Product Description

This carefully researched, accessibly written book offers textual and contextual analysis covering an extensive breadth of Shakespeare’s films, ranging from the silent era to the present day.

Nine lively and thought-provoking chapters examine the films as indicators of the cultural moment of their production.  Each is analysed in terms of its technical and interpretive mechanisms and considered as part of a wider Shakespeare performance history.

 

 

---

Product Details

• Amazon Sales Rank: #216766 in Books
• Published on: 2005-09-16
• Original language: English
• Number of items: 1
• Binding: Paperback
• 304 pages

Review

"With its twenty-two high-resolution illustrations and on-the-spot introductions to its various parts, Shakespeare on Film represents an invigorating read and establishes a benchmark for subsequent inquiry."

"This is a handy reference point for any student; it is also a cornucopia of scholarship for the dedicated critic."

Ramona Wray, Shakespeare Quarterly

Ramona Wray, Shakespeare Quarterly
"This is a handy reference point for any student; it is also a
cornucopia of scholarship for the dedicated critic."

From the Back Cover

From the earliest days of the cinema to the present, Shakespeare has offered a tempting bank of source material than the film industry has been happy to plunder. Shakespeare on Film deftly examines an extensive range of films that have emerged from the curious union of an iconic dramatist with a medium of mass appeal.  The many films Buchanan studies are shown to be telling indicators of trends in Shakespearean performance interpretation, illuminating markers of developments in the film industry and culturally revealing about broader influences in the world beyond the movie theatre.

  

' How did Shakespeare make the movies? How did the movies make Shakespeare?  And how do the movies keep remaking him?Shakespeare on Film answers these questions. It looks at Shakespeare on the silent screen; in the art-house and the multiplex; from Asta Nielsen to Julie Taymor; in the hands of auteurs like Kurosawa, Jarman, Branagh; from mainstream to spin-off; from the centre of cultural production to the margins and back again. Buchanan's writing is smart and accessible, and her reading of individual films is technically sophisticated and brilliantly observed. This is a book both for students of Shakespeare and students of film.’                                                      

              Professor Carol Chillington Rutter, University of Warwick

As with other titles from the Inside Film series, the book is illustrated throughout with stills.  Each chapter concludes with a list of suggested further reading in the field.