Product Description

Written near the end of Shakespeare's most phenomenally creative period, Antony and Cleopatra is perhaps the most ambitious of all Shakespeare's designs, in its unmatched geographical and historial sweep, its bold mingling of genres, and its extraordinary variety of style, mood, and effect. Yet the degree and nature of its success remain surprisingly contentious, and performances of the play have seldom matched the extravagant expectations of its admirers. The wideranging introduction to this new edition considers the paradoxes of the play's reception from a number of angles. A full discussion of Shakespeare's sources (the most important of which is excerpted in a generous appendix) considers ways in which these may have influenced the play's problematic design. A comprehensive stage history illustrates how the theatrical fortunes of Antony and Cleopatra continue to be affected by the inappropriate spectacular traditions of nineteenth-century staging, and by an enduring gender-inflected orientalism that has particularly distorted responses to the character of Cleopatra. A substantial critical section examines how the technique of the play - its deliberate frustrations of expectation, its carefully constructed tensions between rhetoric and action, and its daring exploitation of bathos and anti-climax - may have contributed to the sense of disappointment which colours so many accounts of performance. The editor argues that such effects are structural to the paradoxical vision of this tragedy and to its disturbed preoccupation with the unstable boundaries of gender and identity. The text has been freshly edited in accordance with the principles of the series, and the extensive commentary is attentive to the theatrical dimensions of the play as well as to the rich complexity of its poetic language.

Product Details

• Amazon Sales Rank: #2931976 in Books
• Published on: 1994-07-28
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 400 pages

Amazon.co.uk Review
Antony and Cleopatra is one of the greatest love stories of all time, and one of the finest, and most poetic of all the high Shakespearean tragedies. Written between 1606 and 1607, it draws on the Roman historian Plutarch and his account of the collapse of the Roman Republic and the birth of the empire under Octavius Caesar, son of Julius. This imperial struggle for political power between Octavius, Lepidus, Pompey and Mark Antony provides the backdrop for the play's extraordinary evocation of the tempestuous love of Antony for Cleopatra, his "Egyptian dish".

The play cuts back and forth between the cold, calculating realpolitik of imperial Rome, and the sensuous, erotic world of Egypt and Cleopatra's luxurious and hedonistic court. Yet what is most memorable about the play is its remarkably poetic language; its lush image of Cleopatra in her barge, "like a burnished throne / Burned on the water", and "beggared all description", and its erotic fusion of images of sex and death which find their ultimate culmination in the suicides of Antony and Cleopatra in the final scenes of the play. A notoriously elusive play for both critics and theatre directors alike, Antony and Cleopatra's fascination with questions of race, sex, death, power and politics makes it one of the most compelling of all of Shakespeare's plays. However, the stage is undoubtedly held by Cleopatra, and Enobarbus' attempt to explain her fascination, as powerful and evocative today as ever: "Age cannot wither her, Nor custom stale her infinite variety".--Jerry Brotton

About the Author
Michael Neill is Associate Professor of English at Aukland University.

Customer Reviews

Bard-tastic!
I bought this specific version of the play as I am an A-level English teacher and it was specified by the exam board. Basically, it does what it says on the tin and as such is perfectly adequate.