Product Details

• Amazon Sales Rank: #3448 in DVD
• Released on: 2006-04-24
• Rating: Suitable for 12 years and over
• Formats: Black & White, PAL
• Original language: English
• Number of discs: 1
• Running time: 105 minutes

Amazon.co.uk Review
Considered by many to be the greatest B movie ever made, the original-release version of Orson Welles's film noir masterpiece Touch of Evil was, ironically, never intended as a B movie at all--it merely suffered that fate after it was taken away from writer-director Welles, then reedited and released in 1958 as the second half of a double feature. Time and critical acclaim would eventually elevate the film to classic status (and Welles's original vision was meticulously followed for the film's 1998 restoration), but for four decades this original version stood as a testament to Welles's directorial genius. From its astonishing, miraculously choreographed opening shot (lasting over three minutes) to Marlene Dietrich's classic final line of dialogue, this sordid tale of murder and police corruption is like a valentine for the cinematic medium, with Welles as its love-struck suitor. As the corpulent cop who may be involved in a border-town murder, Welles faces opposition from a narcotics officer (Charlton Heston) whose wife (Janet Leigh) is abducted and held as the pawn in a struggle between Heston's quest for truth and Welles's control of carefully hidden secrets. The twisting plot is wildly entertaining (even though it's harder to follow in this original version), but even greater pleasure is found in the pulpy dialogue and the sheer exuberance of the dazzling directorial style. --Jeff Shannon

Synopsis
Orson Welles's Touch of Evil is nothing short of a masterpiece. Beginning with a three-minute-plus tracking crane shot, the film explodes onto the screen, literally the marvelously expressive opening shot ends with a car blowing up, and that detonation sets into motion a classic noir tale of betrayal and murder. In a complex exploration of character and morality, Welles plays the racist Captain Hank Quinlan, a grotesque, troubled, and powerful figure who runs his small U.S. border town according to his own version of the law. Quinlan's brutishness and vulgarity contrast starkly with the idealism and playboy good looks of Charlton Heston as Mike Vargas, a Mexican detective trying to put away the leader of a dangerous family of drug dealers the Grandis. In the U.S. with his new bride, Susie (Janet Leigh), Vargas becomes consumed with exposing Quinlan and his highly questionable methods too busy to see that his own beautiful blonde bride is in serious danger from both Quinlan and the Grandis. In 1998, Welles's film was restored closer to its creator's original vision, and it is a joy to behold. Every shot is impeccably crafted, every word of dialogue concise and pointed. The camerawork (by Russell Metty and John Russell) is stunning, particularly in the opening scene and the long single take in which Vargas believes he has caught Quinlan planting evidence. The supporting cast, led by Marlene Dietrich, Dennis Weaver, Akim Tamiroff, and Joseph Calleia, gives exhilarating performances. Touch of Evil, Welles's last studio film, is a near-perfect examination of the dark underbelly of society and the tragic downfall of a once proud man.

Customer Reviews

NOT the original - but still worth it
Firstly, this is NOT - EMPHATICALLY NOT - the 1958 original. The opening contains a rationalisation of the restoration process, the screen credits are removed, and - most importantly - Henry Mancini's magnificent score is removed. If this doesn't bother you, then this ranks alongside The Maltese Falcon and The Third Man as among the greatest films of the Black and White era. Film historians and Universal Pictures please take note *This film rightly became a classic before anyone "restored" it*, and it should be available in a 2-disc edition (Somewhat in the way Blade Runner now is). Having said all that, Awesome Orson was never better than here - his portrayal of the fall of Hank Quinlan is breathtaking, and with fine performances from Charlton Heston, Janet Leigh, and an underappreciated Joseph Calleia, not to mention Marlene Dietrich's last great role, there is not a dull moment in this masterpiece.

The Greatest Opening Sequence Ever?
Dark, entertaining, messy, but very rewarding. My favourite Welles. Dietrich, Leigh & Heston on top form too. Sweaty, steamy, dark view of human falibility and complicity. But if it's not for you, this is a must see simply for the opening sequence: a complex, perfectly timed, almost balletic tracking shot as we follow a car through a mexican border town. Sit back and marvel at the genius who had the vision and the audicity to pull it off. Here's you money's worth already - regardless of the delights to follow. If you ever wondered what all the fuss was about with Welles, just invest your pennies in this and enjoy a mini masterclass.

Crazy formatting
The people at Universal should be taken out and shot.
They have screwed up a fantastic and beautifully restored masterpiece by cropping it from it's original 4:3 format to 16:9 for some unknown reason on this DVD