Product Details

• Amazon Sales Rank: #5496 in DVD
• Released on: 2001-02-19
• Rating: Parental Guidance
• Aspect ratio: 1.85:1
• Number of discs: 1
• Formats: Anamorphic, Dubbed, PAL, Widescreen
• Original language: English, German
• Subtitled in: English, Spanish, German, French, Italian, Swedish, Danish, Dutch, Finnish
• Dubbed in: German, Italian, Spanish
• Number of discs: 1
• Running time: 81 minutes

Amazon.co.uk Review
Writer-director Woody Allen's 1975 comedy finds the familiar Allen persona transposed to 19th-century Russia, as a cowardly serf drafted into the war against Napoleon, when all he'd rather do is write poetry and obsess over his beautiful but pretentious cousin (Diane Keaton). A total disaster as a soldier, Allen's cowardice serves him well when he hides in a cannon and is shot into a tent of French soldiers, suddenly making him a national hero. After his cousin agrees to marry him, thinking he'll be killed in a duel he miraculously survives, the couple must hatch a ludicrous plot to assassinate Napoleon in order to keep the coward Allen out of yet another war. Allen and Keaton show what a perfect comic team they make in this film, even predating their most celebrated pairing in Annie Hall. Working so well as the most unlikely of comedies, of all things a hilarious parody of Russian literature, Love and Death is a must-see for fans of Woody Allen films. --Robert Lane

Special Features
1.85 Wide Screen
16:9 Wide Screen
DVD 9
French\German\Italian\Spanish
English\German
English
Region 2
Dolby Digital English French German Italian Spanish
Dolby Digital
Original Theatrical Trailer
Interactive Menu
Chapter Selection
Danish\Dutch\English\Finnish\French\German\Italian\Norwegian\Spanish\Swedish

Synopsis
LOVE AND DEATH is Woody Allen's send-up of Russian literature and tongue-in-cheek homage to foreign art films (specifically, THE SEVENTH SEAL). Set in Czarist Russia during the Napoleonic Wars, the story recounts the misadventures of Boris (Allen) and his sexy cousin Sonja (Diane Keaton), culminating in their harebrained attempt to assassinate Napoleon. Through it all, Boris--Allen's usual neurotic nebbish--desperately tries to put the moves on Sonja, who's too busy spouting philosophy to notice.

Customer Reviews

Allen's delirious comedy about the Napoleonic Wars.
Perhaps my favourite Woody Allen film (though there are numerous others to rival it), Love and Death is a delightfully funny and greatly intelligent little comedy that finds Allen creating one of his most loveable characters, the lovelorn coward Boris Grushenko, who really wants to spend the rest of his life with childhood sweetheart Sonja, but finds that the intentions of a certain Napoleon Bonaparte keep getting in the way.

The film is beautifully shot on location in France and Hungary, with Allen and his director of photography Ghislain Cloquet making the most of the vast snowy landscapes or cavernous woodlands, whilst the interiors employ a great deal of candle-light and natural lighting, which brings to mind Kubrick's Barry Lyndon. In fact, Love and Death could be seen as something of a comedic take on certain themes prevalent in Kubrick's aforementioned masterpiece, with both films employing notions of loyalty, war, love, death, games and deception. True, Stanley would never have had his main protagonist shot out of a cannon into the exploding tent of the enemy, or, offered us a supporting character who spends more time worrying about fish than tending to the needs of his young wife... but still, the intention is there.

Because of this, the film works on a number of levels... firstly, as a comedy, or more importantly, as a spoof of historical epics, whilst the constant allusions to Russian literature and Russian cinema throughout (check the cross-cutting of the lions during Boris and Sonja's sex-scene, or the soldier shot through the eye in battle as a references to Battleship Potemkin) offer another layer of entertainment. It also offers some rather deep moments and ruminations on the nature of war and humanity and, of course, love and death itself... though these are sugarcoated beneath references to the likes of Socrates, Chaplin, Thomas Aquinas and, most obviously, Bergman.

