Becoming a Writer
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Average customer review:Product Description
Describes a writer's temperament and how to develop a writer's habits, originality, and insight, imitate exemplary works, read critically, and overcome writing difficulties. This guide to becoming a writer was originally published in 1934. It focuses not just on plotting techniques or prose style, but on the process of developing the habits and discipline of a writer, with beating writer's block, reading to improve one's writing and other psychological techniques. Refreshingly slim, beautifully written and deliciously elegant, Dorothea Brande's BECOMING A WRITER remains evergreen decades after it was first written. Brande believed passionately that although people have varying amounts of talent, anyone can write. It's just a question of finding the "writer's magic" - a degree of which is in us all. She also insists that writing can be both taught and learned. So she is enraged by the pessimistic authors of so many writing books who rejoice in trying to put off the aspiring writer by constantly stressing how difficult it all is. With close reference to the great writers of her day - Wolfe, Forster, Wharton and so on - Brande gives practical but inspirational advice about finding the right time of day to write and being very self disciplined about it - "You have decided to write at four o'clock, and at four o'clock you must write." She's strong on confidence building and there's a lot about cheating your unconscious which will constantly try to stop you writing by coming up with excuses. Then there are exercises to help you get into the right frame of mind and to build up writing stamina.
Product Details
- Amazon Sales Rank: #24053 in Books
- Published on: 1981-01-01
- Original language: English
- Number of items: 1
- Binding: Paperback
- 192 pages
Editorial Reviews
Amazon.co.uk Review
Refreshingly slim, beautifully written and deliciously elegant, Dorothea Brande's Becoming a Writer remains evergreen decades after it was first written. Brande believed passionately that although people have varying amounts of talent, anyone can write. It's just a question of finding the "writer's magic"--a degree of which is in us all. She also insists that writing can be both taught and learned. So she is enraged by the pessimistic authors of so many writing books who rejoice in trying to put off the aspiring writer by constantly stressing how difficult it all is.
With close reference to the great writers of her day--Wolfe, Forster, Wharton and so on--Brande gives practical but inspirational advice about finding the right time of day to write and being very self disciplined about it--"You have decided to write at four o'clock, and at four o'clock you must write." She's strong on confidence building and there's a lot about cheating your unconscious which will constantly try to stop you writing by coming up with excuses. Then there are exercises to help you get into the right frame of mind and to build up writing stamina.
This edition comes with an informative foreword by the late Malcolm Bradbury, a man who knew a thing or two about teaching writing, having pioneered the innovative MA course in creative writing at the University of East Anglia which nurtured, among many other writers, Rose Tremain, Ian McEwan and Kazuo Ishiguro. It's a pity, however, that Brande (and Bradbury) define "writing" so narrowly. They refer only to novels and short stories--ignoring biography, travel writing, plays, poems, essays and reportage. In fact, Brande is unreasonably dismissive of journalism as if it were just an uncreative, prostituted form of "real" writing. --Susan Elkin
Customer Reviews
Don't think about it - buy it.
I can't believe I'm the first person to reivew this book which has to be one of the best known and best loved of all 'how to' books ever written. It does not tell you how to write - it tells you how to become a writer and it's probably best to read it before you start writing. It tells you how to balance your writing life with the rest of your life, and how to keep your editorial self and your creative self working in harmony. It gives you exercises to develop the writing habit and, quite early on, it does something so brave, I've not seen it repeated in any other guide. It tells you, if you can't manage the exercises, to stop.
"If you fail repeatedly at this exercise, give up writing. Your resistance is actually greater than your desire to write, and you may as well find some other outlet for your energy early as late."
Right, now why was that so refreshing? Becuase she wrote it in 1934 and we're no longer used to such straight talking. Almost makes you feel like a grown up.
Excellent for motivating and understanding yourself.
When I read this book I felt as if DB was talking about me. Almost everything she said seemed to relate directly to my own experience. She mentions stages I know I have passed through, and problems I experience now. I felt as if she was a friend who really understood - who was willing to take me by the hand and explain to me the mysteries of a writer's psyche, and how to harness my talent. Unlike other books on writing I have read I really didn't want to put it down - I felt addicted to her wisdom and the crystal clarity of her insights. I have heard many people recommend this book, and once I had read it I understood why. If you want to write fiction, I really think you should read it too.
Simple the best book on becoming a writier, ever.
I have been a published writer for eight years, and I must have read a mountain of books on writing. Dorothea Brande's book is without any question the most helpful of them all.
I would go as far as saying it is the ONLY book that has made any real impact on my work. If you have always wanted to be a writer but have lacked a certain confidence, or energy, read this book. If you are already a successful writer but find your work a stuggle, read this book.
Dorothea Brande is a very clever woman who shows in her book an unmatched understanding of the psychology of a writer - and uses this understanding to expertly encouage the reader's development. A strict but nurturing teacher, many great writers have and will benefit from her work.




