Product Details

• Amazon Sales Rank: #6259 in DVD
• Released on: 2006-06-01
• Rating: Parental Guidance
• Aspect ratio: 1.33:1
• Formats: Black & White, Full Screen, PAL
• Original language: English
• Subtitled in: English
• Number of discs: 1
• Running time: 112 minutes

Synopsis
Directed by John Huston, THE ASPHALT JUNGLE is considered by many to be the defining film of the crime oeuvre. After many years in prison, Doc (Sam Jaffe), a seemingly over-the-hill and retired (i.e. rehabilitated) criminal decides upon his release to make one last go of it. His attempts at reuniting the old gang come up against the intentions of his partner who intends to start a Kentucky horse farm with his share of the take. Doc's lecherous tendencies for young curvaceous women get him nowhere but delight the viewer with standout performances by Jean Hagen and a lusty Marilyn Monroe. The tremendous character development is aided by Huston and Ben Maddow's script, and Huston's direction. Based on a novel by W.R. Burnett. Remade in 1958 as BADLANDERS, in 1963 as CAIRO and 1972 as COOL BREEZE.

Customer Reviews

"We all work for our vices."
Once a key part of the mighty battle between Louis B. Mayer and head of production Dore Schary for creative control at MGM, John Huston's classic 1950 heist movie The Asphalt Jungle is good - very good - but at times it feels like it would have benefited from a lower budget and a tighter running time. Even though it was a comparatively low budget picture for the studio there's still a feeling that it's a film about people with no money made by people with rather a lot of it even if it was part of a conscious move by the studio to tackle grittier subject matter to compete with television. But then, with a track record that included Little Caesar, Scarface and High Sierra, the screen rights to W. R. Burnett's novel were never likely to go to one of the more cash-strapped studios that churned out film noir thrillers for their bread-and-butter.

It's that old favorite, the perfect heist that goes wrong, not because of bad luck or any overlooked detail but because of the inherent character flaws of the men carrying it out: for Sam Jaffe's meticulous and brilliant planner Doc Riedenschneider, it's very young girls ("We all work for our vices"), for Louis Calhern's crooked lawyer it's his belief that he can talk his way in and out of anything, for Marc Lawrence's bookie it's his desire to be seen as the equal of more socially `legitimate' criminals and for Sterling Hayden's not-too-bright hooligan it's his exaggerated sense of his own honor. Although executed with skill, most of the film's pleasures come from the performances, not least Jaffe's uncharacteristic Teutonic precision that earned him an Oscar nomination and Louis Calhern's free-spending but bankrupt criminal lawyer who simply regards crime as "a left-handed form of human endeavor" and who gets much of the best dialogue. But the supporting cast is memorable too, from Jean Hagen's hooker in love with Hayden, eager to please but living on her nerves in a performance completely devoid of vanity, Marc Lawrence's sweaty bookie and James Whitmore's cat-loving but tough-as-nails hunchback barkeep to Brad Dexter's unscrupulous private eye trying to cut himself into the deal, while Dorothy Tree's neglected wife puts a lifetime of desperation to recapture old times in her two scenes. Definitely worthwhile, though it doesn't leave as lasting an impression as many a cheaper film noir. Incidentally, someone really should tell whoever wrote the sleeve blurb for WHV's DVD release what `gunsel' really means...

A realistic film
"The Asphalt Jungle" is one of the few Hollywood films to follow the Russian tradition of picture-making; for the film does not include actors who are "stars" in the accepted sense of the word, but people who have been encouraged to "sink" their characters fully into the roles they are playing. Even Marilyn Monroe - in one of her first film parts - is not listed in the opening credit titles.
The movie captures perfectly the weaknesses of human nature that comes from greed & the wish to have more than one`s "fair share" . The contrast in the characters is notable: for example, the coolness of the German "Doctor" and the nervousness of the bookmaker.
The black & white photography is gritty & helps create the sombre atmosphere of the film. The use of music too, is interesting: only in the first & last scenes of the picture is there any "soundtrack" background music. Otherwise the music emanates from "natural" sources i.e. radio, jukebox etc., altogether an absorbing film, well worth seeing; a classic of its kind.
John Harman.

Great crime flick
The problem with todays crime movies is that so many of them talk the talk but dont walk the walk.
John Houston's 1953 heist movie puts them all to shame, simply because it understands what makes career criminals tick, and it manages to combine street style with character substance. On one level there is the plan, the operation and the betrayal that inevitably follows. But beneath this we are given glimpses into the domestic lives, impossible dreams and personality flaws of the heavy, the safecracker, the mastermind, the getaway driver, the financier- character types transformed into real flesh and blood. Brilliant.