Product Description

This text offers an explanation of why boredom both haunts and motivates the literary imagination. Moving from Samuel Johnson and Jane Austen to Donald Barthelme and Anita Brookner, the author shows us how we arrived in a postmodern world where boredom is the all-encompassing name we give our discontent.

Product Details

• Amazon Sales Rank: #947332 in Books
• Published on: 1996-05-09
• Original language: English
• Number of items: 1
• Binding: Paperback
• 304 pages

Customer Reviews

Chronic boredom: a much needed female perspective
After researching the topic of chronic boredom myself for the past four years it was gratifying to finally come accross a text that dealt with the problem from the perspective of women writers, thinkers and culture critics from the Enlightenment on. The great literary text on the topic by Reinhard Kuhn 'The Demon of Noontide: Ennui in Western Literature' did not deal with much of the material here covered by Spacks - though it dealt with just about everything else associated with the topic. Spacks' treatment of the topic mixes analysis of high literary texts with analysis of other cultural discourses often ignored by the traditional modernist culture critic. The consequence is that the voices of hundreds of women - and not merely middle and upperclass women - who have suffered from the malady since the 18th century are heard for the first time. But Spacks' work offers much more to the reader than a female perspective on an old malaise. Her particular emphasis is delivered within the broad tradition of writings on the topic and as such she never loses the overview. Her work provides a scholarly reinterpretation of this much underestimated phenomenon. Chronic boredom, as Healy, Kuhn, Klapp, George Steiner and now Spack's tells us, is one of the great maladies of the twentieth century. At its worst it is one of the most crippling 'maladies of the subject' and clearly, as Spacks seems to suggest, it is often generated by oppressive (subtly or otherwise) social structures. To read Spacks' work alongside Kuhn's is to gain a full overview of a malaise that has been with us since Lucretius and Seneca, but which threatens, more than ever before, to sap personal and social existence of all meaning, and spirit (elan vitale). Spacks' work does not bore, however. Why? Because her tone of high seriousness reveals to the reader something insidious and disturbing about our postmodern social structures.We are confronted in the text with a malign social something masquerading as something innocuous and harmless, mre 'boredom'. Chronic forms of boredom can be vicious and life threatening - both for individuals and for societies. Spacks', more than any other writer on the topic, comes close to linking the problem to terms like 'oppression', 'trauma', 'alienation', disenchantment',' angst' and so on. This her inheritance from feminist and postmodern critical discourses. We are in the mainstream of modernist/psotmodernist discourses on culture and the' crisis of subjectivity'. As TS. Eliot once commented, chronic ennui is a modern form of the great medieval scourge of 'acedia', and acedia, we gleen from the medieval texts, was capable of utterly destroying the psychic and spiritual world's of its victims.