Great Expectations (Oxford World's Classics)
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Average customer review:Product Description
I called myself Pip, and came to be called Pip.' Great Expectations charts the progress of Pip from childhood through often painful experiences to adulthood, as he moves from the Kent marshes to busy, commercial London, encoutering a variety of extraordinary characters ranging from Magwitch, the excaped convict, to Miss Havisham, locked up with her unhappy past and living with her ward, the arrogant, beautiful Estella. In this compelling story, Dickens shows the dangers of being driven by desire for wealth and social status. Pip must establish his own sense of self against the plans which others seem to have for him, and thus discover a firm set of values and priorities. Whether such values will allow one to prosper in the complex world of early Victorian England is, however, the major question posed by Great Expectations, one of Dicken's most fascinating, and disturbing, novels. This edition use the text of the Clarendon edition, with a new Introduction and Explanatory Notes. The Appendices give the original, discarded ending, Dicken's brief working notes, and the serial instalments and chapter divisions in different editions.
Product Details
- Amazon Sales Rank: #112324 in Books
- Published on: 1998-03-05
- Original language: English
- Number of items: 1
- Binding: Paperback
- 544 pages
Editorial Reviews
Amazon.co.uk Review
An absorbing mystery as well as a morality tale, the story of Pip, a poor village lad, and his expectations of wealth is Dickens at his most deliciously readable. The cast of characters includes kindly Joe Gargery, the loyal convict Abel Magwitch and the haunting Miss Havisham. If you have heartstrings, count on them being tugged.
About the Author
Kate Flint is University Lecturer in Victorian and Modern English Literature, and Fellow of Linacre College, Oxford. She is the author of several books, and the editor of Trollope's Can You Forgive Her and Woolf's Jacob's Room in World's Classics. Margaret Cardwell has edited The Mystery of Edwin Drood and Martin Chuzzlewit in World's Classics.
Customer Reviews
Addictive
I spent most of my 45 years since leaving school doing my best to avoid anything by Charles Dickens, quite why, I'm not sure. A recent illness and enforced idleness had me rummaging around some books I had come by and there was Great Expectations. I thought I'd try just the first chapter, but was hooked from the first page. This is one helluva book! The pace, the characterisation, the plot, the atmosphere, the everything are masterly. But it isn't all misery as there are frequent moments of irony and typically English gallows humour. Outstanding, but it'll make you cry.
The Sources of Goodness
Great Expectations succeeds beyond almost all novels of its time in exploring the roots of character and moral behavior. Charles Dickens makes the case for there being the potential for good in everyone. Evil and sin follow from a combination of being self-absorbed and selfish. What is remarkable about the way these themes are handled is that they are clearly based on an assessment of human psychology, long before that field was established.
The book is also remarkable for its many indelibly memorable and complex characters. Miss Havisham, Pip, Magwitch, Mr. Jaggers, and Estella are characters you will think about again and again in years to come.
The book also surrounds you with a powerful sense of place. Although the England described here is long gone, it becomes as immediate as a nightmare or a dream that you have just awakened from.
For a book about moral questions, Great Expectations also abounds in action. The scenes involving Pip and Magwitch are especially notable for way action expresses character and thought.
Great Expectations also reeks of irony, something that is seldom noticed in more modern novels. Overstatements are created to draw the irony out into the open, where it is unmistakable. Yet the overstatements attract, rather than repel. The overstatements are like the theatrical make up which makes actors and actresses look strange in the dressing room, but more real on the stage when seen from the audience.
At the same time, the plot is deliciously complex in establishing and solving mysteries before that genre had been born. As you read Great Expectations, raise your expectations to assume that you will receive answers to any dangling details. By reading the book this way, you will appreciate the craft that Mr. Dickens employed much more.
This is the third time that I have read Great Expectations over the last 40 years. I found the third reading to be by far the most rewarding. If you like the book, I encourage you to read it again in the future as well. You will find that the passage of time will change your perspective so that more nooks and crannies of the story will reveal themselves to you.
If this is to be your first reading of the book, do be patient with the book's middle third. It may seem to you that the book is drifting off into a sleep-inducing torpor. Yet, important foundations are being lain for your eventual delight.
Mr. Dickens wrote two endings for Great Expectations. Be sure to read both of them. Which one do you prefer? I find myself changing my mind.
Give love with an open heart, without expectations!
The Sources of Goodness
Great Expectations succeeds beyond almost all novels of its time in exploring the roots of character and moral behavior. Charles Dickens makes the case for there being the potential for good in everyone. Evil and sin follow from a combination of being self-absorbed and selfish. What is remarkable about the way these themes are handled is that they are clearly based on an assessment of human psychology, long before that field was established.
The book is also remarkable for its many indelibly memorable and complex characters. Miss Havisham, Pip, Magwitch, Mr. Jaggers, and Estella are characters you will think about again and again in years to come.
The book also surrounds you with a powerful sense of place. Although the England described here is long gone, it becomes as immediate as a nightmare or a dream that you have just awakened from.
For a book about moral questions, Great Expectations also abounds in action. The scenes involving Pip and Magwitch are especially notable for way action expresses character and thought.
Great Expectations also reeks of irony, something that is seldom noticed in more modern novels. Overstatements are created to draw the irony out into the open, where it is unmistakable. Yet the overstatements attract, rather than repel. The overstatements are like the theatrical make up which makes actors and actresses look strange in the dressing room, but more real on the stage when seen from the audience.
At the same time, the plot is deliciously complex in establishing and solving mysteries before that genre had been born. As you read Great Expectations, raise your expectations to assume that you will receive answers to any dangling details. By reading the book this way, you will appreciate the craft that Mr. Dickens employed much more.
This is the third time that I have read Great Expectations over the last 40 years. I found the third reading to be by far the most rewarding. If you like the book, I encourage you to read it again in the future as well. You will find that the passage of time will change your perspective so that more nooks and crannies of the story will reveal themselves to you.
If this is to be your first reading of the book, do be patient with the book's middle third. It may seem to you that the book is drifting off into a sleep-inducing torpor. Yet, important foundations are being lain for your eventual delight.
Mr. Dickens wrote two endings for Great Expectations. Be sure to read both of them. Which one do you prefer? I find myself changing my mind.
Give love with an open heart, without expectations!




