Product Description

Unglaublich aber wahr, eine unveröffentlichte Live-Perle von QUEEN 'Queen On Fire Live At The Bowl', das 1982er-Mega-Event der Hot Space-Tour vor über 40.000 Zuschauern in der ausverkauften Milton Keanes Bowl, eine der besten Live-Bühnen der Welt! Es gab sie weder auf CD, VHS, CD-I oder ähnlichem Bild- oder Audio-Tonträger, noch in ganzer Länge im TV. Jetzt wird pünktlich zum Mega-QUEEN-Jahr und zur Deutschland-Premiere des offiziellen QUEEN-Musicals dieses bild- und soundgewaltige Spektakel endlich erhältlich sein, für das die Band ihre eigene Light-Show-Maschinerie kreieren ließ! Das DVD-Package besteht aus 2 Teilen, DVD1 präsentiert zum ersten Mal das ungekürzte Konzert von 1982, auf DVD2 bekommt man neben Interviews mit FREDDIE MERCURY, BRIAN MAY und ROGER TAYLOR aus dieser Zeit, noch 2 weitere, rare Live-Mitschnitte der Hot Space Tour aus Japan und Österreich. Eine pickepacke volle Doppel-DVD! Wer QUEEN jemals live erleben durfte oder zumindest alle Live-Platten konsumiert hat, weiß, dass kein Konzert wie das andere war. Das einzige was wohl allen gemein ist, ist eine Wahnsinns-Show mit Licht- und Sound-Gewitter und Entertainment-Gott FREDDIE MERCURY, mal am Klavier, mal als tanzender, rockender, überirdischer Derwisch. Auf dass das Adrenalin kocht!

Product Details

• Amazon Sales Rank: #7668 in DVD
• Released on: 2004-10-25
• Rating: Exempt
• Aspect ratio: 1.33:1
• Formats: Best of, Enhanced, Live, PAL
• Original language: English
• Number of discs: 2
• Running time: 110 minutes

Synopsis
Featuring the tracklisting: 'Flash', 'We Will Rock You', 'Action This Day', 'Play The Game', 'Staying Power', 'Somebody To Love', 'Now I'm Here', 'Dragon Attack', 'Love Of My Life', 'Save Me', 'Back Chat', 'Get Down Make Love', 'Guitar Solo', 'Under Pressure', 'Fat Bottomed Girls', 'Crazy Little Thing Called Love', 'Bohemian Rhapsody', 'Tie Your Mother Down', 'Another One Bites The Dust', 'Sheer Heart Attack', 'We Will Rock You', 'We Are The Champions', and 'God Save The Queen'.

Customer Reviews

'It's only a b----y record...
...people get so excited about these things!!'

So said Freddie Mercury from the stage at Milton Keynes Bowl, whilst reassuring his audience that just because they had taken a more 'funk' direction with their then most recent album 'Hot Space', it did not mean that they had suddenly turned their back on rock 'n' roll, which the audience present that night were pleased to hear!

The DVD release of this concert features the complete set for the first time, previously the Channel 4 special was all that was ever seen. With several then new songs making the set, you actually see Roger Taylor use his new Simmons drums on these numbers (personally I hated those things!) - in the edited version you could have been forgiven for thinking they were for show! Freddie's reassurance to his audience is backed up by a performance high in volume, and the playing of the fast version of 'We Will Rock You' at the start signalled their intent to do just that.

The set played in this show is sufficiently different from the Wembley '86 DVD to make this release worthwhile, of course songs which have since become regarded as favourites, such as 'Radio Ga Ga' and 'A Kind of Magic' were yet to be written, and so here we get a gloriously OTT performance from Freddie during 'Somebody To Love' and some high camp during the wonderfully politically incorrect 'Fat Bottomed Girls' (they would never get away with that nowadays!)

