Psychogeography (Pocket Essentials)
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Average customer review:Product Details
- Amazon Sales Rank: #29132 in Books
- Published on: 2007-08-22
- Original language: English
- Number of items: 1
- Binding: Hardcover
- 160 pages
Editorial Reviews
Synopsis
Psychogeography. Increasingly this term is used to illustrate a bewildering array of ideas from key lines and the occult, to urban walking and political radicalism. But where does it come from and what exactly does it mean? This book examines the origins of Psychogeography in the Situationist Movement of the 1950s, exploring the theoretical background and its political applications as well as the work of early practitioners such as Guy Debord and Raoul Vaneigem. Elsewhere, psychogeographic ideas continue to find retrospective validation in much earlier traditions from the visionary writing of William Blake and Thomas De Quincey to the rise of the flaneur on the streets of 19th century Paris and on through the avant-garde experimentation of the Surrealists. These precursors to Psychogeography are discussed here alongside their modern counterparts, for today these ideas hold greater currency than ever through the popularity of writers and filmmakers such as Iain Sinclair and Peter Ackroyd, Stewart Home and Patrick Keiller.
Customer Reviews
hand in chtcheglov
i have sympathy for the positive and the negative reviews of this book, though i must say i zipped through it and liked it a lot. it is a 'pocket essential' introduction to the ideas of psychogeography. it traces psychogeography from bases in london (defoe, machen, blake, de quincey, sinclair, home, keiller) and paris (baudelaire, benjamin, debord). It introduces the ideas and although there is much left out [i personally think frank o'hara is the psychogeographer of new york] and although it is very london-paris-centric it does raise questions and gives interesting facts. Not bad at all, but I'm waiting on a really really great intro to psychogeography. oh and i agree with the reviewer who said merlin requires a better editor and proof reader. i went looking for chtcheglov's name spelled chtchelgov, since that is how it is spelled at one time in the book, and at others it is spelled correctly. i mean: is it not a difficult enough name as it is???
Disappointing and narrow
I bought this on the strength of the other reviews and wish now I hadn't wasted my money. The book is badly produced (you need a better editor, proof reader, and setter, Mr C), is extremely narrow in its scope, and concentrates only on those aspects of the subject that are already well known.
As a subject, psychogeography predates civilization (pagan peoples knew how geography was integral to psychology). The concentration on recent urban p-g, and the insistence that only London and Paris really count (despite a nod to New York) ignores the long rural tradition as well as p-g in other urban settings around the world.
The author's knowledge and understanding of Alfred Watkins' work and its impact is poor. Which leads one to wonder just how well he really knows the rest of the subject. His attempt to assert that Ackroyd is outside the tradition as he somehow conservative rather misses the point that urba p-g as a whole is both conservative and somewhat obsessed with the notion of a golden age.
Where the book does have a strength is in pointing out that for some people p-g is a method to some other end rather than an end in itself. Attempts to turn it into a science have so far met with failure simply because the amount of data required to make any form of realistic assessment are simply overwhelming. As an artistic method (particularly in literature and film) it is highly sucessful as it seems that an artistic sensibility and sensitivity are required to process and interpret a landscape and the figures that move within it.
There are better books on the subject. But anyone wanting to know what p-gis would be far better off seeking out p-g artists and writers.
Psychogeography by Merlin Coverley
A great introduction to psychogeography from Defoe and De Quincey via Debord and the Situationists and on to the present day. Lively, fluent and well researched, this book takes you on a fascinating journey through London, Paris and the literature that these cities have inspired. Highly Recommended.




