Product Description

The year is 1643. Roberto, a young nobleman, survives war, the Bastille, exile and shipwreck as he voyages to a Pacific island straddling the date meridian. There he waits now, alone on the mysteriously deserted Daphne, separated by treacherous reefs from the island beyond: the island of the day before. If he could reach it, time - and his misfortunes - might be reversed. But first he must learn to swim...

Product Details

• Amazon Sales Rank: #212287 in Books
• Published on: 1996-10-07
• Original language: Italian
• Binding: Paperback
• 515 pages

Customer Reviews

Eco needs a stricter editor!
Eco has the fascinating ability to write about medieval Europe like no other. The book brings back to life the siege and fall of Casale, the ecclesiocratic atmosphere of the 16-17th centuries and characters as true to life as they could possibly get.

Our main character, through an unfortunate series of accidents, is stranded on this abandoned ship God knows where on the planet. and that's where the real story begins...to go wrong. Although the main idea for the book is ingenius and quite frankly, fascinating, Eco just cannot keep from rambling on about things that are not important to the story or particularly informative to the reader unless they are the type of person who reads literature strictly 'to learn about how people used to live back then'.

Although the book is very clever, it is too long, much more than Foucault's pendulum. You will not be gripped by the story unless you are a huge historical literature fan, and although I really enjoy the genre, it still failed to engage me. A lot of the extra (and quite honestly, unnecessary) information in this book could have been edited to thicken the plot or just to allow the reader to actually concentrate long enough between two pages!

I was not very satisfied at all with this book and although I was thrilled by the Name of the Rose and Foucault's Pendulum, I have to say this particular book disappointed me.

One of my best reads ever (...therefore my obviously unbiased review)
Okay, two things: this is one of my favourite books that I have ever read; I am astounded by some of the poor reviews here!

Contrary to other posters' experiences, 'The Island of the Day Before' was the first Eco book that I read, and what instantly grabbed me was his fantastic style. I know that we're reading it in the English translation (see his book of essays 'Mouse or Rat: Translation as Negotiation'), yet the prose unfurls and unfolds mesmerically, drawing the reader into the novel. The narrator's tone is engagingly learned, affectionate towards his characters, and very, very funny.

Then there's the characterisation. Roberto della Griva himself is such a brilliant creation: a sub-standard Petrarch trapped on an abandoned ship writing letters to the love of his life who doesn't even know he exists; an unwitting witness to some of the greatest occurrences of his age; a figure who lays bare the mixture of disillusion and enduring hope of the human existence. And, of course, we must not forget Father Casper...

So now we come to the brilliant plot, or, perhaps, plots is more accurate. I really don't understand why some reviewers here have said that nothing happens; if anything, there is too much happening, with the flashbacks and the background detail, the stories of warring regions and the conspiracies of Cardinal Richlieu. This is as much of the story as the actual 'present' of the novel. And all these interesting and revealing episodes are framed within each other, creating a fantastic richness and depth that really draws one in.

This is really Eco's most honest novel. I can't agree with those who have labelled it especially intellectually ostentatious. In his other novels Eco can cloak his erudition and intelligence, in a way. In 'The Name of the Rose', for example, it is all wrapped up in a detective-like structure, so it really doesn't matter if all the allusions aren't noticed, or the minor details understood: by the end, it all comes together. Here, however, these reflections aren't just asides, but intergral to the novel. To say it's seld-indulgent or pretentious is completely missing the point: it is simply and completely genuine, and unashamedly so.

It is a novel of reflections; just as Roberto reflects on his life, his past and his love, what it means and where he can go from here, whilst he is trapped aboard the ship in solitude.

Buy this, read it in one go, and simply reflect on it all...

"Island" a mix of "Name of the Rose" and "Pendulum"
With "The Island of the Day Before," Eco almost redeems himself for "Foucault's Pendulum." This time around, Eco seems more intent on playing narrative games than blundering through a morass of Templar intrigues. As Roberto wanders through the mysterious ship, he wanders through past episodes of his life. We follow him through chambers filled with exotic flora and fauna and from his childhood home, to a city under siege, to the courts of Paris where an encounter with the Cardinal Mazarin sets him on his fateful voyage.

While "Island is not nearly as enjoyable as "Name of the Rose," it far surpasses "Foucault's Pendulum," interesting for its attempt to re-create the medieval mindset (an endeavor of which Eco seems incredibly fond) and for Eco's ability to veer from Roberto's past to present while interspersing bits of the medieval weltanschauung.