Solaris [DVD] [1972]
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Average customer review:Product Details
- Amazon Sales Rank: #2022 in DVD
- Released on: 2002-01-21
- Rating: Parental Guidance
- Number of discs: 2
- Formats: Black & White, Colour, Dubbed, PAL, Widescreen
- Original language: German, Russian
- Subtitled in: English, French, German, Spanish, Portuguese, Italian, Dutch, Swedish, Hebrew, Japanese, Russian
- Number of discs: 2
- Running time: 159 minutes
Editorial Reviews
Amazon.co.uk Review
Released in 1972, Solaris is Andrei Tarkovsky's third feature and his most far-reaching examination of human perceptions and failings. It's often compared to Kubrick's 2001, but although both bring a metaphysical dimension to bear on space exploration, Solaris has a claustrophobic intensity which grips the attention over spans of typically Tarkovskian stasis. Donatas Banionis is sympathetic as the cosmonaut sent to investigate disappearances on the space station orbiting the planet Solaris, only to be confronted by his past in the guise of his dead wife, magnetically portrayed by Natalya Bondarchuk. The ending is either a revelation or a conceit, depending on your viewpoint.
On the DVD: Solaris reproduces impressively on DVD in widescreen--which is really essential here--and Eduard Artemiev's ambient score comes over with pristine clarity. There are over-dubs in English and French, plus subtitles in 12 languages. An extensive stills gallery, detailed filmographies for cast and crew, and comprehensive biographies of Tarkovsky and author Stanislaw Lem are valuable extras, as are the interviews with Bondarchuk and Tarkovsky's sister and an amusing 1970s promo-film for Banionis. It would have been better had the film been presented complete on one disc, instead of stretched over two. Even so, the overall package does justice to a powerful and disturbing masterpiece. --Richard Whitehouse
DVD Description
DVD Special Features:
Filmographies
Stills Gallery
Andrei Tarkovsky and Stainslaw Lem biographies
Interview with actress Natalya Bondarchuk
Lead actor Donatas Banionas featurette
Interview with Andrei Tarkovsky's sister Marina Tarkovskaya
Subtitles: English, French, German, Spanish, Portugese, Italian, Dutch, Swedish, Hebrew, Chinese, Japanese and Russian
Dolby Digital 5.1 soundtrack in English, Russian and French
Enhanced for Widescreen TVs
Synopsis
SOLARIS, director Andrei Tarkovsky's science fiction cult classic, presents an uncompromisingly unique and poetic meditation on space travel and its physical and existential ramifications. When a long-standing Russian space station hovering above the planet Solaris begins to report strange phenomena, Kris Kelvin (Donatas Banionis), an eager and intrepid cosmonaut, departs for the station in order to investigate. Warned by former Solaris specialists that the planet presents incomprehensible obstacles, Kelvin is nevertheless secure in his mission. However, the minute he steps foot onto the haunted and desolate space station, everything changes. Kelvin learns that of the three members left on board, one has killed himself and the remaining two have seemingly become schizophrenic recluses. When Kelvin's dead ex-wife appears out of the shadows, the reports that Solaris is a thinking being capable of reading human minds and materializing their desires and memories are proven true. As Kelvin joins the rest of the crew in a seemingly life-or-death struggle to understand this phenomena, Tarkovsky crafts a mind-altering earthbound space odyssey. Filled with visions of humanity versus itself, SOLARIS takes the philosophical investigations of Stanley Kubrick's 2001: A SPACE ODYSSEY to extravagant lengths and offers no answers except this: The only frontier humanity has yet to conquer is that of its own existence.
Customer Reviews
Science fiction with spiritual quest
The story follows the book "Solaris" by Stanislav Lem. Solaris is a planet covered by the ocean. One of the hypothesis is that this ocean is a thinking matter that tries to correspond with humans. Misterious events happen at Solaris space station: personnel disappears, scientific experiments are in dolldrums, eventually contact with station is lost. A researcher played by the famous Soviet era Lithuanian actor - Banionis - is sent to investigate the situation and take a decision on whether to continue the work on a station or close it down...