Freddie on this performance both looks and sounds in fantastic shape; his voice in superb condition and you never feel he is singing 'within himself' - a night when he was indeed 'on fire'. The 'Hot Space' material does come over well live, and trivia fans will notice that John Deacon swaps his bass for a Telecaster guitar during 'Staying Power' (bass synth was played by keyboard player Morgan Fisher, this tour marked the first time they had used an extra musician live). The sharp-eyed will also notice Brian May use the John Birch replica of his famous guitar on some numbers; he smashed it in frustration shortly after and has only recently had the guitar - still in bits - returned to him!

The concert filming does not use the multitude of cameras that was used for the Wembley show, and so you do not get that many 'cuts' between band members; consequently you do still feel you're watching a video rather than feeling part of the audience at the show. For the time however, it was well put together and the band were sufficiently impressed with director Gavin Taylor to work with him again at Wembley. The footage has been considerably enhanced for the release and although 'dark' in places (remember they were not using their normal battery of lights) stands up well. Once again, they have included a DTS soundtrack for those suitably equipped to access it.

Fans will be pleased to note that Brian May's solo includes the moment where his guitar cut out on him - you can hear clearly the roar from the crowd when he got it back on!

The second disc contains all the 'extras'; some footage from Austria and Japan is included. The Japan footage features a superb rendition of 'Crazy Little Thing Called Love' with an extended piano solo, even Freddie joins in at one point! Also featured is a rare interview with Freddie, discussing their ten years together at that point, and he is musing over whether they would last another ten years. As we all know, that did not quite happen.

To conclude then: the devoted fans will snap this up but the casual fan will also find plenty to enjoy here; the playing and singing performances are excellent and although the Wembley DVD features arguably more favourably regarded songs, more thorough coverage of the show and the spectacular setting of Wembley itself, this concert on live performance edges it.

Another well put together, good value live DVD. My thanks to Brian and Roger for releasing it.

A Crown Jewel
For Queen obsessives, the advent of remastered CD and DVD has served to keep the - ahem - 'magic' alive long after the demise of the band itself as a creative unit. The latest release is this long-awaited Milton Keynes Bowl concert, recorded June 1982, on the European leg of the Hot Space tour. A heavily-edited film of the show was first used, improbably enough, on Channel 4's alternative music show The Tube in 1983; that edit has since featured regularly on VH1. Individual songs have also appeared in video montages and compilations. Now, after the success of the Live at Wembley Stadium DVD, this is the MK show in its entirety - warts 'n' all - and very welcome it is too.

Previous 'live' offerings from Queen too often suffered from heavy handed editing, remixing and general interference, sometimes due to the limitations of technology at the time but more often in a mistaken attempt at quality assurance. The nadir is 1986's Live Magic which employs a ghastly mixture of omission and (unbelievably) song editing to fit a two-hour show onto LP. A close second is the video of 1985's Rock In Rio triumph: Brian May's guitar is hopelessly buried in the mix and the overall band sound is dull and blunted. Now, as this DVD demonstrates, even on basic home equipment, digital remastering brings a raw freshness to the sound as well as sharpness and colour to the picture.

After the pomp and grandeur of two world tours between 1977 and 1979, their stage show by 1982 had adopted a pared-down, 'hot and spacey' feel to match their changing musical direction. The grandiose 'Crown' lighting rig in 1977-78 and the 'Pizza Oven' roof of lights that spectacularly adorns the Live Killers sleeve were replaced by relatively modest, moving banks of lights and powerful spots. Musically, while the new songs from the sharply criticised Hot Space album undoubtedly benefit from a live work-out, this viewer well remembers their muted greeting by the crowd at the previous week's Elland Road concert.

However, Queen always delivered onstage and this DVD magnificently captures the power of Queen live. Freddie is in particularly mischievous form, teasing and energising the crowd ("are you ready...are you ready brothers and sisters?"). The consummate showman bounds across the stage and athletically utilises gangways incorporated into the stage set to project the band in larger venues. Though Freddie did not personally write a Queen blockbuster after 1979's Crazy Little Thing Called Love, he was still fit and lithe, aged 35 in 1982, the singing voice strong and assured. Only later did a combination of wear and tear, age and smoking lead to difficulties at the end of long shows and tours. Before AIDS (first identified in 1983), it is also interesting to note the overtly sexual nature of much of his onstage banter, strutting and posing.

