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Ravenhill Plays: Mother Clap's Molly House, The Cut, Citizenship, Pool (no water), Product (Contemporary Dramatists): "Mother Clap's Molly House", The ... "Pool" (No Water), "Product" (World Remix)

Ravenhill Plays: Mother Clap's Molly House, The Cut, Citizenship, Pool (no water), Product (Contemporary Dramatists): "Mother Clap's Molly House", The ... "Pool" (No Water), "Product" (World Remix)
By Mark Ravenhill

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Product Description

Mark Ravenhill has established himself as one of the most important playwrights to emerge from the 1990s. Provocative, dark, witty and satirical, his plays consistently probe the debased culture of our times. This second volume of plays brings together five plays from 2001-07. It includes Mother Clap's Molly House, a black comedy and celebration of human sexuality that premiered at the National Theatre in 2001; Citizenship, a bitter-sweet comedy about growing up that was developed by the National Theatre's Shell Connections programme in 2005; The Cut, a disturbing political fable that opened at the Donmar Warehouse in 2006; Product, Ravenhill's one man satire on the media industry that since its premiere at the Edinburgh International Festival in 2005, has been produced around the world, and Pool (no water), a shocking examination of the fragility of friendship and the jealousy and resentment inspired by success. The volume features an introduction by the author and a chronology of his work.


Product Details

  • Amazon Sales Rank: #82629 in Books
  • Published on: 2008-04-09
  • Original language: English
  • Number of items: 1
  • Binding: Paperback
  • 336 pages

Editorial Reviews

About the Author
Mark Ravenhill burst on to the theatre scene in 1996 with the huge hit Shopping and Fucking. He has continued to garner critical acclaim for plays that include Some Explicit Polaroids, Mother Clap's Molly House, and most recently Shoot/Get Treasure/Repeat (National Theatre and Royal Court, April 2008)


Customer Reviews

The Truly Modern Playwright5
In the beginning Ravenhill explains his view on researching before writing and even though he claims not to look too deeply into the subjects, the people he wrights about seem to have always responded positively to the plays and I can see why.
He is the modern version of a naturalist playwright, but unlike them he does a great deal of work with imagination and fantasy leaving a lot of space for experimantation when showing the plays in theatres.