Product Description

This companion to Psychotic Reactions and Carburetor Dung compiles fifty-four of Bang?s pieces, including several that are previously unpublished. Lester Bangs was for many the most intelligent and influential critic of rock and roll. Twenty years after his death, interest in him continues, as shown by the recent critically acclaimed biography Let it Blurt, and his work still resonates with breathtaking insight and audacity. This marvellous book, edited by John Morthland, Lester Bangs? friend, literary executor, and fellow rock critic, contains exerpts from an autobiographical work Bangs wrote as a teenager, as well as cultural rants and obsessive rages, and incisive reviews from throughout his career - from Black Sabbath as a Christian band, to Anne Murray as sex object, to Bob Dylan as a fraud, and, of course, the Stones, Lester Bangs?s favourite band and bete noir. Endlessly entertaining, this book is a must for anyone with any interest in the history of rock and roll.

Product Details

• Amazon Sales Rank: #145066 in Books
• Published on: 2003-09-18
• Original language: English
• Binding: Paperback
• 400 pages

Review
"From the introduction to Psychotic Reactions and Carburetor Dung: 'What this book demands from a reader is a willingness to accept that the best writer in America could write almost nothing but record reviews' Greil Marcus 'He's fat and he's got a moustache. I wouldn't shit in Lester's nose' Lou Reed

About the Author
Lester Bangs started out as a record reviewer for Rolling Stone, went on to write for and then edit the magazine Creem, before moving to New York and covering the burgeoning punk scene, writing in daily newspapers and the Village Voice. Bangs died suddenly at the age of 33 in 1982. A biography of Lester Bangs, Let it Blurt was published in 2001.

Customer Reviews

Companion to 'Psychotic Reactions...' & 'Let It Blurt'
'Mainlines, Blood Feasts and Bad Taste: A Lester Bangs Reader' is an excellent companion to the prior collection of Bangs' writings 'Psychotic Reactions & Carburettor Dung' and the Bangs-biography 'Let It Blurt'- both of which are great reads. I first heard of Bangs in Julian Cope's autobiography 'Head On/Repossessed', though prior to that he turned up as an R.E.M.-lyric in 'It's the End of the World as We Know It (& I Feel Fine)'- though is probably more well known as the guru-music journo portrayed by Philip Seymour Hoffman in Cameron Crowe's 'Almost Famous' (2000).

This collection has much shorter pieces than 'Psychotic Reactions..' - but no less readable, and plenty of the subjects here will be familiar from that book too: The MC5, Peter Laughner, Miles Davis, Teenage Jesus & the Jerks, The Clash, PIL, Nico and of course his great interview jouster Lou Reed. The highlights here are the reviews of 'Horses' (Patti Smith), 'Metal Machine Music' (Lou Reed) & 'Doc at the Radar Station' (Captain Beefheart & the Magic Band)- the latter takes in and reassesses the Beefheart-back-catalogue and reasonably picks out the best works - 'Trout Mask Replica', 'Lick My Decals...', 'Clear Spot' & 'Doc at the Radar Station.'

The piece on Lydon/'Metal Box' is great, though like the gonzoid-spiel 'California' we can see him moving against Lydon here as he rejects Kraftwerk in 'California' - a move away from 'Kraftwerkfeature.' At times, Bangs comes off as a bit contradictory, contrary or hypocritical...which is fine where I come from!

The pieces on Miles are excellent, as are the pieces on Bangs-fave 'The Marble Index'/Nico & the review of Eno's 'Before & After Science.' Some of the pieces seem a little of their time, and somewhat childish- perhaps not as suited to posterity - the Jello Biafra piece is good, but that movement was an odd one, and should Bangs have lived, I'm sure he'd have changed his mind and probably championed Husker Du doing sixties-cover versions or Black Flag rockin' the gange, growing their hair long, and playing jazz-inflected instrumentals to their hardcore audience (similar to that the DKs had). Similarly, Bangs dismisses Wire and in one-section most modern music of the time- despite big-upping 'No Wave' in the prior volume! Then again, the greatness overwhelms the problematic - the Jim Morrison piece is as great as that on Lennon in 'Psychotic Reactions...' & the writing on The Stones here is great. Then there's the frequent reference points of Nico and Lou...not forgetting the many pieces that loiter somewhere between fiction and review (Bangs probably had a 'Confederacy of Dunces' or a 'Women' in him - Bukowski is mentioned too, so a great piece for people enamoured with Bukowski too!).

So...obligatory reading and along with recent documentaries like 'Kill Your Idols' or 'End of a Century: The Ramones', or Simon Reynolds' book 'Rip It Up and Start Again', a reminder that there is a great history out there.

Supercharged rock writing
The rock writer Joh Morthland has compiled a companion volume to Psychotic Reactions And Carburettor Dung, the first collection of the writings of Lester Bangs, rock ‘n roll’s most influential critic and the one who defined the genre.

The book is divided into the following sections: DRUG PUNK, including previously unpublished writings on Andy Warhol and autobiographical ruminations on Bangs’ adolescence; HYPES & HEROICS includes pieces on the MC5, Beatles, Bob Dylan, Grace Jones, Patti Smith’s album Horses, Wire and Jello Biafra.

PANTHEON contains pieces on The Rolling Stones, Miles Davis, Captain Beefheart, Nico’s Marble Index album, Brian Eno, Jim Morrison and Lester’s famous review of Lou Reed’s notorious Metal Machine Music album. TRAVELOGUES includes impressions of his trips to Paris, Jamaica, Austin and California.

The last chapter is titled RAVING, RAGING AND REBOPS and contains writings on the roots of punk, The Mekons (Bad Taste Is Timeless) and an excerpt from the previously unpublished All My Friends Are Hermits from 1980.

Lester’s adrenalin charged writing has lost none of its appeal. He wrote with an enthusiasm that transcends the decades. I highly recommend this book to all rock fans that are passionate about the music.