Product Details

• Amazon Sales Rank: #27000 in VHS
• Released on: 2001-03-19
• Rating: Suitable for 18 years and over
• Formats: Closed-captioned, Dolby, PAL, Surround Sound
• Number of tapes: 1
• Running time: 139 minutes

Amazon.co.uk Review
James Cameron wrote the script for this not-so-futuristic science fiction tale about a former vice cop (Ralph Fiennes) who now sells addicting, virtual reality clips that allow a user to experience the recorded sensations of others. He becomes embroiled in a murder conspiracy, tries to save a former girlfriend (Juliette Lewis), and has a romance with his chauffeur and bodyguard (Angela Bassett). Cameron's ex-wife, director Kathryn Bigelow (Point Break), brought the whole, busy, violent enterprise to the screen, and while the film's socially relevant heart is in the right place, its excesses wear one out. Some of the casting doesn't quite click either: Fiennes isn't really right for his nervous role, and Lewis is annoying (and unbelievable as the hero's much-yearned-for former squeeze). Expect some ugly if daring moments with the virtual reality stuff. --Tom Keogh, Amazon.com

Synopsis
Lenny Nero is drawn into a world of power, money and paranoia. Set during the final hours of 1999.

Customer Reviews

Extremely underrated and misunderstood
Strange Days is a film which has recieved a lot of pretty unfair criticism. One of the main complaints is that this is simply a standard underworld thriller given some futuristic SF gloss. In a way this is kind of true but classic Noirish storytelling is just one of several themes / ideas Bigelow and Cameron explore with this project. Strange Days is an overly ambitious film- but as overly ambitious films go it's probably one of the best there is. Religion, the turn of the millennium, virtual reality, prostitution, police corruption, racism- it's a lot for just over two hours but the fact that this film works is testament to it's makers' talents. Yes, Cameron's gone incredibly rubbish since with the absurd titanic (technically brilliant maybe but without doubt his worst film- including Piranha 2!). As to Bigelow- what problem do other reviewers have with her "Choice of material"? Near Dark, Blue Steel and Point Break are all excellent films (although I admit bad reviews put me off bothering with the Harrison Ford submarine one).
Strange Days also features standout performances from everyone in it. Fiennes is brilliant in one of his legendary transformational performances as the "likeable loser" Lenny (this was the first thing I ever saw him in and still have trouble accepting him for the posh Englishman he really is!) Juliette Lewis is great too- she sings for the first time here (actually two excellent P. J. Harvey covers) and her new band Juliette and the Licks are well worth checking out. Also having done the whole tormented loner/slightly crazy girlfriend thing in the past can tell you Lenny and Faith's story/relationship certainly is real, believable and really quite touching.
Michael Wincott is also very memorable as bad guy Gant. As great as he was in The Crow and Dead Man I think this has to be the best long- haired, mad- eyed villain with a voice sounding like a brick in a cement mixer on his considerable list of such characters.
In summary, Strange Days very nearly is as clever as it thinks it is. Yes, it is a lot of themes/content for one film (but considering you couldn't so much as swear on American TV in 1995 what other medium would have suited the material?) There are a great deal more reasons why Strange Days is a great film- too many to go into here really. Mainly though, it's just cool. It looks and sounds amazing and the soundtrack album's definately worth buying too.

Underrated action flick with intelligence leaves you stunned
This underrated slice of paranoid future gazing is that all too rare thing in cinema: an action flick with its forebrain switched on. Written by James Cameron (Terminator, Titanic) and stunningly directed by Kathryn Bigelow (Near Dark, Point Break), Strange Days tells of the struggles of ordinary people grasping at what's left of their humanity against a backdrop of a decadent and morally bankrupt society. Sound heavy? It isn't.

Ralph Fiennes excels against type as Lenny Nero, a decent man making an indecent living, selling recorded clips of other peoples' reality on the black market. Still in love with his ex , rock star Faith (Juliette Lewis), Nero is blind to the love closer to him in the shape of his best friend Angela Basset. All three are drawn into a tangled and dangerous mystery when one of Lenny's illegal clips reveals an incident so shocking that it's implications could rock the nation to its very core. All this on the eve of the biggest party the world has ever seen and the stage is set for an adrenalin rush of the highest caliber.

Whilst Strange Days' plot is a complex one, like Blade Runner before it, Bigelow's movie triumphs in its ability to create a world which is utterly believable. Familiar enough to be genuinely recognizable, this reality takes our moral decline to its extremes, so that there is a sense of true possibility about what we are watching. The device of experiencing other peoples' thoughts and feelings is far from new in science fiction, think of Brainstorm for example, but it has never been used to such thrilling and believable effect as here. Added to this, the characterization is far from your standard action film fare, with people we actually care about and want to survive. Their relationships are fueled with emotion, and so are we as our hopes for them reach fever pitch as they battle against those the revelatory tape threatens to expose.

If the film has a flaw, it's that it tries to be too many things. Love story, science fiction, action adventure, moral commentary, Strange Days is as ambitious as a mainstream Hollywood action movie gets. It has things to say, and it says them magnificently.

This is due in no small part to the often amazing work of Bigelow, proving here to be one of our finest action directors. From the opening one-take shot in which we see a high octane robbery and shootout all from the point of view of the robber (including his fall from a very tall building), Bigelow keeps us on a knife edge throughout whilst not allowing the action to get in the way of the characters. The film is visually one of the most stunning I have seen, with the Millennium celebrations brought amazingly to life in a street party of epic proportions, and a final struggle in the crowds against a corrupt policeforce which will leave you gasping and weeping at the same time.

For all its high-powered, loud and heart pounding drive to its conclusion, there is a tender heart at the center of Strange Days which offers hope and reconciliation, and that's what you leave the film remembering. For an action flick to even attempt what Strange Days attempts is brave. For it to have succeeded in so many ways is remarkable.

Strange Days was the most underated movie of 1997 (98?)
I have never understood why this film didn't boom. Great story, strong cast and a pulse which kept me on the edge of my seat. One of the only movies I can honestly say, I've watched dozens of time without getting bored.

In the top 15 of all time...