A Widow for One Year
|
| List Price: | £8.99 |
| Price: | £6.74 & eligible for FREE Super Saver Delivery on orders over £5. Details |
Availability: Usually dispatched within 24 hours
Dispatched from and sold by Amazon.co.uk
215 new or used available from £0.01
Average customer review:Product Description
Ruth Cole is a complex, often self-contradictory character - a "difficult" woman. By no means is she conventionally "nice", but she will never be forgotten. Her story is told in three parts, each focusing on a critical time in her life.
Product Details
- Amazon Sales Rank: #86947 in Books
- Published on: 1999-06-03
- Original language: English
- Binding: Paperback
- 667 pages
Editorial Reviews
From the Back Cover
Ruth Cole is a complex, often self-contradictory character - a 'difficult' woman. By no means is she conventionally 'nice', but she will never be forgotten. Her story is told in three parts, each focussing on a critical time in her life. When we first meet her - on Long Island in the summer of 1958 - Ruth is only four.
The second time we meet Ruth it is 1990, when she is an unmarried woman whose personal life is not nearly as successful as her literary career. She distrusts her judgement in men, for good reason. The book closes in 1995 when Ruth is forty-one years old, a widow and a mother. She's about to fall in love for the first time.
Richly comic, as well as deeply disturbing, A Widow for One Year is a multi-layered love story of astonishing emotional force. Both ribald and erotic, it is also a brilliant novel about the passage of time and the relentlessness of grief.
About the Author
John Irving
John Irving was born in Exeter, New Hampshire, in 1942, and he once admitted that he was a 'grim' child. Although he excelled in English at school and knew by the time he graduated that he wanted to write novels, it was not until he met a young Southern novelist named John Yount, at the University of New Hampshire, that he received encouragement. 'It was so simple,' he remembers. 'Yount was the first person to point out that anything I did except writing was going to be vaguely unsatisfying.'
In 1963, Irving enrolled at the Institute of European Studies in Vienna, and he later worked as a university lecturer. His first novel, Setting Free the Bears, about a plot to release all the animals from the Vienna Zoo, was followed by The Water-Method Man, a comic tale of a man with a urinary complaint, and The 158-Pound Marriage, which exposes the complications of spouse-swapping. Irving achieved international recognition with The World According to Garp, which he hoped would 'cause a few smiles among the tough-minded and break a few softer hearts'.
The Hotel New Hampshire is a startlingly original family saga, and The Cider House Rules is the story of Doctor Wilbur Larch - saint, obstetrician, founder of an orphanage, ether addict and abortionist - and of his favourite orphan, Homer Wells, who is never adopted. A Prayer for Owen Meany features the most unforgettable character Irving has yet created. A Son of the Circus is an extraordinary evocation of modern day India. John Irving's latest and most ambitious novel is A Widow for One Year.
A collection of John Irving's shorter writing, Trying to Save Piggy Sneed, was published in 1993. Irving has also written the screenplays for The Cider House Rules and A Son of the Circus, and wrote about his experiences in the world of movies in his memoir My Movie Business.
Irving has had a life-long passion for wrestling, and he plays a wrestling referee in the film of The World According to Garp. In his memoir, The Imaginary Girlfriend, John Irving writes about his life as a wrestler, a novelist and as a wrestling coach. He now writes full-time, has three children and lives in Vermont and Toronto.
Customer Reviews
This was an excellent 'get your teeth into book'.
I've read and enjoyed a few other John Irving books and this book did not disappoint. If you liked 'The World According To Garp' and 'Hotel New Hampshire' you'll love this book. Told in three distinct sections (much like acts of a play), it presents the life of Ruth Cole centrally, but also the many colourful characters who inhabit her world. Although readers will need to suspend their realism for some of the more unlikely coincidences, this in no way takes from the book. And the fact that so many characters in the book are themselves authors, one gets great insight into John Irving's own probably journey with this and his other books. I would highly recommend this novel, a must for John Irving fans and a good start for a first time reader.
Classic John Irving!
Having not read a John Irving novel since The Cider House Rules, I wasn't sure I could reacquire the taste for his methods of storytelling. By the very first page of A Widow For One Year, however, I was hooked. This book has the usual Irving mixture of tragedy, comedy, romance, and, of course, sex. And yes...I am man enough to admit that by the end of the book I was moved to tears!
Promises much, delivers little
I am at a loss as to why the second part of this book is such a disappointment, for this was exact point at which this book lost me. Told in three parts, the first part is fantastically well written - the characters are well-imagined and depicted such that you feel as if you actually know them. The sections on the upbringing of little Ruth Cole, her wayward father and the role of Eddie are simply superb - I'd love to gush on about why and how, but I don't want to give anything away. There have not been many books that I have sat and read and read and read until I've devoured some 200 pages in one sitting, but this first section is priceless. I had hoped that this would herald a return to form for John Irving after some fairly lean times.
Sadly, this is not the case. Once we are (arbitrarily) flung some forty years into the future, the remainder of the book is self-conscious navel-gazing, focusing on the trials and tribulations of being a successful niche market author. Oh John! Please! This isn't 'magic realism', it's a silly exercise in exorcising your demons, and this narcissism drags the book down with it. Part three is a little better, picking the pace up again, but the long and meandering second section took all the momentum and impetus out of the book and renders later events almost irrelevant. If you are looking for an introduction to John Irving, look elsewhere - ardent fans may lap it up, but it is certainly not his finest hour.




