Product Description

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Product Details

• Amazon Sales Rank: #601 in Books
• Published on: 2005-10-05
• Original language: English
• Binding: Paperback
• 544 pages

SUNDAY EXPRESS
"A page turning exploration of obsession in literature and love"

Review
"A sensation across Europe... a page-turning mystery.... a coming of age tale.... And it's a hymn of praise to all the joys of reading, stylishly caught in Lucia Graves's entrancing translation." (Boyd Tonkin INDEPENDENT )

"crowd-pleaser in the mode of The Da Vinci Code... Intertwining playful detective caper, compelling political thriller and sweeping historical romance, the narrative coils back beyond the savagery of the civil war to the world of the tainted Spanish aristocracy, before slowly unravelling the dark secrets born of Franco's tyranny. Zafon's novel... leave the reader with a palpable sense of enchantment." (SUNDAY TIMES )

"This week's book barely needs an introduction. Almost every book group I know about had read The Shadow of the Wind... the book is about a boy who becomes obsessed with an author. It is set in Barcelona during a bloody time in Spain's history and there is, as you would expect from a bestseller, plenty of death, murder, love and heroism." (THE TIMES BOOK CLUB )

"It was only The Da Vinci Code that stopped The Shadow of the Wind from hogging the top of the bestseller charts last year... an astounding critical success. There's an intricate plot, a gothic atmosphere and an elusive quest, as well as murders, intrigue and star-crossed lovers." (THE GUARDIAN )

"a wonderful portrait of Barcelona - not the sunny, culture rich and fun loving city break destination that most visitors know - but a shadowy, at times dark and atmospheric picture of the city centre streets in the years following the Spanish Civil War." (LIVING SPAIN )

"This bewitching novel has all the hallmarks of a classic Holy Grail story complete with mystery, mayhem, romance and labyrinthine plotting. What elevates it above all others in the genre is its emotional energy, making it a richly rewarding read." (DAILY MAIL )

"one of the most engaging, funny, moving, lyrical books" (IRISH EXAMINER )

"The best book I've ever read" (AMANDA LAMB WOMAN AND HOME )

"a magical tale of romance" (CECELIA AHERN SUNDAY EXPRESS )

"I couldn't put it down but didn't want to rush is as every sentence is beautifully crafted and every character unique." (SANTA MONTEFIORE EVENING STANDARD )

"A page turning exploration of obsession in literature and love" (SUNDAY EXPRESS )

"a great thriller" (CECELIA AHERN MARIE CLAIRE )

" the main character's deep love for books and their respective, secret libraries" (CECELIA AHERN IRISH TIMES )

'A real page-turner of a mystery that will have you hooked from beginning to end' (SPAINSH MAGAZINE )

SANTA MONTEFIORE, EVENING STANDARD
"I couldn't put it down but didn't want to rush is as every sentence is beautifully crafted and every character unique."

Customer Reviews

Classic fantasy of censorship
This is an engrossing work; within the first chapter or two you understand why it has become such a popular novel. It's 1945, it's Barcelona, the Civil War has been lost and Franco's Fascists are firmly in control ... though feeling insecure, because Hitler's Fascism is crumbling and Mussolini's has already been dismantled. A bookseller takes his young son, Daniel, on an adventure ... a visit to the Cemetery of Forgotten Books, there to choose one forgotten work and treasure it.

Thus begins the child's fascination with the author of "The Shadow of the Wind", one Julian Carax. The child grows, determined to discover who was this mysterious Carax, why did he flee Barcelona, and why is some mysterious stranger determined to destroy all copies of his books and all trace of his life.

The destruction of an artist's life and works is a potent exploration of censorship and the ability of Franco's followers to fictionalise history. Carlos Ruiz Zafon has life imitating art: Daniel's life seems to parallel Carax's! Is this a case of not learning from history? One of the characters remarks that true evil requires thought and reason, but that most people who do evil are too stupid to intellectualise their behaviour: they act simplistically out of corrupted emotions ... fear, anger, jealousy, guilt, greed.

Fascism, we see, took a hold because not enough people were prepared to act to stop it. Fascism will return if people are too lazy to think, to value, to question. History can repeat itself unless people learn.

But Fascism - which tries to impose a rigid structure on the State and its people - creates intense loneliness. People live in fear of exposure, of seizure by the secret police because they dare to think differently. Daniel's is the loneliness of fear, but it's also the loneliness of teenage love - lusty, erotic, but ultimately fragile and insecure. As a teenager, how do you know you are in love? You weave your dreams and hopes, but lack the experience to compare, to know for sure. You barely understand desire, let alone love. As a teenager, history never repeats itself, because you simply don't yet have enough emotional history!

Haunted, pursued by the mysterious leather-faced man who is out to destroy Carax's work, Daniel is haunted by the women he desires, is haunted by the need to construct a sexual and emotional self beyond the boundaries of childhood. Freedom, here, is hardly political freedom, but rather escape from emotional and sexual censorship. As Daniel strides out into the world, we watch his friendships and family dissolve around him. He has to build adult relationships now, not childish ones.

This is a book which works on so many levels. The focus is primarily on the fantasy world Daniel creates, the fantasy, shadowy world of resistance to Fascism, to censorship and mind control. It is fantasy until it runs smack into reality, the reality of a mature world. Suddenly, we have a murder mystery on our hands. We have political intrigue. We have eroticism.

