Product Description

When Erica March composes herself to die in a cupboard, she knows that Ralph Pears will find her. For at the age of 87, she had told the young journalist the richly colourful story of her life as novelist, political activist and, above all, lover, from childhood in Suffolk, Paris between the wars, to oblivion in post-war London. At the end of Ralph's patient probings only one secret remains: the mystery inside one constant object in her life - her cupboard.

Product Details

• Amazon Sales Rank: #12609 in Books
• Published on: 1999-09-02
• Original language: English
• Binding: Paperback
• 256 pages

About the Author
Rose Tremain lives in North London and Norwich, with the biographer Richard Holmes. Her books have won many prizes including the Whitbread Novel of the Year, the James Tait Black Memorial Prize, the Prix Femina Etranger, the Dylan Thomas Prize, the Angel Literary Award and the Sunday Express Book of the Year. Restoration was shortlisted for the Booker and made into a film; The Colour was shortlisted for the Orange and selected by the Daily Mail Reading Club. Her most recent collection, The Darkness of Wallis Simpson, was shortlisted for both the First National Short story Award and the Frank O'Connor International Short Story Award. Two of her books (The Colour and The Way I Found Her) are in development as films, and she is currently working on a TV screenplay to star Sir Ian McKellen.

Customer Reviews

Absolutely Stunning
It took a few attempts to engage with "The Cupboard," but I was soon hooked and I read the majority of the book in a day. I simply loved the main character for her wit, courage, wisdom and eccentricity, which is, when all said and done a credit to Rose Tremain, who as usual has written a character with profound depth and credibility. This book made me change my outlook on life, which sounds trite, but when faced with the challenges of life as a young woman, I think about the courage the protagonist had in "The Cupboard" and I am revived!

Rose Tremain - a mountain goat of a writer!
Like a mountain goat, Tremain amazes by her agility and sure footedness, negotiating high peaks, impervious to the sheer and deadly drops beneath! In this book, the 'drops' or 'traps' which a lesser writer would have fallen into, she effortlessly avoids.

Her central character, whose life and writing we explore through conversations with an male American journalist, is a very elderly English woman, who has lived through most of the 20th century. Erica is a wonderful, fierce, tender, fragile, passionate and engaged woman. She has breathed in, engaged with, inspired, and been inspired by life. She, as Ralph, the journalist, discovers, lives with and through love - not only sexual love, but an ability to live from the heart and to really live a life in the moment. This means her life is large, joyous, terrifying, fraught with periods of madness, despair, doubt, pleasure etc etc.

Inevitably, in describing such a character, there is the danger for the writer, either of overblown and fulsome prose, or of failing to fully describe, becuase of a fear of being overblown. Tremain avoids these pitfalls - Erica is seen through the distancing device of the youngish, male American - and it is through his perpective on her and her writing, that we discover her. It is also through her effect on him which causes him to look at his own more narrow, mundane and disengaged life, that Tremain makes us look at our own lives - do we live 'Ralph' or do we live 'Erica'.

Not only does Tremain 'tell stories' and explore characters beautifully - she is also a fine, fine, poetic writer - without ever ramming the beauty of her writing down your throat - there is no self-indulgence in her writing, just every now and again, a phrase or an image will stop you in your tracks and remind you how crafted her writing style, her choice of words, her structure is.

She is at the same time an 'easy' read - and a read of depth.

I've never read a book of hers which has not delighted me - they are all VERY different in subject matter - she is a writer with many, many books inside her, not one book endlessly re-presented.

Fabulous, fabulous, fabulous.

A moving novel told from several perspectives
After reading this novel, I felt as if I had actually met Erica March, the vodka-drinking 87-year-old. Much of the novel consists of her conversations with an American journalist, who hopes that by understanding Erica's life and loves he will be better equipped to deal with his own. With the major historical events of the twentieth century as the backdrop, the novel leads up to an ending that is both happy and sad.