Product Description

As dazzling as the decade they dominated, The Beatles almost single-handedly created pop music as we know it. Today, their songs are cited as seminal influences by stars like Oasis, Blur and Kula Shaker. Eloquently giving voice to their time, The Beatles quite simply changed the world. Fully updated to include material from "The Beatles Live at the BBC" and the Anthology series, this acclaimed book goes back to the heart of The Beatles - their records. Drawing on a unique resource of knowledge and experience to 'read' their 241 tracks - chronologically from their first amateur efforts in 1957 to 'Real Love', their final 'reunion' recording in 1995 - Ian MacDonald has created an engrossing classic of popular criticism in which the extraordinary songs of The Beatles remain a central and continually surprising presence.

Product Details

• Amazon Sales Rank: #4808 in Books
• Published on: 2008-12-04
• Original language: English
• Binding: Paperback
• 544 pages

About the Author
Ian MacDonald was born in 1948. A writer with many interests, he was Assistant Editor of the New Musical Express during 1972-5. He has also worked as a songwriter and record producer, and is the author of The New Shostakovich, The People's Music and The Beatles at No. 1.He died in 2003.

Customer Reviews

Peerless
This book details every known song the Beatles ever recorded from Love Me Do to Real Love, giving details of composition, recording, release and any other relevant info. It also includes a long introductory essay and a few shorter ones interspersed analysing 60's society and culture, and the Beatles place therein. In the individual song entries, MacDonald also gives psychological analyses of the Beatles and their relationships with each other and all the factors that affected them.
MacDonald was a teenager during the sixties and clearly has a lifetime interest in the Beatles, though he is highly critical of their actions and their music, at times. It is this lack of sentimentality and nostalgia, as well as his considerable erudition and musical knowledge, that makes this book such a standout. His opinions, sometimes deviating from the critical consensus, are always objectively reasoned, and his negative judgements of such sacred cows as "All you need is Love" and "Across the Universe", are completely justified, in my opinion, and his contention that the Beatles' quality control and capacity for self-criticism went out the window post-Sgt. Pepper (expanded upon in the entry for "Magical Mystery Tour")is also a key point in considering their later work.
Some have suggested a pro-McCartney bias in this book, but this is a valid recognition of McCartney's greater work ethic and musical technique. He does not fail to recognise McCartneys "patronising" attitude to Harrison and Starr and pours scorn on Macca's "granny songs" like "Maxwell's Silver Hammer". If he seems more in sympathy with McCartney, overall, this is a helpful corrective to the current consensus positing Lennon as the creative genius and McCartney as the talented but shallow craftsman, which fails to reflect the reality.
No Beatles fan will be able to read one page of this book without encountering an interesting new viewpoint on Beatles music. The writing is precise and to-the-point and this is one of the most readable books of its kind and a great book to dip into again and again. MacDonald's independence of mind is also refreshing and his deep appreciation for the music is clear, as is his understanding of the sonic and production techniques used,an important factor in much of the Beatle's best music. This book is as good as it gets.

This edition was updated in the late 90's to include, though not in huge detail, the anthology series and accompanying "new" songs Free as a Bird and Real Love, about which MacDonald is not complimentary.

One of the greatest books about the one of the greatest bands
Revolution in the Head is one of those books that is impossible to put down once started. Nor can it be read just once. Every piece of information Ian McDonald provides is riveting and describes not just the writing and recording process, but the cultural and personal back stories behind each song and each band member.

The power of this book is the fresh light it throws on the Beatles as a dynamic unit, their thought processes, their relationships with the other Beatles and the outside world and their general approach to life encapsulated whilst writing and recording songs. Although muscicians will appreciate the detailed analysis of the songs' structure, it is not just a musicians' book, neither is it strictly for Beatles fans. But as it says on the cover, you will want to return to your record collection and hear the songs again in a re-evaluated light.

Although the author includes every song recorded by the band, he quite rightly only concentrates his efforts on those songs worth evaluating. So, for example 'A Day in the Life' covers about 5 pages, whereas 'Baby You're a Rich Man' barely receives a paragraph. McDonald is not afraid to criticise band members as well as the song when required, but his criticisms are always supported with strong arguments and are often even-handed. This is summed-up perfectly in his analysis of the the friction between Lennon and McCartney towards the break-up, by way of his evaluation of 'The Long and Winding Road', which is nothing short of exceptional. Neither Lennon or McCartney come out on top, instead you feel that you have been given a priviledged insight into the minds of two great artists, who had their own agendas for their own reasons. Personally I don't buy in to the McCartney bias either; McDonald is simply setting the record straight and isn't afraid to pull his punches - against any Beatle. In fact, the only member of the band who survives more-or-less intact is Ringo. What McDonald does is remind us that the Beatles were truly unique in that they were - and always will be - the only pop group to have two genius songwiters. Yet despite their brilliance, they were also annoying, unbearable and human, in their own way.

The only criticism I have about the book is the author's synopsis 'Fabled Foursome: Disappearing Decade' (this is in earlier editions of the book, I'm not sure if it is still included); a 30-odd page analysis which basically boils down to the argument that the 60s was the high watermark for popular music and culture and nothing after would ever match it. This is just plain wrong: great music is great music, irrespective of the decade or genre it comes from. Who can say that the music of the Beatles and their contemporaries was any better than David Bowie, Elvis, The Clash or Radiohead in their time? With no disrepect to the dead, his critique comes across as some grumpy old man, regurgitating the same old "music isn't what it used to be" routine. Because this basic premise is flawed, the whole thesis becomes a house of cards.

Notwithstanding this crticism, the rest of the book is so precise, perfectly observed and compelling that it can only be given five stars.

The best book on Fab Four ever
This brilliant effort by late Ian MacDonald is my favourite book on The Beatles there is - hands down. The core of the book consists of musical analysis of every single song (approx. 200) The Beatles released, with also some stories behind the songs and, of course, the author's opinions of them.

After reading the book, you should pretty much know, for example, which Beatles tunes were written or mainly written by Lennon and which by McCartney and the ones that were 50-50 collaborations. Sure, most of this information can be found somewhere else too (usually you need only to recognize who is doing the lead vocal), but MacDonald digs a little deeper than others. For instance, it emerges that the music for "In My Life" was very probably written by McCartney even though it is generally considered a Lennon song (lyrically, it obviously is). This is not just based on what Sir Paul has claimed but also on the fact that the song shows more of Macca's touch than Lennon's, and I, for one, believe what MacDonald is saying. And if you don't know which songs were written by Harrison and Starr, well, that will be revealed as well.

And while the book is not underrating John Lennon in any way, it also proves that Paul McCartney is the one who's mostly responsible for those great mid/late 60s albums. I've always liked a bit of mythbusting, and I believe this book is a true eye-opener for many.

If I had to say something negative, it would be the fact that I don't sometimes agree with the author's opinions at all. For example, MacDonald pretty much dismisses songs like Nowhere Man, Across The Universe, I Want You (She's So Heavy), and While My Guitar Gently Weeps which I all like. Also, some other of his opinions raised my eyebrows; I do agree that Helter Skelter isn't very good piece of music, but the way he basically puts down the whole genre of heavy metal is a bit ridiculous to me.

There is no doubt, however, that the book is a tremendous effort from MacDonald, and it should be owned by everyone who is interested in the music of the most important rock group the world has ever known. I myself am not an expert on music theory, but you don't need to be; MacDonald never gets too 'scientific' in my opinion, and you should be able to enjoy the book whether you tend to analyse music or not.