Product Description

'It's just a small story, really, about among other things: a girl, some words, an accordionist, a Jewish fist fighter, and quite a lot of thievery ...' This work is narrated in the all-knowing matter-of-fact voice of Death, witnessing the story of the citizens of Himmel Street: When nine-year-old Liesel arrives outside the boxlike house of her new foster parents, she refuses to get out of the car. Liesel has been separated from her parents - 'Kommunists' - for ever, and at the burial of her little brother, she steals a gravedigger's instruction manual which she can't read. It is the beginning of her illustrious career. In the care of the Hubermans, Liesel befriends blond-haired Rudy Steiner, her neighbour obsessed with Jesse Owens. She also befriends the mayor's wife, who hides from despair in her library. Together Liesel and Rudy steal books - from Nazi book burning piles, from the mayor's library, from the richer people of Molching. In time, the family hide a Jewish boxer, Max, who reads with Liesel in the basement.. By 1943, the Allied bombs are falling, and the sirens begin to wail. Liesel shares out her books in the air-raid shelters. But one day in the life of Himmel street, the wail of the sirens comes too late...A life-changing tale of the cruel twists of fate and the coincidences on which all our lives hinge, this is also a joyous look at the power of book to nourish the soul. Its uplifting ending will make all readers weep.

Product Details

• Amazon Sales Rank: #80834 in Books
• Published on: 2007-01-01
• Original language: English
• Binding: Hardcover
• 592 pages

Amazon.co.uk Review
The Book Thief by Marcus Zusak was the best-selling debut literary novel of the year 2007, selling over 400,000 copies. The author is a prize-winning writer of children's books, and this, his first novel for adults, proved to be a triumphant success. The book is extraordinary on many levels: moving, yet restrained, angry yet balanced -- and written with the kind of elegance found all too rarely in fiction these days. The book's narrator is nothing less than Death itself, regaling us with a remarkable tale of book burnings, treachery and theft. The book never forgets the primary purpose of compelling the reader's attention, yet which nevertheless is able to impart a cogent message about the importance of words, particularly in those societies which regard the word as dangerous (the book is set during the Nazi regime, but this message is all too relevant in many places in the world today).

Nine-year-old Liesel lives with her foster family on Himmel Street during the dark days of the Third Reich. Her Communist parents have been transported to a concentration camp, and during the funeral for her brother, she manages to steal a macabre book: it is, in fact, a gravediggers’ instruction manual. This is the first of many books which will pass through her hands as the carnage of the Second World War begins to hungrily claim lives. Both Liesel and her fellow inhabitants of Himmel Street will find themselves changed by both words on the printed page and the horrendous events happening around them.

Despite its grim narrator, The Book Thief is, in fact, a life-affirming book, celebrating the power of words and their ability to provide sustenance to the soul. Interestingly, the Second World War setting of the novel does not limit its relevance: in the 20th century, totalitarian censorship throughout the world is as keen as ever at suppressing books (notably in countries where the suppression of human beings is also par for the course) and that other assault on words represented by the increasing dumbing-down of Western society as cheap celebrity replaces the appeal of books for many people, ensures that the message of Marcus Zusak’s book could not be more timely. It is, in fact, required reading -- or should be in any civilised country. --Barry Forshaw

The Guardian
Unsettling, thought-provoking, life-affirming, triumphant and
tragic, this is a novel of breath-taking scope, masterfully told...A
wonderful page-turner.

Lisa Hilton, Sunday Telegraph
Extraordinary, resonant and relevant, beautiful and angry.

Customer Reviews

genuinely heart provocking
I have a tendancy to buy books with the word book in the title. So, when I saw this novel i was intrigued. I have never read a book before where the narrator is in fact death. It also embarks onlooking at the touchy subject of ww2 in a lovingly beautiful way. The story focusses on a young girl called Liselle, whose mother, siblings and father are all victims to the Nazis. A German family take her in and lovingly look after her.
It's when they hide the Jew in their basement when the true sadness of the war comes to light i genuinely have never shed a tear from a book before until I read this. This book is perfect for any age and I appeal to everyone to read it to understand its true beauty , one if not one of ther best novels I have ever read

Just read it!!!
I am not sure how to describe this book - without either giving too much away - or making it sound depressing and grisely which it is not at all. Suffice to say this is a novel narrated by death. It is the story of a young girl living in Nazi Germany, who goes to live with a foster family,and learns to read, and falls in love with: books, her new Papa, a boy called Rudy, and a Jew hiding in a basement. It is also a story of WW2 - from a persepective we don't often see - ordinaary Germans - some of whom were members of "The Party."

Death takes the reader by the hand, and leads us through the lives and deaths of people in Liesel's world, he kind of "gives the game away" a few times - and yet that never spoils it - it prepares the reader for what's ahead.
This is an astonishing book - the writing is great - an unusual style - but one that fits perfectly somehow with the voice of Death - and that of the unforgettable Liesel.

Touching story of World War II
The Book Thief is the story of a ten year old orphan girl in Germany in World War II.

It is narrated by Death, who adds a wider historical perspective to the particular story of this little girl's coming of age. If this device is a conceit, it works pretty well. After a while, Death is just another character or narrator, with an adult, dry sense of (black) humour. In many ways the use of Death as a narrator reminded my of The Lovely Bones. Readers who enjoyed that book will welcome this one.

Marcus Zuzak handles his themes of loss and love deftly, and the story is made more interesting because it is the story of decent, unpolitical German people, who sometimes do wrong and sometimes do right; a book of moral contingencies then.

The writing is fluid, charming and genuinely touching. This book is highly recommneded.