Product Details

• Amazon Sales Rank: #3676 in Books
• Published on: 2008-01-04
• Original language: English
• Binding: Paperback
• 320 pages

The Independent Extra
'Few writers have captured the grandeur and cruelty of the American frontier more vividly than Cormac McCarthy...'

Daily Telegraph
'The Coen brothers storm back to form with a nail-bitingly tense adaption of Cormac McCarthy's Tex-Mex thriller'

Daily Express
'...Javier Bardem is an Oscar contender for his chilling performance as an assassin having a very bad hair day'

Customer Reviews

Gripping, Somber, Violent, and Brilliant
I'd never read anything by McCarthy before, but am a huge Coen Brothers fan -- so when I learned that their next project was an adaptation of this book, I made a mental note to check it out. Of course, about a year came and went before I actually read it, and by then the movie was in theaters. So the day after finishing the book, I went out and saw the movie, with the result that my impression of the book and the film are completely intermingled in ways I would have a very hard time untangling. That said, the film version is one of the most faithful adaptations I've come across and a very large portion of its brilliance can be directly credited to McCarthy's novel.

Set in the early 1980s in Texas, the story revolves around three men. First is Llewelyn Moss, a rugged, capable Vietnam vet in his late '30s or so, who lives an honest life, likes a good time, has a sense of humor, and is the kind of handy everyman that makes for a good protagonist. The story opens with him out hunting antelope near the Rio Grande. in the course of which he discovers the aftermath of a heroin deal gone bad: several shot up pickups and a lot of dead Mexicans. He also tracks down a case containing several million dollars, and doesn't hesitate to grab it.

The second main character is Sheriff Bell, a rugged, reflective, weary old-timer in whose county the killings occurred. He speaks to the reader directly in monologues throughout the book, tying the country's history of violence to the violence of the story's events as he tries to figure out just what is going on. These can be rather cheesy and hokey at times, but that's part of the point -- their style established the Sheriff's as a man of the past. The future is embodied by the final man in the trinity, Anton Chigurh. Forget your serial killer or gangster stories, this very odd hit man is among the purest incarnation of evil to be found in modern fiction. He has been hired to track down the missing money, and by his logic anyone who causes him any delay simply needs to be deleted.

Moss's is a classic moral dilemma: what would you do if you found a lot of money. Would it matter where the money came from? Would the amount matter? Etc. In theory, Moss could have gotten clean away with the money, however his own code of ethics betrays him. His return to the scene of the carnage to fulfill a dying man's meaningless request both exhibits his humanity and makes him the prey of this story. Soon he is playing a deadly hide and seek with both Mexican drug dealers and Chigurh, with Sheriff Bell perpetually a step or three behind the action, cleaning up the bodies. Moss's sense of honor isn't his only problem though -- he also suffers from the sin of pride -- in believing he can handle Chigurh, he is responsible for a portion of this tragedy.

For some readers, Moss's decisions may be so improbable and at odds with the stakes involved that they will be frustrated. However, it's important to realize that this isn't a straightforward crime story. McCarthy's clearly using the genre to speak to larger themes, with each of the three main characters as almost mythic figures in a moral landscape of good and evil. Meanwhile, he also subverts the genre in several ways that oughtn't be revealed here but may also greatly frustrate some readers. Nonetheless, told with simple, almost staccato language, this a gripping, somber, and very violent story -- one that makes for both and outstanding read and an outstanding film.

"Out there is a true and living prophet of destruction."
Cormac McCarthy's first novel since completing the Border Trilogy in 1998 is a dramatic change of pace. Gone is the focus on the wild Texas plains and the encroachment of civilization. Gone are the lyrical descriptions of wild nature and young love. Gone is the belief that love and hope have a fighting chance in life's mythic struggles. Instead, we have a much darker, more pessimistic vision, set in Texas in the 1980s, a microcosm in which drugs and violence have so changed "civilization" that the local sheriff believes "we're looking at something we really aint even seen before."