However, let the viewer be forewarned that anybody expecting a thriller will be utterly disappointed. The film is a contemplation and analysis of what we consider important in our lives. The questions of duty, love, memory, nostalgia and soul occupy most of the film's content. In a way, science fiction only serves a purpose of the best conduit to explore the most important issues of human existence.
It is a definite tribute to Tarkovsky's mastery that film manages to convey its ideas with a bare minimum of science fiction stunts (if any) and very minimal other technical means of expression. Aspiring film makers can learn from Tarkovsky on how to create one of the most powerful images ever seen in the world cinema without big budgets or artificial wizardry.
Tarkovsky is a very consistent director in his film making. The attention to small details of nature, slow camera exploration of every shot will be familiar to the viewers who saw his other films. Indeed, after Mirror and Andrei Rublev, Solaris is a natural progression of Tarkovsky's initiate. The pleasure of recognising the common themes of all his films is an important viewing experience.
Solaris is more understating than "Mirror" or "Andrei Rublev" in its expression of Tarkovsky's own views. While it makes the film a touch more dificult (relative to the other two films)to understand, it definitely gives the viewer more room for interpretation and own exploration of spiritual topic.
The slow and thoughtful nightmare of reality.
Probably the worst thing about Solaris is the remake that has brought hundreds of MTV generated minds to the doorstep of Russian film making only to balk at what they get in the end. This isn't about lots of explosions and face paced editing. It is about enjoying a novel that has been brought to life. Solaris is derived from a book of the same name by polish writer Stanislaw Lem and is directed by the acclaimed russian film maker Andrei Tarkovsky in 1972.
The opening sequence revolves around a family of astronaughts who talk about their lives and space travel. It turns out that something very strange is happening on a planet called Solaris which is recalled through a soviet type interrogiation sequence like something out of the x-files. Like in much of David Lynch's work people say and talk about wierd things. Nothing seems to make sense.
Zipping through a montage of nature/urban photography we find our hero on a space station orbiting solaris where the crew have all gone but mostly crazy. Slowly our hero begins to discover what is going on.
Tarkovsky's photograph is a must see. This is a 1972 Russia production and even thought the print has jumps and bad bits - UK or American cinematography pales in comparison, even today. This film is totally out there and like most of Trakovski's films and is full of philosophy and psychological drama. If you prefer a slow peaceful and thoughtful movie then this is the one for you. I also highly recommend Stalker which is another sci-fi classic from this same director.
A spiritual milestone in the history of cinema
SOLARIS remains Tarkovsky's most spiritually intense film - an unparalleled achievement that quietly gathers force with each passing year. Entirely devoid of the glibness and hip irony that cripples much of today's cinema, SOLARIS is an unapologetically earnest and sincere attempt to explore the state of the human soul and the redemptive powers of simple, human love.
The DVD transfer is very good, but without knowing the condition of the print used or the technical details of the transfer, one can't really make a judgement. Suffice to say, it's superior to the VHS editions I have seen and is presented in its original aspect ratio. The extra features are fascinating and include present day interviews with actress Natalya Bondarchuk, Tarkovsky's sister and a late sixties featurette on lead actor Donatis Banionis (a revered stage actor). There's also an original trailer/promo spot for Mirror, with a glimpse of Tarkovsky himself, and some good production stills on Disc 2. The major complaint here though, derives from the ridiculous decision to put the film itself onto 2 discs. Why not place the film in its entirety onto disc one and the extra features onto disc two as most other companies do?
In summary, if you don't mind flipping discs halfway through, and you're as continually amazed and moved by the cinematic power of Andrei Tarkovsky, then buy this DVD now!!
Daniel S Graham
Sydney, Australia
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