Product Details

• Amazon Sales Rank: #248 in DVD
• Released on: 2007-09-17
• Rating: Suitable for 15 years and over
• Aspect ratio: 1.78:1
• Formats: Anamorphic, PAL
• Original language: German
• Subtitled in: English
• Number of discs: 1
• Running time: 132 minutes

Amazon.co.uk Review
In the former East Germany, no-one was above suspicion. Like George Orwell's vision of the future come to life, art and people and relationships were monitored obsessively; The Lives Of Others captures not only the paranoia and danger inherent in such a world, but also expresses hope that even in the most desperate situations, people can make a difference.

The story of The Lives Of Others unfolds mostly through the eyes of a secret service agent who's been given the task of spying on an artistic couple who've attracted the attention of the Minister of Culture. Little by little, he's drawn into their lives even as we're drawn into his; and as he loses his faith in the government, he must decide whether or not to try to hide the transgressions of those he's watching. As the physical danger and emotional cost mounts, it's impossible not to become utterly engrossed; intelligent and well-written, The Lives Of Others is also deeply moving.

It's rare to find a film that really deserves its rave reviews, and considering The Lives Of Others won a Best Foreign Language Film Oscar, it's got a lot to live up to. Happily, it's more than just up to scratch--it's absolutely brilliant. --Sarah Dobbs

Synopsis
In East Berlin in 1984, the secret police, known as the Stasi, are gaining more and more control, spying on German citizens, and recruiting thousands of them to spy on each other. Captain Gerd Wiesler (Ulrich Muhe) has been ordered to find something on playwright Georg Dreyman (Sebastian Koch), so he sets up a surveillance room and listens closely as Dreyman, his actress girlfriend, Christa-Marie Sieland (Martina Gedeck), and various suspected radical friends gather in their apartment. But when Wiesler discovers that culture minister Bruno Hempf (Thomas Thieme) cast suspicion on Dreyman only so he can have his way with Sieland, the master interrogator and torture teacher starts taking a long look at just what it all is about. THE LIVES OF OTHERS, co-written and directed by first-timer Florian Henckel von Donnersmarck, is a tense, compelling thriller about a critical time in German history. Muhe is mesmerising as the complicated Wiesler, a loyal soldier until he learns too much. The wildly talented Koch is outstanding as Dreyman, a man with a lot to say but desperate to avoid the same fate as his mentor, theatre director Albert Jerska (Volkmar Kleinert). Inspired by actual events and real characters, THE LIVES OF OTHERS was nominated for an Oscar for Best Foreign Language Film in 2007. Interestingly, during and after the filming of the movie, several of the actors (including Muhe) found out that they or their families had been victims of the Stasi--and in one case, the father of an actor (Charly Hubner) was revealed to have been a member of the Stasi himself.

Customer Reviews

Easily one of the top five films I have ever seen...
Utterly, utterly wonderful. This is a story of redemption and atonement and explores whether, and to what extent, they are possible. The contrast of the personal joy, love, friendship, kinship and art, against the backdrop and circumstance of the 1984 GDR is completely sublime and the direction is faultless. It is the acting that is jaw-dropping though - an Oscar for Best Foreign Language Film is fantastic recognition, but at least three of the four major acting gongs would have found a more deserved home here. The ending is the most appropriate and well edited I have ever come across and left me in tears - a personal first for any film. I cannot give it higher praise than the truth - I have never seen better cinema than this. Enjoy.

A sad, thoughtful and redemptive film
The Lives of Others (Das Leben der Anderen) is one of the best films I've seen in a long, long time. It's sad, thoughtful and redemptive, and it deals with major themes. We're in East Germany a few years before the fall of the Berlin wall. The Stasi are everywhere, watching everyone and punishing in brutal or subtle ways anyone who might be even an implied threat to the government. Their greatest tool is the system of informers that reaches everywhere, people who may relay indiscretions to the Stasi because they believe in what they are doing, but more often are compromised into doing so. People are given terrible choices to either work with the Stasi as informers or see their careers or their children's futures destroyed. One-third of the East German population is kept under Stasi surveillance. Everyone, it seems, is being watched by someone.

Georg Dreyman (Sebastian Koch) is a playwright who has made his accommodations with the regime, has won awards and has learned not to go too far. The mere fact that he is seen as reliable makes him a subject of Stasi interest. That, and because his lover, the actress Christa-Maria Sieland (Martina Gedeck), is coveted by a powerful official who wants Dreyman ruined. Hauptmann Gerd Wiesler (Ulrich Muhe), a dedicated, colorless Stasi officer, noted for his reliability and interrogation skills, is assigned the job of monitoring Dreyman. This means installing bugs in Dreyman's apartment where Dreyman lives with Sieland, setting up 24 hour monitoring, recording everything and preparing reports. Wiesler takes his share of listening in. Weisler seems to have no purpose but his dedication to the ideals of the East German system, but even he can see the corruption of those ideals. He has no friends to speak of except his boss, who knows which way the wind can shift. Dreyman, on the other hand, is a handsome man of talent who loves Christa and who has seen a close friend and talented director banned from the theater for speaking too clearly. Dreyman gradually finds the conscience he had put on hold in order to be successful. Wiesler gradually finds himself, through listening in, drawn to an awareness of the compromises and corruption he knows has seeped into a system he once believed in. Even more subtly, he finds himself drawn into the lives of Dreyman and Christa-Maria. Slowly, cautiously and anonymously, Wiesler begins to protect Dreyman. All the while we are witness to the pervasive spying on people, the pettiness, the corruption of authority, the use of subtle threats to keep people in line, the almost comic meticulousness of the Stasi and their obsessive record keeping on everyone. The conclusion of the film brings us well past the fall of the Berlin wall, when the full evidence of Stasi spying and the corruption of so many to be informers became evident. We see what happened to both Dreyman and Wiesler. I found the ending to be very, very emotional.

This was director von Donnersmarck's first feature film. He also was the writer. The acting is just as good as the film, particularly Muhe, Koch and Gedeck. Muhe has perhaps the toughest job. He has to show us this dedicated functionary first relentlessly breaking a suspect through calm, psychological questioning, then gradually, gradually letting us see Wiesler's doubts and humanity as he listens into to the lives of Dreyman and Sieland. Muhe makes us aware of Wiesler's changing outlook no faster than Weisler becomes aware of them himself. It's a subtle, strong performance.

Amazing
This film holds you spellbound. I saw it first in the cinema and you could have heard a pin drop. Had read the critics rave reviews particularly about one actor but didn't realise who it was until about half hour into the film. Ulrich Muhe is absolutely superb in his role as the Stasi Officer. He gives a faultless performance. He dominates every scene. How sad to find out he died not too long after making this film. This film is without doubt the best film I have seen in many years. The atmosphere of the GDR inhibits you. The horrors and loss of liberty suddenly become real to the viewer in a way that has never been portrayed before. Fantastic direction of superb actors at a magnificent pace. Buy this and add it to your collection, it will become a classic.