Product Description

Even as little girls, Sarah and Emily are very different from each other. Emily looks up to her wiser and more stable older sister and is jealous of her relationship with their absent father, and later her seemingly golden marriage. The path she chooses for herself is less safe and conventional and her love affairs never really satisfy her. Although the bond between them endures, gradually the distance between the two women grows, until a tragic event throws their relationship into focus one last time. Richard Yates' masterful novel follows the two sisters from their childhood in the 1920s through the challenges of their adult choices, and depicts the different ways they seek to escape from their tarnished family past.

Product Details

• Amazon Sales Rank: #15851 in Books
• Published on: 2008-04-03
• Original language: English
• Binding: Paperback
• 240 pages

Review
"One of those small, quiet masterpieces which speaks volumes about the fundamental sadness at the heart of everything." --The Independent, March 2009

Review
`That Yates manages to make the novel not only readable but... mesmerizing is testament to his powers as a storyteller'

About the Author
Richard Yates was born in 1926 in New York and lived in California. His prize-winning stories began to appear in 1953 and his first novel, Revolutionary Road, was nominated for the National Book Award in 1961. He is the author of eight other works, including the novels A Good School, The Easter Parade, and Disturbing the Peace, and two collections of short stories, Eleven Kinds of Loneliness and Liars in Love. He died in 1992.

Customer Reviews

She was always misunderstood
"Easter Parade" follows American sisters, Emily and Sarah Grimes, over forty years. They enter adulthood during WWII, and their lives follow tremendously different trajectories. Sarah is the traditional one: she marries early, has three children, and settles into a seemingly idyllic life in the countryside. Emily is more independent, and she experiences a series of unsatisfying intimate relationships and drifts through life. The novel chiefly concerns the relationship, or lack thereof, between the sisters and their family. The story climaxes in the 1960's with mild invocations of the women's liberation movement, and Yates draws clear parallels between the sisters and their times. Although the time period is specific, the characters remain amazingly relatable and universal.

The most exceptional aspect of Yates's writing is the effortlessness with which he encapsulates life: "The Easter Parade" is a relatively short novel - yet it's remarkably complete due to Yates's talent in creating scenes that so clearly recapitulate a particular period in the sisters' lives. Yates is best-known for his brilliant debut, "Revolutionary Road." His subsequent novels have received considerably less acclaim - an untenable situation considering the quality and exquisiteness of his writing. With "The Easter Parade" the story is simple but heart-breaking; the characters are unforgettable; the final epiphany is indisputable. Most highly recommended.

the easter parade
The Easter Parade can be seen as a bleak novel in that great swathes of sadness, loneliness and ugliness permeate through the protagonists' lives. Much of this is due to Yates's simple, matter-of-fact style. He relates the story in a no-frills way, so that the utter pointlessness of life pokes through like a bony white toe through a threadbare sock. He rarely dwells on events and in many ways skims over the joys - motherhood, aunthood, love, friendship - that punctuate life. Seen from this vantage point, any life might appear bleak: the bitter-sweetness of childhood, the disappointment of finding that noone is perfect, the vileness of physically and emotionally cruel people, serial monogamy which, if a person ends up single, can be seen pessimistically as a series of failures, the ant-like way we live, scurry around and then die. That Yates manages to make the novel not only readable but also mesmerising is testament to his powers as a story teller. In Yates's hands, less does mean more, his pared-down style and conscious absence of literary gymnastics resulting in story-telling that is simultaneously easy to digest and hugely satisfying.

The story follows the lives of two sisters, Sarah and Emily Grimes, daughters of divorced parents, born in 1921 and 1925 respectively. Growing up with their flighty mother with occasional visits to their idealised father, they are very different. Sarah embraces conventionality and settles down early for what she hopes is an idyllic life with English public school-educated Tony who, to her infatuated eyes, looks like a young Laurence Olivier. Emily is spikier and more independant; she samples sex before marriage and decides she rather likes it, so she follows a more (for the time) daring route in life, working and having serial relationships with men. But long-term happiness is elusive for both sisters. Throughout their lives, they keep in touch, and their sisterly relationship is as complex as sibling relationships can be, their undoubted mutual love coloured with swirls of jealousy (Emily milks her sister for stories of Sarah's relationship with her father but simmers with envy and rage at their exclusive affection) and intolerance (Emily knows she should offer her sister sanctuary from her SPOILER: violent marriage , but when it comes to the crunch, she doesn't want her current relationship threatened by Sarah's presence.


