Product Description

The winged red monster Geryon's story is a mixture of whimsy and sadness. He is tormented as a boy by his brother, escapes to a parallel world of photography, and falls in love with Herakles - a golden young man who leaves Geryon at the peak of infatuation. This is an epic poem.

Product Details

• Amazon Sales Rank: #995190 in Books
• Published on: 1999-07-15
• Original language: English
• Binding: Paperback
• 149 pages

Amazon.co.uk Review
Anne Carson is a Professor of Classics as well as an innovative and well-regarded poet: Autobiography of Red draws on both in a highly original "novel in verse". But this is by no means a straightforward narrative poem--rather it is a formally inventive and diverse investigation into the nature of story, its inheritance from the past and its transformations of inherited materials. The foreword gives a brief account of the work of the Greek poet Stesichorus, of whose twenty-six books only a few fragments have survived. Stesichorus was a poetic innovator--he disrupted the stable descriptive traditions of oral Homeric poetry and, perhaps equally importantly, reinterpreted epic themes through the medium of lyric verse. It is this which gives the clue to Anne Carson's own reinventions, for concepts of the fragment, innovative language and formal revisioning are key elements of this long and ambitious book.

Among the Stesichorus fragments are parts of a poem known as the "Geryoneis" which deals with the slaying of the winged red monster Geryon by Herakles (Hercules). What is interesting is the fact that many of these fragments deal with the monster's own experiences: instead of the epic struggle, the fable of "culture versus mostrosity", we see Geryon, for example, as a child playing with his dog. Carson extends this frozen moment of youth: as well as translating passages from Stesichorus, she expands, reworks and invents a whole childhood for Geryon, relocating him into a more contemporaneous milieu with him and Herakles as young, strangely antagonistic lovers. The idea of the fragment is taken up in the pastime of the child-monster Geryon--photography, the art of snatching fragments from the real, the lived, the experienced-- and in the language given to Geryon, for Carson fuses the beast with the classical poet so that the fresh descriptive energies of the latter are grafted onto the naive eye of the creature outside of culture.

What Carson achieves is admirable: the book is an exploration of youth and a philosophical project while at the same time formally varied and challenging. In exploring ways of inheriting and responding to a literary past, it also invites us to be more generous with our freedoms and to be creatively ambitious--we should see naively and make the world anew, like Stesichorus, and like Carson's Geryon. --Burhan Tufail

Review
From the fragmentary remains of the sixth-century B.C. Greek poet Stesichoros, Carson (a McGill classics professor) fashions a contemporary tale of "identity memory eternity," a postmodern extrapolation that blurs the distinction between the figural and literal. If Stesichoros's mostly lost narrative about a red-winged monster reads like an experiment by Gertrude Stein, Carson's deliberately fractured epic reimagines the Greek poet's Geryon as a confused and lonely young man, who nevertheless still sports wings, which seem to be an objective correlative of his differences, especially his homosexuality. Surprisingly readable, this verse novel evolves into a fairly straight-forward story about Geryon's travels in South America, where he runs into the great love of his life, Herakles, who, in Carson's version, is not Geryon's killer, but his emotional slayer, and also shares with Geryon a love of volcanoes. As enigmatic as it may sound, this mock epic peroration on the color red seems to differ little from Kermit the Frog lamenting the difficulties of being green. Fans of Guy Davenport's dense fictions will appreciate Carson's innovative style, which shouldn't be confused with, say, Vikram Seth's more formal and transparent verse novel. (Kirkus Reviews)