Product Description

This collection of Nick Kent's writing over the last 20 years forms a companion volume to Charles Shaar Murray's "Shots From the Hip". Nick Kent was always the star of British rock journalism, wasted and addictive but capable of writing like a dark angel. He was always attracted to the darker side of rock music and that is the theme which runs through this book. Some call it "The Dispatches of Rock 'n' roll". Others, Nick Kent's big book of losers - Lou Reed, Sid Vicious, Iggy Pop, Syd Barrett, Brian Wilson, Brian Jones and others.

Product Details

• Amazon Sales Rank: #47004 in Books
• Published on: 1994-05-26
• Original language: English
• Binding: Paperback
• 352 pages

Customer Reviews

With a huge silver lining! The expanded 2007 edition.
The Dark Stuff was first published in Britain in 1994 and always available in the USA since its 1996 publication. In the UK the book had been out-of-print for eight years until the 2007 edition appeared. Compiled from 1970s interviews for the New Musical Express plus 1980s magazine articles, this new edition includes the essays Sly Stone's Evil Ways & Phil Spector's Long Fall From Grace, a portrait of French pop icon Serge Gainsbourg, a recent interview with Iggy Pop and a concluding essay titled Self-destruction in Rock and Elsewhere. All in all twenty-two of the most talented and self-destructive artists in rock history are profiled.

Kent was the New Musical Express's star attraction in the 1970s at a time when the publication was selling 300,000 copies per week. It was at the forefront of reporting on the punk explosion, punk personalities, the style and its offshoots. The NME's influential position gave Kent unique opportunities as a rock writer. Kent may be older & wiser but there's something to be said for the energy and enthusiasm of youth, since the recent stuff amongst the new additions is less gripping than the original writings from the 70s and 80s for NME and magazines like The Face, Arena and Spin.

The value of each chapter is directly proportional to the communication skills of those interviewed: that is why the Guns 'N' Roses piece is a complete waste of time and paper and shouldn't even have been included, whilst I loved the Roy Orbison interview although I've never really been into his music. I found the Brian Wilson piece too long and disagree with the author's assessment of the Rolling Stones after the 1960s. Kent seems to think that Jagger and Richards produced their best music in the late 60s and early 70s because they were tormented by the 'wild women' Anita Pallenberg and Marianne Faithfull.

There's a thought-provoking chapter on the ill-fated Brian Jones (Tortured Narcissus) that discusses his contribution to The Stones, his decline and death. Kent's view of Kurt Cobain is a bit harsh and the non-interview with Roky Erickson rather pointless. Kent's 1988 portrait of Serge Gainsbourg is sad and pathetic but he concludes it by graciously praising the French singer's musical legacy. I loved the pieces on Jerry Lee Lewis, Lou Reed, Elvis Costello and Miles Davis and in my opinion the book's crowning glory is the chapter titled Neil Young and the Haphazard Highway that leads to Unconditional Love. Young's care and concern for his disabled child impress more than a thousand stories of excess and substance abuse.

Most of these rock stars thought that they were exempt from the law of cause & effect, with the predictable disastrous consequences. What amazes me is how some of these artists managed to consistently produce sublime music while they were abusing themselves physically and mentally to such a gruesome degree. I suppose that is one of the messages of this book: no matter how low down you are, you can always pull yourself together again. It certainly demonstrates the ability of the soul and the body to restore themselves.

This is great rock writing, on a par with the work of Lester Bangs. The stylistic difference is that Kent's writing is character-based & analytical: looking at musicians in the context of what they're doing and how they're living in order to analyze how this context influences them. Bangs on the other hand wrote from a more intimate, personal perspective, an angle that describes the effect the music had on him, often in stream-of-consciousness prose.

Other classics of rock writing that I recommend are James Young's Nico, Songs They Never Play on the Radio, alternatively titled Nico: The Last Bohemian, Clinton Heylin's From the Velvets to the Voidoids: The Birth of American Punk Rock, Gerri Hirshey's Nowhere To Run: The Story of Soul Music, Let It Blurt by Jim DeRogatis, Scars of Sweet Paradise by Alice Echols, Memories, Dreams and Reflections by Marianne Faithfull, Lipstick Traces by Greil Marcus and Angry Women in Rock by Andrea Juno.

interesting insight into the tortured lives, dysfunction and general unpleasantness of many key figures of popular music
This is a collection of journalistic pieces for those like myself (and no doubt many others) with a voyeuristic interest in the self-destructive lives of rock'n'roll. Written by Nick Kent over the decades, it provides an interesting insight into the tortured lives, dysfunction and general unpleasantness of many key figures of popular music.

Such lives tend to be littered with self-destruction and the concept of rock and roll may indeed be defined by variable degrees of self-destruction and "dark stuff". Nick Kent's book title therefore is somewhat misleading, suggesting that he is covering new ground where others have covered the "light stuff". However, although much of this biographical information is in the public domain without the help of Kent's writing, the latter is funny and natural in a way that many other writers' self-conscious lean towards sarcasm and meaningless criticism is not. Kent often provides a fresh and less air-brushed perspective on certain icons that seem to be generally untouchable, in what might be considered rock blasphemy, for example his darker and less forgiving take on Kurt Cobain, and this de-glamourisation of cult heroes might be what he refers to as the dark stuff.

This is not more than a collection of previously published magazine interviews/ articles and so there may be much you've read about before, however this is nevertheless an interesting and well-written collection of rock biography that is well worth a read.