Sidetracks
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Average customer review:Product Description
A beautifully reissued classic, the author of 'Footsteps' collects the biographical stories that have captured his fancy in the course of researching his books on the romantic poets, creating a captivating mixture of biography and memoir. 'Sidetracks' is a sister book to 'Footsteps', conjured up from decades of 'wanderings from the straight and narrow' of his major biographies like Shelley and Coleridge. The collection is held together by a subtle autobiographical thread: 'to be sidetracked is, after all, to be led astray by a path or an idea, a scent or a tune, and maybe lost forever.' The centerpiece of book concerns Mary Woolstonecraft, the great feminist crusader and philosopher, and her relationship with William Godwin. Their story and travails are inspiring and poignant, all told in riveting and beautiful prose style. 'Sidetracks' winds through an extraordinary and eclectic assortment of Romantic and Gothic writers and personalities: some French, some English, some Dutch, some American, some major, some minor, but all made hypnotically alive and memorable through Holmes's transforming touch. We meet Chatterton and Gautier, Pierrot and Voltaire, Mary Wollstonecraft and Godwin, Scott Fitzgerald and Zelda, James Boswell and Zelide, MR James and some very unpleasant gothic apparitions. With each of these twenty pieces Holmes shows how fluid, playful and unconstrained the many voices of biography can be. The book includes two documentary radio-plays, many different kinds of character sketch and travelogue, true love stories and true ghost stories, and one piece, 'Dr Johnson's First Cat' which may or may not be a piece of true biographical fiction. 'Sidetracks' is a renewed examination of the strange and sometimes shadowy pathways of biography that have always fascinated Holmes.
Product Details
- Amazon Sales Rank: #55774 in Books
- Published on: 2005-10-03
- Original language: English
- Binding: Paperback
- 432 pages
Editorial Reviews
Amazon.co.uk Review
To be sidetracked is to be led astray by a path or an idea, a scent or a tune, and maybe lost forever. But no true biographer would mind that, if he can take a few readers with him. To find your subject, you must in some sense lose yourself along the way.Richard Holmes, the award-winning biographer of Shelley and Coleridge, has been ensnared by his "love of imaginative displacement", an obsession that he has documented not only in his lives of the great Romantic figures, but also with regard to his investigations into peripheral characters such as 18th-century poet Richard Savage (Dr Johnson and Mr Savage) and, among other literary discourses, the retracing of Robert Louis Stevenson's famous Cevennes journey by donkey in Footsteps. Sidetracks, enticingly subtitled Explorations of a Romantic Biographer, is a collection of essays and radio plays that continues and embellishes the theme of Footsteps, placing Holmes himself, at certain trajectories in his life, firmly in the context of each of his subjects. Thus we experience his first glimpse--his "Romantic Premonition" of the era that is to become his life's work--in the early essay on Thomas Chatterton, written out of his own disaffected experiences in late 60s London. "The marvellous boy who perished in his prime" supposedly committed suicide during the sweltering summer of 1770; Holmes reopens the case (later novelised to great effect by Peter Ackroyd) and argues that Chatterton died, not by his own hand, but of an accidental overdose of arsenic poisoning.
Meandering to Paris, Holmes' "Lost in France" chapter portrays the shadowy 19th-century figure of the early photographer Felix Nadar and the chilling and lonely suicide one frozen night of Gerard de Nerval. Later, he gives psychological insight into the macabre imagination of MR James, exemplary Cambridge scholar and ghost-story writer extraordinaire; a fly-on-the-wall account of Scott and Zelda Fitzgerald's last European trip; and a delicious encounter with Voltaire's green-eyed mistress. His best and most lengthy piece is, however, the essay devoted to the extraordinary (though brief) partnership of Mary Wollstonecraft and William Godwin. "The Feminist and the Philosopher" is an exceptionally well-written defence of early Romantic ideals and a passionate advocacy of the influence of Wollstonecraft, in particular, on the later writings of Coleridge, through her Letters Written During a Short Residence in Sweden, Norway, and Denmark. It is Holmes' greatest achievement that the power of his essay is enough to send the reader back to this neglected classic. Above all, Holmes' commitment to the "inky demon" of writing, the medium through which he is able to unravel literary mysteries renders Sidetracks vibrant, unexpected, and endlessly fascinating. --Catherine Taylor
Review
'An enchanting mixture of biography and memoir by the writer who has done more than any to illuminate biography's genome project -- mapping, without confusing, the complex chemistry of subject and quest.' Alan Judd, Daily Telegraph 'A delightfully eccentric volume that Boswell would have adored and Johnson well understood.' Robert McCrum, Observer 'The shimmering sensuality of his prose, his ability to make landscape live and his touching honesty gives his writing the power and pace of good fiction.' Kathryn Hughes, Sunday Telegraph 'This is magically compelling storytelling, set in a time of poets and phantoms, of ghosts and the Grand Guignol.' Iain Finlayson, The Times 'Above all, Holmes is a storyteller, transforming desiccated history into literary flesh and blood. He transports the reader alongside him into the past. This book is a masterful study of the human heart -- his, yours, mine -- demonstrating that, in the right hands, biography can be the most dazzling literary form of all.' Sara Wheeler, Daily Telegraph 'Nothing can detract from the substance, elegance and unshowy cleverness of his writing, on Voltaire, on Shelley, John Stuart Mill, the Lisle letters -- on anything that engages Holmes's very uncommon sense.' Claire Harman, Evening Standard
About the Author
Richard Holmes is Professor of Biographical Studies at the University of East Anglia, and editor of the Harper Perennial series Classic Biographies launched in 2004. His is a Fellow of the British Academy, has honorary doctorates from UEA and the Tavistock Institute, and was awarded an OBE in 1992. His first book, Shelley: The Pursuit, won the Somerset Maugham Prize in 1974. Coleridge: Early Visions won the 1989 Whitbread Book of the Year, and Dr Johnson & Mr Savage won the James Tait Black Prize. Coleridge: Darker Reflections, won the Duff Cooper Prize and the Heinemann Award. He has published two studies of European biography, Footsteps: Adventures of a Romantic Biographer in 1985, and Sidetracks: Explorations of a Romantic Biographer in 2000.
Customer Reviews
A wonderful biographical journey
Join Holmes in his exciting ramble across lush biographical pastures and enjoy his scenic references to the relatively unknown talents of intriguing people such as Nadar, Gautier, Barham, Maturin, Pierrot, Nerval and others. Holmes offers a keen insight into the art of biography, supplying the reader with sketches, essays, and radio-plays spanning thirty years. I was enthralled by the writer's sensitivity towards his material, a literary treat of well-researched, often humorous details, demonstrating his passion for these remarkable human histories. And the depth of knowledge revealed in Holmes' treatment of giants such as Mary Wollstonecraft, William Godwin, Thomas Chatterton, Voltaire, James Boswell is skilfully displayed, resurrecting past lives and providing a `voice' for these important personalities. Indeed Holmes' autobiographical references are no less interesting and I was entertained by his Parisian sojourn with the talented writer Rose Tremain. I think this book will add an extra dimension to understanding biography and, like me, lead to numerous detours through the world of literature.