Forty-five-year-old Sheriff Ed Tom Bell must deal with the growing amorality affecting his small border town as a result of the drug trade. The old "rules" do not apply, and Bell faces a wave of violence involving at least ten murders. Running parallel with Bell's investigation of these murders is the story of Llewelyn Moss, a resident of Bell's town, who, while hunting in the countryside, has uncovered a bloody massacre and a truck containing a huge shipment of heroin. He has also discovered and stolen a case containing two million dollars of drug money, which results in his frantic run from hired hitmen. Hunting Moss is Anton Chigurh, a sociopathic cartel avenger, a Satan who will stop at nothing, the antithesis of the thoughtful and kindly Bell. A rival hitman named Wells is, in turn, stalking Chigurh.

By far McCarthy's most exciting and suspenseful novel in recent years, the story speeds along, the body count rising in shocking scenes of depravity. Bell's first person musings about crime, society, and the people around him break the tension periodically, allowing the reader to ponder the wider implications of the action and to see it as a symbolic struggle for man's soul between good and evil, love and hate, God and Satan. As the violence continues and Bell becomes more discouraged, he visits his elderly Uncle Ellis, a former deputy sheriff and war veteran, and as they talk about World War I and the Vietnam War, where they were willing to give their lives for a presumably winnable cause, the contrast between those battles and this battle on the home front is seen in broader and bleaker perspective.

McCarthy's desire to preserve traditional values, and his grim vision of the present and future, reflect a view of life that many readers will not share. The artistry the reader has seen in McCarthy's thematic development throughout the rest of the novel is sacrificed in the last forty pages, in which Bell's overt warnings and cautionary remarks about the future sound preachy. Still, the novel is breathtaking in its construction, and Sheriff Ed Tom Bell is one of McCarthy's best-drawn characters. (4.5 stars) Mary Whipple

It's A Mess, Ain't It Sheriff?
'It's a mess, aint it Sheriff?' 'If it aint it'll do till a mess gets here.' "Sheriff Bell's deputy says to him. And, yes, what a hell of a mess. 305 pages of a riveting book that I read in almost one sitting. I could not stop reading. The "old man" of the book if there is one, is Sheriff Bell. And his wife, Loretta, is the calming influence. Bell's voice is heard through out this book, in italicized version; we recognize that his down to earth common sense views are sure to calm down the violence that starts on page 4. The first murder, and then the second on page 5 and...

The setting is Texas, and the title of the book may be a simile for what is happening in our world and in Texas. Llewellyn Moss, a young cowboy, who works hard for a living and is out hunting antelope, stumbles upon millions of dollars, drugs and 8 dead men in the Texas desert and highland. He does what many of us would do, he takes the money. He understands that his life will never be the same, but it is worth it, isn't it? Money is trouble and Moss is in for as much trouble as anyone could imagine. He has his wife move from their trailer to her mom's to keep her safe. And, Moss, well Moss goes looking for that trouble. And, Zagnorch? Well, find out for yourself.

The character that I am intrigued with is Anton Chigurh. We meet him via a murder in which Chigurh goes from being handcuffed by a West Texas county deputy to driving away in his patrol car, splattered with blood. The telling of the murder is so gory, your heart stops but for a second. The heartlessness of Chigurh is burned into our memory, he will allow some of his victims to flip a coin for their life, but that is just as grizzly as the murders.

The dignity and honor of Moss is contrasted with the heartlessness of Chigurh. We are rooting for Moss, and we understand this may be a little foolishness on our part. As Sheriff Bell says,the problems with our society now starts with the lack of manners. No one says, yes sir, anymore and it is all down hill from there. The lessons stated and learned in Cormac McCarthy's new book are many. We understand we are in the presence of a literary genius. Such a well written and played out novel.

As Sheriff Bell states, "I think if you were Satan and you were settin' around tryin' to think up somethin' that would just bring the human race to its knees what you would probably come up with is narcotics." Money is the root of all evil. Millions of dollars may be equitable to evil, but wouldn't we all like to have a chance to experience it? Anton Chigurh may be likened to evil; will we look evil in the face again?
Highly recommended.