Product Details

• Amazon Sales Rank: #13456 in DVD
• Released on: 2007-12-10
• Rating: Suitable for 15 years and over
• Format: PAL
• Original language: English
• Number of discs: 3
• Running time: 275 minutes

DVD Description
Handsomely mounted, epic in scope, and featuring an outstanding cast, TNT's The Company might restore some much-needed luster to the image of the Central Intelligence Agency (then again, perhaps not). Based on Robert Littell's popular historical novel of the same name, the show commingles real and invented characters as it traces the CIA's role in several major events, from the earliest days of the Cold War through the collapse of the Soviet Union, with particular attention given to the division of Berlin into East and West in the 1950s, the anti-Communist uprising in mid-'50s Hungary, and the disastrous Bay of Pigs operation in the early '60s.

The first of the miniseries' three parts introduces us to Yale graduates Jack McAuliffe (Chris O'Donnell), Leo Kritzky (Alessandro Nivola), and Yevgeny Tsipin (Rory Cochrane); the first two are recruited by the CIA, but the Russian-born Tsipin sides with the KGB. The initial focus is on the CIA's efforts to find a Soviet mole who's been interfering with the agency's work and putting many American lives at risk. Working with mentor Harvey "The Sorcerer" Torriti (Alfred Molina), who calls him "Sport" and delights in pointing out that such matters are nothing less than a life-and-death struggle between good and evil and right and wrong, McAuliffe skulks around Berlin, where his principal informant and soon-to-be love interest is a lovely young ballerina (Alexandra Maria Lara) with a few secrets of her own. Meanwhile, back in Washington, the colorfully-named CIA counter-intelligence expert James Jesus Angleton (a real guy portrayed with low-key intensity by Michael Keaton) slowly realizes that the mole in question is one of his old pals. And it doesn't stop there. Turns out there's another double agent (codename "Sasha") working for the Reds; this one's deeply embedded in the CIA, and Angleton, a chain-smoking obsessive whose behavior becomes increasingly cold and peculiar, devotes years (and most of the series' third installment) to outing him. The process by which he does just that, culminating in some fairly excruciating interrogation scenes, provides The Company's best moments--especially because we don't know until the very end whether Angleton has fingered the actual Sasha or not.

Viewers unfamiliar with the CIA's history and methods aren’t likely to be very encouraged by what's depicted here--especially in the second part, in which the agency's misadventures in Hungary and Cuba reveal it (as well as the U.S. government overall) to be not merely ineffective but disastrously inept, as well as shockingly callous and hypocritical when it comes to lending material support to the causes it claims to espouse. Still, the series does a good job with many of the elements common to such fare (Robert De Niro's 2006 film The Good Shepherd covers some of the same ground). Codes are written and deciphered. Secrets are kept… and revealed. Shots are fired, and some of them connect. People die, good and bad alike. And even if some of the scenes are a bit overheated and melodramatic, all in all, The Company (which was written by Ken Nolan, directed by Mikael Salomon, and produced by John Calley and Ridley and Tony Scott) is smart and entertaining. And some of it's even! true. --Sam Graham

Synopsis
This epic miniseries stars Chris O'Donnell, Alessandro Nivola, and Rory Cochrane. Based on Robert Littlell's historical book, the three-part series investigates the CIA's role in important moments throughout history, including the events surrounding the Bay of Pigs, the failed CIA-backed invasion of Cuba.

From the Back Cover
The Company tells the story of Jack McCauliffe (O’Donnell), an idealistic Yale graduate recruited into the CIA by his coach. He’s sent to the legendary Berlin Base in Germany to work with a man who becomes his mentor: the eccentric and colorful Harvey Torriti (Molina), codename "The Sorcerer". Jack and The Sorcerer are imprisoned in double lives, fighting an elusive but formidable enemy in an unrelenting and deadly battle within the CIA itself. Together with the counterintelligence chief, James Angleton (Keaton), the three men are hell-bent on finding the moles within their own ranks before every operation they undertake is completely undermined. However, Jack is forever changed as he must witness the cost in human lives.

Customer Reviews

The Company They Kept
First of all, I actually enjoyed this mini-series, which, as has been noted, is elegantly produced and, on the whole, well acted. The costumes and settings are also excellent and evocative of the period. Michael Keaton is especially good in the role of chain-smoking James J. Angleton. And Tom Hollander, who seems to be making a career playing various Cambridge spies (He still has to play Maclean, Cairncross, and Blunt [which will require a real suspension of disbelief].), is brilliant (as usual) in the role of Philby (whom the writers have coyly called by one of his middle names, Adrian, so that viewers who may be only vaguely familiar with the early history of CIA will not guess he is Kim, the British Soviet Mole). Hollander plays the spy with understated charm, and his suggestion of Philby's stammer never slips into parody.

Good points being acknowledged, I now come to various aspects that have been already stated in other reviews: the overproduced music (which sometimes drowns out crucial dialogue); the handsome but rather wooden hero, who ages twenty years only in the steel color of his hair; and the confusing flashbacks, which cloud the narrative. As one who is fairly familiar with the historical background, I was also annoyed by details, which I admit are picky: if the heroes graduated in the Yale class of 1954 (as has been indicated), Philby, along with Burgess, had vacated Washington in 1951; by 1954, Burgess was in Moscow and Philby was being interrogated in London, so there is no way that the young Yalies would have been in on the Philby debacle (One of them is depicted as delivering whisky and other goodies to him in Washington.). I think I prefer the "Good Shepherd's" solution of giving real people false names [We still knew that Matt Damon was supposed to be Angleton!]. Then, none of these plot points would make the slightest bit of difference.

Again, I enjoyed the mini-series, which, under the aegis of Ridley Scott, sticks to standards that are much higher than the usual U.S. television fare, but I think it could have been far better with a little more planning and a lot more editing.

Awesome awesome awesome - this is top quality programming
From producers Ridley Scott, Tony Scott & John Calley - and starring Alfred Molina, Chris O'Donnell, Michael Keaton and Tom Hollander - this 3 part TV series from the US is of comparable quality to the likes of Band of Brothers, Sopranos & West Wing. Its a compelling story arc that follows key figures in the CIA and the KGB during the Cold War.

Clearly Emmy award winning stuff - the conversion from the original book to the TV screen is handled with elegance and class. I cant recommend this enough. This programme knocks the socks off 'The Good Shepherd' and deserves TV Event status for bringing blockbuster film quality entertainment to the small screen.

Polished
Michael Keaton is the real star of this. His performance as James Jesus Angleton is nearly as good as that of Alec Guinness playing George Smiley. Not so sure about Chris O'Connell. He does not age well as has been already noted in another review. I can understand though why he was chosen to play the part. He has always played squeaky clean characters as in 'Scent of a woman', and 'Dead Poets Society'. There are some differences to the book and I'm sure at least one major character does not appear. Possibly reading the book first would help understand the plot but then you would know who the mole is so I would recommend watching this first. A useful book to read before this would be 'The very best men' by Evan Thomas, as it would provide good background information but not ruin the plot.