Product Description

Separated for nine years by the First World War Louise has finally returned home, reconciled at last with the woman he had so passionately loved, and who had promised to wait for him. Previously divided by wealth and class, both are now married and much changed by their experiences. Confronted with an uncertain future, and still haunted by the past, they discover whether their love has survived hardships, betrayals, and the lapse of time. Zweig's long-lost final novella - recently discovered in manuscript form - is a poignant examination of the angst of nostalgia and the fragility of love.

Product Details

• Amazon Sales Rank: #46645 in Books
• Published on: 2009-06-30
• Binding: Paperback
• 144 pages

About the Author
STEFAN ZWEIG was born in 1881 in Vienna, a member of a wealthy Austrian - Jewish family. He studied in Berlin and Vienna and was first known as a poet and translator, then as a biographer. Zweig travelled widely, living in Salzburg between the wars, and enjoyed literary fame. His stories and novellas were collected in 1934. In the same year, with the rise of Nazism, he briefly moved to London, taking British citizenship. After a short period in New York, he settled in Brazil where in 1942 he and his wife were found dead in bed in an apparent double suicide.

Customer Reviews

A Journey into the Past - and into the Future
This is the latest volume in the Pushkin Press' admirable undertaking to make more of the brilliant works of Stefan Zweig available in English. The novella of just 81 pages is flanked by a Foreword by Paul Bailey and an Afterword by the superb translator Anthea Bell.

Ludwig, a young German of humble social origins, had fallen passionately in love with the wife of his wealthy industrialist employer, and she with him. Zweig - and his translators - have always excelled in descriptions of tempestuous emotions which sweep the reader along. Ludwig was sent on what was intended to be a two-year business mission to Mexico, but before the end of those two years the First World War had broken out, and it would be nine years before he returned to Germany and met her again, and the journey of the title is in part a train journey they take together from Frankfurt to Heidelberg. He was now married, and the industrialist had died. On the train he recalls the history of their relationship in the past. And now? And in the future?

One part of what lies ahead is when they came across a massive Nazi parade - just three years after the end of the First World War and twelve years before the Nazis came to power - as they left the station at Heidelberg. The novella itself was started in 1924, and Zweig probably worked on it as late as the 1930s. As the complete typescript was not found and then published (in a French translation) until 2008, it is impossible to know whether this episode, laden with menace, was part of the original draft. Zweig had always loathed war and the nationalism that gave rise to it, so it may well have been an example of his highly-strung prescience.

'Two spectres walk, still searching for the past.'
Paul Bailey provides the foreword and Anthea Bell a fascinating Translator's Afterword to this novella, begun in the 1920's, published in German in the 1970's and only now published in English for the first time (after the discovery of the manuscript) with Anthea Bell's translation from Pushkin Press. Both of them place the work in its context, a book that may only be coming to us now but which was begun very close to the period in which it is set. Beginning just before The Great War the story covers a period of nine years; however it is not only time but also distance that has separated the two protagonists and the power of the book comes from the emotional force of such a reunion.

Perhaps influenced by the last book I read (The Glass Room), I found great significance in the way that Zweig indicates the changing emotional states of his characters by their reaction to or perception of the space around them. At the beginning, chronologically, Ludwig moves into the home of his ailing employer, the Privy Councillor. Having come from such a low social status he is hugely intimidated by the opulent surroundings he finds himself in.


'All he had brought with him, even he himself in his own clothes, shrank to miserable proportions in this spacious, well-lit room. His one coat, ridiculously occupying the big, wide wardrobe, looked like a hanged man: his few washing things and his shabby shaving kit lay on the roomy, marble-tiled wash-stand like something he had coughed up or a tool carelessly left there by a workman...'


What changes his perception almost immediately is his meeting with the Councillor's wife. Her warmth and sympathy strike right at the heart of his insecurity.


'...how was it that her first words went straight to the festering, scarred, sensitive part of his nature, straight to the seat of his nervous terror of losing his independence...How had she managed to brush all such thoughts of his aside with that first gesture of her hand? Instinctively he looked up at her, and only now was he aware of a warm sympathetic glance confidently waiting for him to return it.'


From that first meeting he is in love with her, his passion of course contained because of his situation and also because he doesn't even consider the chance of it being reciprocated. Again, like The Glass Room this is a book filled with passion, and it is finally released when it is announced that Ludwig will leave to develop the business in Mexico, keeping him away from Germany, and from her, for two years. Her shock at this news is like the release of a cork and Zweig doesn't hold back when describing their lust for one another ('wild ecstatic frenzy', 'like animals, hot and greedy'). The ten days before his departure are a mixture of public reserve and private moments of stolen passion.

This is a story about memory though and the real strength of it is not the description and immediacy of the affair (which is being recalled for us during a literal journey) but the transformation of these feelings by separation. Whilst in Mexico and only a short time from his return to Germany (and to her) war breaks out and he has to remain where he is. It isn't until three years after it ends that he returns and Zweig shows so effectively the many and varied changes. That house for example, once so foreboding and humiliating, is now a space filled with memories of love and lust.

'Everything stood out in a significant way, speaking urgently of some memory. Here was the wardrobe that her attentive hand had always secretly kept in order for him, there were the bookshelves to which an addition was made when he had uttered a fleeting wish, there - speaking in yet sultrier tones - was the bed, where countless dreams of her, he knew, lay hidden under the bedspread.'


Zweig's undoubted skill is in the complex and nuanced emotional and psychological landscape that they have to negotiate with their reunion.

Germany too has changed and Zweig's pacifism shows itself again. Not only has war been the cause of their separation but the country when he returns seems to be gearing up already for its next conflict. Brownshirts and goose-stepping are a striking image, all the more so in a story started over a decade before the Nazis came to actual power. A homeland that had been a forward moving industrialised nation is depicted as one already running towards the logical consequences of nationalism. The consequences of this for Zweig are all too well known.

masterfully rendered lovers' reunion
This is Stefan Zweig's "lost" novella, written in the 1920s but only discovered and published in the 1970s and reissued now. Zweig is a master of the psychological tale, and the focus of this book is the intense yet superbly restrained feelings of a man and woman, once lovers meeting again after nine years. So little is said but Zweig describes their inner confusion of thoughts, love and longing fighting with memories and societal restrictions within their minds, attempts to communicate aborted and then reformulated, their difficulty in expressing the tumult of feelings, it is so perfectly rendered.
It is not his best novella, the story is somewhat thin (hence four stars instead of five) but the lovers' reunion in the second half of this short book is a masterpiece of literature, it is not difficult to see why Zweig is so admired.