The Oxford Shakespeare: The Tragedy of Coriolanus
|
| List Price: | £80.00 |
| Price: | £76.00 & eligible for FREE Super Saver Delivery on orders over £5. Details |
Availability: Usually dispatched within 1 to 3 weeks
Dispatched from and sold by Amazon.co.uk
20 new or used available from £26.88
Average customer review:Product Description
Coriolanus is perhaps the most brillant political play ever written. Though it is set in Ancient Rome, it has proved itself over the centuries as a perennially relevant study of the relationship between personality and politics. The Introduction to this new edition considers Shakespeare's adaptation of his historical material in relation to the social and political conditions in London and Stratford at the time of the play's composition, also offering new evidence that it was written in 1608. The play's searching presentation of the tension between politics and psychology is shown to result from major reinterpretations of Plutarch's structure and characterization. The editor offers a thorough and subtle analysis of the verbal style of the text and of its staging in relation to the Blackfriars theatre, where it was probably the first of Shakespeare's plays to be presented and for which it may have been written. A detailed study of its theatrical history illuminates the wide range of meanings the play has had for subsequent ages. The thorough commentary pays special attention to the needs of the actors and directors.
Product Details
- Published on: 1994-10-13
- Original language: English
- Number of items: 1
- Binding: Hardcover
- 400 pages
Editorial Reviews
Amazon.co.uk Review
After the exotic eroticism of Antony and Cleopatra, Shakespeare returned to Rome for one of his final tragedies, and the change could not have been more dramatic. Coriolanus is one of Shakespeare's harshest and most challenging studies of power, politics and masculinity, based around the life of Caius Marcius.
Based on the Roman chronicles of Plutarch's Lives and Livy's History of Rome, the play is set in the early years of the Roman Republic. Its famous opening scene, particularly admired by Bertolt Brecht, portrays its citizens as starving and rebellious, and horrified by the arrogant and dismissive attitude of Caius Marcius, one of Rome's most valiant but also political naive soldiers. Spurred on by his ambitious mother Volumnia, Caius takes the city of Corioles, is renamed Coriolanus in honour of his victory, and is encouraged to run for senate. However, his contempt for the citizens, who he calls "scabs" and "musty superfluity" ultimately leads to his exile and destructive alliance with his deadly foe, Aufidius. Despite its relative unpopularity, Coriolanus is a fascinating study of both public and personal life. Its language is dense and complex, as its representation of the tensions built into the fabric of Roman political life. Yet it also contains extraordinarily intimate scenes between Coriolanus and both his mother, who ultimately proves "most mortal" to her own son, and his enemy Aufidius, whose "rapt heart" is happier to see Coriolanus than his own wife. One of Shakespeare's darker and more disturbing plays. --Jerry Brotton
Review
"Carefully explores "Johnson's experience of Shakespeare as the poet of Nature" Helpful examination of Shakespear's influence on the Romantics...Provides provocative and enjoyable reading."--English Language Notes
"Well worth attentive consideration."--From the Age of Johnson: A Scholarly Annual Volume 4
About the Author
Brian Parker is Professor of English, Trinity College, University of Toronto.
Customer Reviews
Shakespeare's Greatest
Shakespeare's last and greatest tragedy, *Coriolanus* dramatizes the conflict between pride and envy--those two antagonists which were the favorite characters of ancient myth.
Coriolanus is a man of Virtue, when virtue meant 'manliness' not 'modest chastity.' Above all, he had the virtue of pursuing virtue, which he refused to compromise and which he refused to hide. In contrast, the aristocracy and the mob whom they serve despised Coriolanus precisely because he was good and refused to be otherwise.
*Coriolanus* is Shakespeare at the height of his powers, and the real tragedy is that this work is not better known.



