Product Description

Thomas Hardy is one of the sacred figures in English writing, a great poet and a novelist with a world reputation. His life was also extraordinary: from the poverty of rural Dorset he went on to become the Grand Old Man of English life and letters, his last resting place in Westminster Abbey. This seminal biography, by our leading biographer, covers Hardy’s illegitimate birth, his rural upbringing, his escape to London in the 1860s, his marriages, his status as a bestselling novelist, and in later life, his supreme achievements as a poet.

Product Details

• Amazon Sales Rank: #81171 in Books
• Published on: 2006-10-05
• Original language: English
• Binding: Hardcover
• 486 pages

About the Author
Claire Tomalin was literary editor of the New Statesman and Sunday Times. She has published a collection of journalism and is the author of seven highly acclaimed biographies, including: The Life and Death of Mary Wollstonecraft (Whitbread First Book Prize); The Invisible Woman: The Story of Nelly Ternan and Charles Dickens (Hawthornden Prize, the NCR Book Award and James Tait Black Memorial Prize for Biography); and Pepys: The Unequalled Self (Whitbread Book of the Year).

Customer Reviews

Hardy the Enigma
Thomas Hardy will always remain something of an enigma: a man best known for his lyrical descriptions of landscape and country life who almost without fail chose to spend the summer months in the smog and grime of London; a man who wrote some of the most moving love poems in the language in honour of his wife but only after her death and only after treating her with cold neglect during their marriage. A man obsessed with class and social status who in his novels always sided with the underdog. He is, I suspect, simultaneously a biographer's dream subject (so many contradictions, such a fascinating character) and worst nightmare (so enigmatic and so inconsistent).

I thoroughly enjoyed Claire Tomalin's book, although I do have one or two reservations. She is excellent on Hardy's attitudes towards women. Hardy clearly adored the ladies, albeit in an idealised sense. One only has to read his descriptions of Eustacia Vye in 'The Return of the Native' or of Tess in the book that bears her name to see how much beautiful women appealed to him, and indeed how well he understood them. The women in his own life however, especially his first wife Emma Gifford, failed, through no fault of their own, to live up to his ideals and he sadly became tired of them. Emma's journey as Hardy's wife, taking her from a free-spirited girl to a sad and lonely figure living almost alone in an attic, is well explained in the book. You sense Tomalin has a deep sympathy for Emma and she does much to portray her as a thinking, feeling human being. A woman who played a major role in Hardy's development both as a novelist and as a poet.

The book is also very good on Hardy's childhood and his youthful friendship with the brilliant but troubled Horace Moule. Youthful experiences are important in the development of any writer and Tomalin does Hardy full justice here. Where I think she does less well is with Hardy the elderly gentleman. He struggles for success, he writes his novels, he falls in and out of love with numerous fascinating women, his wife dies and he writes several beautiful poems in her honour .... and then it all seems to drift into nothingness. Hardy lived for sixteen more years following Emma's death, he remarried, published several excellent volumes of poetry and became a grand old man of English letters, courted by royalty and the literary establishment alike, and yet this part of his life seems very sketchily dealt with in the book, almost as if the author had rather lost interest. Also a few errors creep in. At one point Hardy is described as visiting Samuel Hoare and his wife, Lady Alda Hoare, at Stourhead. Hardy certainly visited Lady Alda at Stourhead, but she was married to Henry Hoare, not Samuel. Samuel Hoare, the politician, had nothing to do with either Lady Alda, Stourhead or indeed with Hardy.

Still these are minor quibbles with what is generally a good and informative read. Besides, the best measure of success for any literary biography is the speed with which it sends the reader back to the works of the author under discussion. As I have already started re-reading one of Hardy's novels, in this sense, Claire Tomalin has succeeded admirably.

A good read, but. . .
For all that it is as well-written and page-turning as we would expect from Claire Tomalin, there is very little that is at all new in this biography, and one is left wondering just why it was written. She steers a path between the cold factuality and often wrong-headed assumptions and condescension of Michael Millgate, and the wonderfully sympathetic, red-blooded and humorous account by the late Martin Seymour-Smith, but never really brings her subject(s) to life. It is, if anything, a bit thin. It is worth having, certainly, but does not compare favourably with the recent biography by Ralph Pite which, though more clunkily written, offers numerous fresh insights.

Highlighting the poetry
Claire Tomalin's biographies are always worth reading, she's one of the few biographers I read no matter who their subject is. Thomas Hardy is one of my favourite novellists and poets, so this was a perfect match for me. Tomalin manages to say something fresh about a man who has been endlessly written about. She concentrates on the poetry, which has often been relegated to second place behind the novels. She also shines a light on Hardy's relationship with his first wife, Emma, who emerges from the book as a spirited and exciting young woman. The book opens with a beautifully written chapter on Emma's death and how this inspired Hardy to write some of his most beautiful love poems. Their relationship had deteriorated to the point where they hardly spoke and Emma lived in the attic, but her death released all his happy memories of their courtship and early life together. Tomalin's previous books on Ellen Ternan and Dorothea Jordan have shown her ability to imagine the lives of women on the margins, and with Emma Hardy, she has recalled her to life. The book sent me back to the work, which is what I look for in a literary biography.