Gossip in The Grain
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| Price: | £4.98 |
Availability: Usually dispatched within 1-2 business days
Dispatched from and sold by Amazon Media EU S.à r.l.
Product Details
- Amazon Sales Rank: #6493 in Digital Music Album
- Published on: 2008-10-13
- Released on: 2008-10-13
- Running time: 2705 seconds
Customer Reviews
A great show of diversity and longevity
Like many great albums this is a grower. You'll think you know what your favourites are but you'll listen again and other songs will emerge as magic. Trouble was heartfelt whilst retaining catchiness. TTSTB was dark, epic and moving. `Gossip' is all of those things and so much more. Here Ray shows what he is capable of in Genres from Soul to Country to Folk to Foot Stompin' Blues and back to gut wrenching Soul. This is a man that LISTENS to music. Lots of music and absorbs it like a sponge.
The single (You are the best...) is just pure STAX soul. Let It Be Me takes us back to classic Ray indicative of `Shelter' off Trouble. Wonderful vocals here. Sarah is a wistful ukulele laden number that reminds me of early Van Morrison. I Still Care for You with Leona Naess is a beautiful and calming song (a real grower). Winter Birds is possibly the greatest song the man has ever written. Nick Drake style picking with very strong images conjured up in the lyrics pertaining to the winter months.
After the first half, this album takes a trip through country and blues paying a tongue in cheek homage to Meg White. As well as a glimpse at his sense of humour, Meg White has some very Beatles-esque (White album) backing vocals. There is also use of the Metronome used on the White album. Hey Me, Hey Mama has a real jaunty barn dance feel to it. I can imagine an instrumentally talented southern family jamming this on their porch one Sunday afternoon. Henry Nearly Killed Me is what many fans have been waiting for...a blues foot stomper (hey he has the voice for it). My only complaint about this is that it doesn't breakout to be MORE raucous. A Falling Through (another grower) calms things down to bring us to the end which is the title track. The closing song wouldn't have been out of place on TTSTB with its eerie air about it and the scrape of Ray's pick audible over the strings, a great finish.
Overall I'd give the album 4.5 but settled for 5 (to compensate for the ridiculously childish and uninformed reviews of some of the others). Ray Lame-ontagne?? Deary Me. If you like blues/soul/country plus all the other sounds and individuality associated with established American music, then I recommend giving this a real listen.
Humble Genius
First of all I would like to address the other review L.Nash has left. Leaving a three star review for an album of which he's heard only one song, which he said he liked, is unbelievable. I'm sure his intentions were good but when this album starts to get a lot of reviews, that three star clanger will drag the rating down.
Thanks to one of Ray's websites I have heard six songs off the album and I can confirm that the man with the voice like a dusty cabinet is still in a rich vein of form. The track listing has now changed. Instead of Achin' All The Time we get the brilliant You Are The Best Thing. I've also heard Hey Me Hey Mama, Sarah, Winter Birds, Meg White and Let It Be Me. If you've listened to a Ray album or are lucky enough to have caught him live you'll know what to expect from this third album, and from what I've heard so far it won't disappoint. Easiest five stars I've had to give.
one that grows
A great album full of songs that might seem to be slipping past (quiet and subtle and earnest) but which contain lines and thoughts and moments that stop you short. It's less full throttle than 'Trouble' but the urgency has not gone from the music. Ray LaMontagne is incapable of dishonesty and that integrity on its own is moving. But that's not all. The musicianship is fine and there's a lot of space in the production. There are lovely changes of rhythm. 'Gossip in the Grain' is more experimental and wide-ranging than 'Trouble', and a step on too from 'Till the Sun Turns Black'. It is in many ways hypnotic. The overall tone is restrained, but it's exciting because you can hear how the songs will unfold when played live. At the core of it all there is LaMontagne's turning to face life as honestly as he can.
Stand out songs: 'Let it Be Me', 'Sarah', 'Henry Nearly Killed Me' and 'A Falling Through'.



