Product Description

This book establishes the principles of interpretation that singers active in England (both foreign and English) applied to recitatives, arias, and songs, by composers such as Handel, Mozart, and Rossini. Expression lay at the heart of persuasive singing during the late eighteenth and early nineteenth centuries and Robert Toft here ably places the concept and its practices in a broad cultural perspective. Singing was related closely to speaking in this period: when the techniques of delivery that were common to both arts (emphasis, accent, tone of voice, pauses, breathing, and gesture) are combined with resources peculiar to singing (portamento, messa di voce, tempo, rubato, vibrato, and ornamentation), the style which emerges differs markedly from that of the late twentieth century. Most singers today perform the repertoire of the late eighteenth and early nineteenth centuries, but until now no book has addressed the principles which governed song performance in this period or shown how historical understandings may be used to move and delight modern audiences.

Product Details

• Amazon Sales Rank: #1664033 in Books
• Published on: 2000-05-11
• Original language: English
• Binding: Hardcover
• 216 pages

Deborah Kauffman, Notes, the Quarterly Journal of the Music Library Association, 58, no. 1 (Sept 2001): 114-16
""[an] informative and fascinating look at vocal practice... [which makes] a valuable contribution to the field of performance practice... All should read this book to dispel modern myths about bel canto.""

Review
"[an] informative and fascinating look at vocal practice... [which makes] a valuable contribution to the field of performance practice... All should read this book to dispel modern myths about bel canto." (Deborah Kauffman, Notes, the Quarterly Journal of the Music Library Association, 58, no. 1 (Sept 2001): 114-16 )

About the Author
Robert Toft is Professor and Chair in the Department of Music History at The University of Western Ontario