"The Shadow of the Wind" is an extraordinarily well-written novel. It moves at a gentle, cerebral pace - you barely notice you are on a rollercoaster ride through fantasy. Yet it is a wonderful evocation of Barcelona - not the city of tourist brochure and sunshine, but a dark, mysterious city, lived in by real people enduring real fear and oppression. The fantasy is merely a dark cloak - once you begin to peer under it you feel this is a vivid insight into the subconscious of Spain.

It is a wholly absorbing, and highly unusual, mystery which will engross you. If I have one criticism, I felt the last quarter of the novel is comparatively weak. The ending can appear a little hasty and contrived. Having created a fantasy, turned it into a dark mystery and eroticised the romance, the ending could have been better played and plotted. But overall, a lovely, thoroughly enjoyable novel which will engage you on a number of levels and leave your mind stimulated.

The Shadow of the Wind, Carlos Ruiz Zafon
"I was raised among books, making invisible friends in pages that seemed cast from dust and whose smell I carry on my hands to this day."

The Shadow of the Wind is a novel about books; about the love of books and of stories, (and is far more accessible than Eco's The Name of the Rose). It is absolutely full of stories itself, with not a single character without one. Not all, of course, are told. For this is the story of Daniel Sempere, a young Spanish boy, growing up in Barcelona just after the end of the Civil War.

One day, ten-year-old is taken by his father, a bookseller, to the "Cemetery Of Forgotten Books", a hidden library where forgotten titles are lovingly preserved on a labyrinth of shelves. Daniel is told that he must keep this place a secret, but that he's allowed to take one book - any book - from the shelves, and protect it for life. He selects "The Shadow of the Wind" by Julian Carax. That night he reads the book and is spellbound from the first page.

Daniel then vows to seek out the rest of Carax's titles, but none can be found. Carax himself also remains a mystery. No one knows anything much about him, save for rumours that he disappeared following a duel in Paris's Pere Lachaise cemetery. Carax's only legacy is a mysterious figure who haunts the streets of Barcelona, who has been tracking down every last one of Carax's novels in order to burn them. Why would anyone want to remove all trace of the author's work? The mysterious man approaches Daniel, who refuses to give him the copy of The Shadow of the Wind - which he then hides back in the Cemetery of Forgotten books. As Daniel grows up he begins to investigate the history of Julian Carax, to discover the truth of his life and death. It's a quest that will bring him, and his friends, into grave danger.

It's a marvellous book, a wonderful, wonderful experience. It resonates with the love of books and of literature. It's also a very hard novel to pin down - it has elements of absolutely everything, a historical adventure story, a crime novel, hints of the supernatural, as well as a very tense thriller and an enchanting love story. It's superb, and every page a joy. There's magic, here, on every page. It's indefinable, but in lies in such lines as this: "He hardly slept, he explained, and would set himself up in the sitting room on a folding bed lent to him by his neighbour, Monsieur Darcieu - an old conjuror who read young ladies' palms in exchange for a kiss."

You can tell from even a brief synopsis that this is just a special, unique novel. It's full of mystery, and enchanting characters. The descriptions are wonderful, lush and delicious - although the author does tend to toss similes around like loose change, and they don't always correspond to one another. The language may also be too flamboyant for some, but in actual fact it just highlights where this novel springs from: a love of words and language. It's incredibly vivid (possibly due to the author's obsessions with colours), and pulses with life. Lucia Graves, the translator (very aptly, the daughter of Robert Graves), has done a very good job indeed. As something is always "lost in translation", this novel must be even better in the original Spanish, which I think probably has a lot more synonyms for "poison" and "poisonous" than does English, so many times do those two words crop up.

It's all excellent. As you can see, it's not flawless, but it is just a pure pleasure to read, to be immersed in a story which itself sings the joys of stories. It also says something rather interesting about stories themselves: we the lives of Daniel and Julian mirror each other eerily across decades we get a sense that every story repeats itself in history at some time or another. Threads dance and connect them both across the years. Joy and misery (there's quite a great deal of lost love and loneliness, this novel being also a plea against both those things) spiral through the whole thing, and the end is wonderfully satisfying. I absolutely loved this book, as you can tell. Right now, I think the best novels around are coming out of Europe: the works of Henning Mankell, Donna Leon, Jose Carlos Somoza, Arnaldur Indridason, and Karin Fossum, for example. And Ruiz Zafon is now another name to add to that list.

It's not a book without humour and wit, either, and there are some brilliant one-liners. A visit to a brothel is described thus: "A lineup of ladies with their virtue for rent - and a lot of mileage on the clock - greeted us with smiles that would only have excited a student of dentistry."

Best novel I have read in years
I have never before said this about a new novel, but I have little doubt that Zafon's 'The Shadow of the Wind' will in time attain classic status. The novel tells about the experiences of a young boy named Daniel living in Barcelona, who one day innocently comes across a book called 'The Shadow of the Wind'. After enjoying the book, he is puzzled as to why nobody, even those knowlegable in literature, seem to know anything about the novel's mysterious author - Julian Carax. It is his curiosity to discover more about the life of Julian that sets him on the path to a thrilling but equally dangerous adventure.

The novel contains twist after twist as the story progresses, and the characters, especially Daniel's hilarious friend Fermin, are all likeable. Highly recommended.