Product Description

Terry Eagleton′s book, in this vital new series from Blackwell, focuses on discriminating different meanings of culture, as a way of introducing to the general reader the contemporary debates around it.

Product Details

• Amazon Sales Rank: #154666 in Books
• Published on: 2000-03-01
• Original language: English
• Number of items: 1
• Binding: Paperback
• 168 pages

Review
"In this brief volume, Eagleton has produced both a thoughtful analysis of cultural theories as well as a shrewd, liberal dissection of current social and political trends."Publishers Weekly

"Eagleton′s latest book promises to be an important addition to the field of cultural studies." Library Journal

"A magnificent reassertion of timeless cultural values." The Observer

"A voice of sanity amid the roar of turbo–capitalism."Independent

"As always, Eagleton shows a provocative wealth of learning. He is able to see the many sides of a problem, to put it in context and suggest new ways of viewing it, a healthy corrective to the soundbite society."Times Higher Education Supplement

"Stimulating and very readable. The Idea of Culture is a book which challenges our attention."The Irish Times

From the Back Cover
′Culture′ is said to be one of the two or three most complex words in the English language, and the term which is sometimes considered to be its opposite, ′Nature′, is commonly awarded the accolade of being the most complex of all. Terry Eagleton′s book, in this vital new series from Blackwell, focuses on discriminating different meanings of culture, as a way of introducing to the general reader the contemporary debates around it.

In what amounts to a major statement, with pointed relevance to the world in the new millennium, Eagleton launches a critique of postmodern "culturalism", arguing instead for a more complex relation between Culture and Nature, and trying to retrieve the importance of such concepts as human nature from a non–naturalistic perspective. His book sets its face against a certain fashionable populism in this area, as well as drawing attention to the deficiencies of elitism. It makes radical inquiry into the reasons, both creditable and discreditable, why ′culture′ has come in our own period to bulk as large as it does, and provocatively proposes that it is time, while acknowledging its significance, to put it back in its place.

About the Author
Terry Eagleton is Professor of Cultural Theory and John Rylands Fellow at the University of Manchester. His numerous works include The Illusions of Postmodernism (1996), Literary Theory: An Introduction (second edition , 1996), The Ideology of the Aesthetic (1990) and Scholars and Rebels in Nineteenth Century Ireland (1999), all published by Blackwell, as are his dramatic writings, St Oscar and Other Plays (1997), and the Eagleton Reader (1997) edited by Stephen Regan. Terry Eagleton is co–editor (with Stephen Regan) of The Blackwell Companion to Literary Theory, forthcoming in 2001.

Customer Reviews

The Pandora's Box of Culture unpacked
Eagleton's 'The Idea of Culture'can't be read over the cornflakes, but is worth perseverance and will make those who indulge in easy talk about 'culture' think again. Eagleton makes us realise that when we speak about Capital-C Culture we are talking about something different to commercially-organised 'mass culture' which is widely believed to be a threat to 'civilized values'. There is a difference between the culture of the National Gallery and that of football supporters. There are some limpid sayings: 'We are not so much splendid syntheses of nature and culture, materiality and meaning, as amphibious animals caught on the hop between angel and beast.' (p.98). We inhabit many different cultural worlds, and simplistic condemnation of contemporary life is no substitute for patient discernment of those commonplaces where, wehether we are believers or not, we encounter angels unawares. As Eagleton says, 'There was always something mildly risible about the idea that humanity might be saved by studying Shakespeare. To become a truly popular force, such elitist culture really needs to take the religious road. What the West ideally requires is some version of culture which would win the life-and-death allegiance of the people, and the traditional name for this allegiance is, precisely, religion.... Religion is not effective because it is otherworldly, but because it incarnates this otherworldliness in a practical form of life.' (p.69). This raises the interesting question of the relation of religious thought to 'culture'. Although for many this path is a necessary one, it also poses dangers; in the background are falling skyscrapers resulting from its fanatical limits.