The simplicity of Yates's style is in many ways deceptive - huge themes are tackled, but with a touch so light that the ensuing thought-process is largely the reader's. This works well - rather than being force-fed processed emotions like a foie gras goose with purreed nutrients , the reader bites the crisp, uncluttered text and thinks for themselves. When Yates writes of Emily meeting her father for lunch 'she thought he looked surprisingly old as he came down the steps, wearing a raincoat that wasn't quite clean', he encapsulates succinctly the shock many people feel when they first become conscious of their ageing parents' impending mortality and their fallibility.

Of particular understated power are Emily's attempts to find love. At one point she says she doesn't know what love is, but, like most people, she keeps looking. Any person's serial relationships would appear depressing when viewed in retrospect; the hopes with which one embarks on each relationship being dashed by either one's own disillusionment or the other person's.

Perhaps the book's blackness is in part due to Yates's refusal to give in to sentimentality - he doesn't describe the little joys that characterise the good parts in a relationship or life, so that the reader is left with a skeletal sketch of the failures of each. But peering through the dark, I did catch glimpses of hope. For all Tony's grim, bigoted, veiled thuggishness and the joylessness of two of his sons, his and Sarah's middle son Peter is a ray of light, a kind, sensitive person who responds to Emily's reaching out. Even at the end, after Emily's bitter outburst, he is willing to welcome her into his home - the book's first suggestion of unconditional affection for a long time.

Powerful and understated, this is a novel that will make you think for long after you've finished.

Get Down
It's slightly cheeky of Richard Yates's publishers to put out The Easter Parade like a new book, in large format. He's been dead ten years of course, and just didn't have that Calvino-Cookson foresight to plug his drawers with half-baked doodlings on which his family could keep themselves in the manner etc. etc. after his death - what an idiot! - so The Easter Parade is actually an old novel, first published in 1976 and reissued now to cash in on the sleeper success of, well, his last reissue, Revolutionary Road.

Yates is no sentimentalist, and anyone who liked Revolutionary Road will not be expecting a laugh riot, but even so The Easter Parade is remarkably cruel and bleak. He puts his cards on the table in the opening sentence: "Neither of the Grimes sisters would have a happy life..." and the following 220 pages pore over their unhappiness in forensic detail. If this was on TV it would be called When Lives Collapse! or possibly just Endurance.

The sisters are Sarah and Emily Grimes (note Dickensian naming: grim, grime). Their parents divorce and they live with their mother, who likes them to call her Pookie. Their father has a great job in a great newspaper - or so they think, until he tells them how he's really nothing more than a low-status hack. And then dies. Sarah gets married to a grunt called Tony and quickly gets a few kids under her belt. Emily meanwhile, who is really the centre of the book, goes through a string of unsuitable relationships, all of which end badly when he leaves her (because he's impotent) or she leaves him (because he's a bore) or he leaves her (because he's bisexual and wants to explore other avenues, so to speak) or she leaves him, and so on... Meanwhile Tony is beating Sarah about, and the one time that she rings Emily wanting to leave him and move in with her, Emily puts her off because for once she's in a good relationship and doesn't want her sister cramping her brief happiness. Which doesn't last anyway, of course.

Ultimately hardly anyone gets out of the book alive, and I'm not sure if there is a tiny chink of light at the end or if I just imagined it, desperate for relief. I kept reading partly because it's brilliantly written and partly out of morbid curiosity to see what Yates would do to his little laboratory mice next. And it's not only the things that happen to the characters that is cruel, but also Yates's obvious contempt for them.

So it's hard to know what the message is in The Easter Parade (perhaps Yates would have balked at the suggestion, as Douglas Adams did: "No message. If I'd wanted to write a message I'd have written a message. I wrote a book"): that life is hard and then you die? That whatever you throw at them, people will keep coming back for more? That, to quote Kurt Vonnegut, the majority of lives simply aren't worth living? The only thing it told me for sure is that yes, there is a book out there that makes Revolutionary Road look like Hi-de-Hi. (You know: the bit in chapter 4 where Frank Wheeler won the knobbly knees contest.)