Woody is at his best as the wise-cracking Grushenko, stumbling through battles, banquets and an assassination plot, whilst simultaneously offering more comic one-liners than an open mic night. This, along with Sleeper, is probably Woody's best film in terms of non-stop verbal comedy, with the back and forth sparring between Allen and his muse of this era, Diane Keaton (who is on great comic form as the loveless Sonja) is more obvious than it would be in later (more mature) projects like Annie Hall and Manhattan, with the pair managing to make jokes about everything, from war, to relationships and the metaphysical. Obviously I can't list every single classic line or sight gag, since there are far too many; though it must be said that the character of the father (a land-owner who literally carries his miniscule plot around in his pocket; "one day I hope to build on it" he says... and he does!!) is comedy genius, whilst the back and forth dialog between Boris and the Countess Alexandra is Allen at his wittiest ("you're the greatest lover I've ever had" she breathes, before Allen replies "well, I practice a lot when I'm alone").

The film is packed full of great moments, beautiful photography and production design and some perfectly judged comedic performances (further proof that Allen is one of the best and most underrated filmmakers in America), from Allen's bumbling, bespectacled assassin, to the dry and neurotic creation of Keaton ("I'm having trouble adjusting my belt... do you think you could come over here and hold my bosom for a while?"), whilst there's strong support from Olga Georges-Picot, Harold Gould, James Tolkan and Jessica Harper.

The ending is perfectly pitched, finding the right balance between the farce and the comic pathos, with Woody indulging his influences once again, with that great Tarkovsky-like rumination on wheat (with Allen framing Keaton and Harper in a manner that brings to mind the framing of Liv Ullman and Bibi Anderson in Bergman's Persona) and that final shot that has Woody dancing through the trees with Death... a delightful homage to Bergman's The Seventh Seal. Love and Death is brilliant stuff from beginning to end, filled with great moments of wit (and sight-gags that predate the giddy likes of Airplane and Police Squad), and, is a film that could, quite easily, be considered as Allen's first masterpiece... comedic or otherwise.

Classic comedy from a master of one line comedy epics
I first watched this film aged approx 16 I loved it then and love it now. The line I best remember is when he portrays his brother as a raw meat eating thug and then says to the camera..'Don't get me wrong, I love him like a brother...Just not one of mine.'

I discovered Woody Allen in 'Love and Death' and have never kicked the habit. His appearence puts half of humanity off - to me this makes him even more comedic and his strange appearence in this film adds to the laughs..the most unlikely hero. The DVD collection of Woody Allen films is slowly expanding and because of his timeless and clever wit the older Woody Allen films will always be watched.

For those of you who love his asides and often quiet one-liners - try 'Manhattan Murder Mystery' with Woody, Diane Keaton and Alan Alda. Another Allen classic.

Overall this film gets 5 stars based on the film alone. It is a pity there are no real extras..an interview with Woody or some outakes would be great. Then again, Woody has never really been the revealing type. Read 'The unruly life of Woody Allen' by Marion Meade (2000).

The lack of extras is a bit disconcerting considering how much we pay for DVD in this country..but vat least with Woody Allen the film is worth buying for the sheer pleasure of seeing that strange little man perform.

Woody Allen: The Golden Years
"Love and Death" truly belongs in the Pantheon of comedy classics. A send-up of every Russian novel that you should have read, but probably didn't, the film, as the name implies, in particular spoofs Tolstoy's "War and Peace." Boris Gruschenko (Allen in Kulak blouse plus his customary horn-rimmed glasses) is hopelessly in love with his cousin Sonja (Diane Keaton) when the Napoleonic Wars intrude on their lives. Between gags, the characters burst into ecstasies of philosophical discourse on the nature of ontology and wheat. The film was shot in Hungary, and the costumes and sets provide a magnificent background for this high-flown nonsense, as does the musical score by Sergei Prokofiev [who might well be spinning in his grave with laughter]. There are plenty of laugh-out-loud moments even though one has seen the film half-a-dozen times.

Among my favorites is an episode in which Boris' aged parent--a "major loon"--confides that he owns a little plot of land [He keeps it in his pocket.] upon which he is going to build one day, and that he will bequeath it to his son. Allen also pays homage to Ingmar Bergman's "Seventh Seal" when he ends the film in a frenetic pas de deux with a scythe-wielding Death.

Although I always get a kick out of Allen--even in his later, far lighter, fare--in "Love and Death" he has approached, if not reached, the zenith of his creative powers--his golden age, as it were, in which his cinematic productions cast a shadow so long that it adumbrates his later works.