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18 Folgate Street: The Tale of a House in Spitalfields

18 Folgate Street: The Tale of a House in Spitalfields
By Dennis Severs

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Product Description

Growing up in California, Dennis Severs fell in love with the England he saw in old black and white movies. At seventeen, he came to London, looking for a home with a heart. In 1979, he found one, a run-down silk-weaver's house in Spitalfields, and over the next twenty years he transformed it into an enchanted time-capsule, transporting us back to the eighteenth century. From cellar to roof, he filled "18 Folgate Street" with original objects and furniture found in the local markets, lit by candles and chandeliers. More than that, he invented a family to live here, the Jervis family, Huguenot weavers who fled persecution in France in 1688, and bought the house in 1724. Sounds and scents bring their world to life, always just out of sight - floorboards creak, fires cracle, a kettle hisses on the hob. Visitors step through the frame of time, like entering old master painting. As we move from room to room on a tour you will never forget, we follow the Jervis story from the days of the Georges and the Regency to harsher Victorian times - and even to the attic room of Scrooge himself.


Product Details

  • Amazon Sales Rank: #633233 in Books
  • Published on: 2002-11-07
  • Original language: English
  • Binding: Paperback
  • 288 pages

Editorial Reviews

Amazon.co.uk Review
The innocuous-sounding address of 18 Folgate Street is here the book of the tour of Dennis Severs' extraordinary recreation of a Georgian household in Spitalfields, a piece of theatrical still life, mesmerisingly conjured. Severs died at the end of 1999, but this alternative written version, with the sympathetic editing of Jenny Uglow, a gallery of photographs and an introduction by London's literary curator and, indeed, biographer, Peter Ackroyd, provides a unique posthumous flat-pack tour, time-capsuled for the future curious.

Severs, a more-English-than-thou Californian, bought the house in a derelict street just outside the Square Mile in 1979, and set upon installing himself and his lifelong acquisitions. Friends called it a "restoration comedy", but it was to become a historical drama, with Severs' declaration that "my canvas is your imagination". He installed the fictional Gervais/Jervis family, Huguenot silk weavers, from whose affairs Severs himself weaves his narrative magic. Beginning in the basement larder and kitchen, he takes the visitor-reader on a parade upwards, though the parlour, dining room, drawing room, bedroom, boudoir and attic of the house, summoning drama and narrative from the strategically arranged and decorated rooms, heavy with the air of recent occupation. At its best, it resembles a talking book, each room an episode linking to the next, and with Severs' constant evocation of duality, symmetry and dimension as he finds art in balance rather than chronological fidelity. Taste, however, can be a cruel, haranguing thing, something Severs shares when his singular, proportionate vision of the "Space Between" takes pleasure in reading too much into things. Does it work as well on the page? Inevitably, not fully; the effect is reductive, and contrary to the very principle of Severs' ambition. However, this quirky externalisation of this eccentric Anglophile's life, and its epoch-tripping celebration of etymology, social history, hearth drama and cultural and philosophical commentary, allied to tantalisingly brief snatches of autobiography, serves as the final will and testament of Dennis Severs, who rejuvenated the soul of a house with his own charged, imaginative kindling. Ultimately, the house's motto stands as the book's--"Aut Visum Aut Non": you either see it or you don't. --David Vincent

Review
"Every bit as brilliantly quirky and entertaining as its author used to be." -- "Independent on Sunday"

About the Author
Born in California in 1948, died in London in 1999. He came to live in England in 1967. Ran tours of London in a horse-drawn carriage. Then bought 18 Folgate Street and created his own ‘still-life drama’ of life and the house as they used to be.