The performance - and the filming - is not quite as polished as 1986 and casual buyers might begin their collection with the aforementioned Live At Wembley Stadium DVD. It was 1985's Live Aid that truly elevated Queen to superstar status. In 1982, the set list still contained obligatory new-album material and hard-rocking (but relatively uncommercial) stage favourites like We Will Rock You (fast) and Sheer Heart Attack. For the Queen connoisseur, however, there is much to enjoy. Particular highlights include Somebody To Love: a singalong favourite and live staple from 1976, it was inexplicably left off the Live Killers LP and finally dropped in 1986. If Queen's finest hour (or, rather, 17 minutes) at Live Aid can be criticised, it is surely the inclusion of Hammer To Fall at the expense of Somebody To Love.

Another fine Milton Keynes moment is the gloriously un-PC Fat Bottomed Girls. Unfortunately, a raucously out-of-tune scream by Freddie has been polished out - but at least problems with Brian May's lead during his earlier solo spot have been left in; anoraks truly treasure such moments! This tour is also noteworthy for fans as the first to feature additional (off-stage) keyboards to supplement the band's sound. Brian's 'chat' before Love Of My Life is also somewhat unusual. Dedicating the song to people "who have given up their lives for what they believe", it is a reference to the Falklands War that dominated the headlines that spring and summer: Queen were in an acutely difficult position as they had played in Argentina the previous year, were selling phenomenally well over there and had just released a single in English and Spanish - Las Palabras De Amor.

Overall, Live At Milton Keynes Bowl is another top quality Queen DVD. What delights await next Christmas? Paris 1979? Houston or Earl's Court 1977? Hyde Park 1976, please.

Staying Power
I should begin by confessing that I was really into Queen in the late '80s, so I have a certain bias. However, that is counterbalanced by my dislike of 'live recordings' (a contradiction in terms!). I've always found so called live releases to be a complete waste of time; they give you poorly recorded (although the technical quality has improved greatly with the advent of digital), poorly rendered versions of songs which have lost all the subtlety and craftsmanship of their studio incarnations. This is especially the case with Queen, a band who produced such intricately constructed tracks full of multi-layered vocals and guitars. What a live show has over recorded material is the thrill of being there, the communion with the artist and, with the best live performers, that special sense of intimacy that they create between the audience and the band. In my expereince, a recording of a show just does not convey any of this energy.

Queen, by all accounts, were brilliant live (I sadly never got to see for myself). But awful releases like the Live Magic album only conveyed the inferior complexity of the rendition of their songs live, not the energy and magic of being there. So I gave up on live albums. Until, that is, a few years ago when I happened across an edited version of this concert on Channel 4. I was completely blown away! The energy, the intensity, the 'liveness' of it all. Watching this DVD on a good TV with good sound is almost (I imagine) like being at a Queen show. It's the closest I'll ever get.

The quality of the digitally scrubbed up sound and vision is excellent, and the whole package has all the great extras (interviews, snippets of other live shows) and beautiful packaging that has characterised all the Queen DVD releases to date. The show itself, well I won't give to much away. Better that you sit down and watch this, without looking at the track listing, and just pretend you're there, enjoying the thrill of discovering which song they play next. Of course all the classics are here, as are many less familiar but equally brilliant album tracks. And Freddie's banter with the audience really personalises this show.

So to conclude, this show not only reignited my love for the band, it also convinced me that a live recording can be worthwhile. And that is high praise indeed. I recommend this DVD to not only Queen fans (who will already have it by now!), but to anyone who loves rock music and wants to see a great show from a unique band at the height of their powers. This may have been recorded in 1982, but it sure has staying power!