago in the US, a similar voice in the person of Tom Lehrer used humour to awaken Americans to some of their dearly-held follies. The election of Ronald Reagan drove Lehrer into retirement, a sad loss. That Pratchett is able to keep reminding us of who we are, and do it in such entertaining fashion, is a tribute to him and encouraging for us. He's telling us that he believes there's hope yet. [stephen a. haines - Ottawa, Canada]

The 25th book is no. 1
Before I read The Truth I had read the book, listened to the tape, seen the play or watched the video of every other discworld. Yes I am a fan. The Truth is my favourite to date, just snipping ahead of Men At Arms and Soul Music. The Truth has all the elements which makes Terry a brilliant author: great humour, good plot twists and clever parallells with the 'real' world.

William de Worde is the wealth rejecting son of an Ankh-Morpork noble. To earn a living he sends a news letter to various foreign dignitaries for $5 each. However an encounter with the discworld's first engraving press launches him into editing The Ankh-Morpork Times, which anyone can afford to buy. Along the way he is helped by an engraver's daughter, a vampire iconographer, who has a tendancy to crumble to dust whenever he takes a picture, and a man who wants William to print pictures of his humourous shaped vegetables. Things seem to be going well, untill William falls into trouble with the Engraver's Guild and the Patrician attacks his clerk. A plot's afoot. There's a new firm in town.

This is a must read for anyone who has even a minor interest in Terry Pratchett.

All the News that Fits they Print
Two random immages occur frequently when reading a Terry Pratchett Discworld book. The first is of time lapse photography, the type used in nature or wildlife programs. One can see a seed planted, germinate, sprout, and then blossom into a flower in a manner of seconds even though it might take weeks to occur in `the real world'. The second is of a frog in a pot of water. It is a time worn cliché that if you throw a frog into a pot of boiling water it will leap out immediately. However, if you drop a frog into cool water and gradually bring it to a boil it won't think about jumping out until it is too late.

Pratchett has a marvelous habit of taking well known cultural icons or products that have developed over time in our word and subjecting them to the literary equivalent of time-lapse photography when he imports them into Discworld. Typically, those devices, be they guns, movies, or the modern postal system, are introduced and evolve very quickly. In presenting them wholly formed on Discworld Pratchett highlights the perversions these great inventions are subjected to over time that are not so readily apparent when you live through the gradual changes. The reader, like the frog, is presented with a proverbial pot of boiling water and, no doubt, on reflection must ask him or her self, how in the world did we ever let things go this far?

This is exactly what Pratchett does with the newspaper business in The Truth. Pratchett does his typically splendid job setting up the establishment of Ankh-Morpork's first newspaper by the aptly named William de Worde. The cast of characters includes Otto, the vampire photographer. Otto is fresh from the vampire equivalent of a 12-step program and struggles mightily to avoid a relapse.

Of course the press needs to have a juicy story. A crime has been committed and the Patrician, Lord Vetinari, is the prime suspect. It appears in fact to be something of an open and shut case. Of course, the truth is not always what it appears to be. De Worde soon comes to suspect that perhaps, just perhaps, the oligarchs that don't suffer Vetinari all that gladly may have something to do with all this.

Events wend their way to their inevitable conclusion. Will Commander Vimes be forced to `round up the usual suspects' or will de Worde uncover that elusive thing called the truth? Inquiring minds want to know!

The Truth is up to Pratchett's usually high standards and will be enjoyed by both Pratchett old timers and those new to Discworld.