Product Details
The Twentieth Century Performance Reader

The Twentieth Century Performance Reader
From Routledge

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Product Description

This is the key introductory text to all types of performance with extracts from fifty practitioners, critics and theorists from the fields of dance, drama, music, theatre and live art.


Product Details

  • Amazon Sales Rank: #197308 in Books
  • Published on: 2002-07-18
  • Original language: English
  • Number of items: 1
  • Binding: Paperback
  • 488 pages

Editorial Reviews

From the Back Cover
The Twentieth Century Performance Reader is the key introductory text to all types of performance. Extracts from fifty practitioners, critics and theorists from the fields of dance, drama, music, theatre and live art make up an essential sourcebook for students, researchers and practitioners.
A bestseller since its publication in 1996, this second edition has been fully updated and includes:
* New writings by practitioners and theorists
* Notes about each writer
* A completely new introduction.
Each extract is fully supplemented by a contextual summary, a biography of the writer, and suggestions for further reading. Organised alphabetically, this reader makes it possible to compare major writings on all types of performance in one volume. The ways in which different performance practitioners' ideas inter-relate are pointed out in a series of detailed cross-references for readers. In so doing it becomes clear that one of the key features of twenty first century performance is its boundlessness and its capacity to cross borders.
All who enjoy or work with live innovative performance will find this book invaluable.

About the Author
Michael Huxley is head of performing arts at De Montfort University, Leicester, and author of articles and reviews on dance and dance theatre. He is actively engaged in promoting the performing arts within higher education at degree level.
Noel Witts is head of postgraduate theatre studies at Hull University's Scarborough Campus, and also teaches postgraduate scenography at the London Institute, where he is visiting research fellow. He is the author of ten major documentaries on aspects of European theatre and has written arts programmes fore the Open University.


Customer Reviews

def a keeper4
although its a bit on the expensive side it has information on lots of diffirent practioners sometimes with interviews and experts from lots of diffirent books. i didnt use it much at first but i keep refering back to it everyso offten and its a good start point to get rough ideas of what there methods were and offers further reading as well. a keeper