Product Description

Hortense shared Gilbert's dream of leaving Jamaica and coming to England to start a better life. But when she at last joins her husband, she is shocked by London's shabbiness and horrified at the way the English live. Even Gilbert is not the man she thought he was. Queenie's neighbours do not approve of her choice of tenants, and neither would her husband, were he there. Through the stories of these people, Small Island explores a point in England's past when the country began to change.

Product Details

• Amazon Sales Rank: #138543 in Books
• Published on: 2004-02-02
• Original language: English
• Binding: Hardcover
• 448 pages

Independent on Sunday, January 21, 2004
‘Powerful...rigorous...bittersweet...touching’

Daily Mail, February 6, 2004
‘It’s an engrossing read - slyly funny, passionately angry and wholly involving’

About the Author
Andrea Levy was born in England to Jamaican parents. She is the author of Every Light In The House Burnin', Never Far From Nowhere and Fruit Of The Lemon, all of which were critically acclaimed. She has been a judge for the Orange Prize for Fiction, a recipient of an Arts Council Writer's Award, and lives and works in London.

Customer Reviews

RAF Blues
I read this book in two days, I thought a was reading the autobiography of my parents, except they came from Guyana. I arrived in England with my mother to Ladbroke Grove, via Liverpool in 1958. This book is accurate,poignant and painful I struggled to read past page 272, I could have written it myself. It is lyrical, humourous, sad, educative and evocative. I didn't want it to end. It deserves the Orange fiction prize well done Andrea.

A beautiful book
Andrea Levy's award winning book 'Small Island' is a story about prejudice: Britain's and American GI's racism towards the "invading darkies"; middle-class Londoners snobbery towards the Cockneys; the Jamaicans towards the "small islanders"; the British empires treatment of its Caribbean and Indian colonies.

Told from the perspective of four different characters, it tells the story of the first wave of Caribbean immigrants to Britain following World War II, through the life of Airman Joseph Gilbert and his wife Hortense. Despite fighting against the Nazi's as a member of the RAF, when Gilbert returns to his 'Mother Country' with ambitions of training to become a Lawyer, all he finds in London is unfriendly faces, hatred, and a job as Royal Mail driver. However, he does find accommodation with Queenie Bligh, who, in need of rent, lets the empty rooms of her house to immigrants and faces just as much scorn and hatred from her neighbours as a result. Events soon come to a head when Queenie's husband, Bernard, returns home from India two years after the War has ended.

Andrea Levy's writing is superb - rich, observant, engaging and funny - her characters each have a unique voice and the story or characters are never patronising or preaching, which is a great achievement for a book about racism and bigotry. 'Small Island' is a beautiful and accomplished novel, and well worth reading.

Small Shall Have Prizes
Andrea Levy's novel (her fourth, and how ashamed do I feel now for never having heard of her before?) has already won the Orange Prize and the Whitbread Novel award, and is now favourite on the shortlist for the overall Whitbread Book of the Year. It deserves them all. (And this is a message, too: the Whitbread is now the award to watch. Didn't it daringly give ostensibly a children's book the Book of the Year award in 2001 for Pullman's exceptional The Amber Spyglass? In the Booker this year, Small Island didn't even make the longlist.)

The 'today' of the novel is 1948, when Queenie Bligh has given up waiting for her husband Bernard to come back from his service in the Second World War, and to make ends meet has let rooms in her house out to immigrants from Jamaica, among them Gilbert Joseph and his wife Hortense. And that is Small Island in a sentence. But it takes us back through the four main characters' lives before and during the war, each speaking to us in their own voice. The ventriloquism is elegant and brilliantly managed, making us sympathetic to all the characters in turn, and gripped by their flowingly told stories; so much so that when they come into conflict at the end of the novel, we are as torn as they are, and don't know which way to turn.

There is tragedy and comedy everywhere in Small Island, and Levy seems incapable of misjudging the tone, whether she wants to depict casual racism, tender young friendship, cold middle-class romance, or the numb relentlessness of twentieth century warfare. The writing is frequently beautiful, and she has a way of approaching a new scene sidelong, rather than head-on, that brings the reader into it with freshness and curiosity. Minor characters come alive. If she puts a foot wrong, it may be in the particular details (can't give it away) of the central coincidence which drives the major 'twist' of the book - the world's not that small an island, surely - but if you already love the book by then, you'll shrug and let it go.

Small Island, then, is an exceptional achievement, an outright, downright, upright, leftright masterpiece. There's something for everyone - the formal artistry of the four voices, the back-and-forward structure, the crossing and recrossing of fates, the heartwrenching losses, the sparky dialogue. I'm just sorry that it's only the 18th of January as I write this because then it sounds like a gag when I say it's the best book I've read all year. But you know what I mean.