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literature that thinks
A La Recherche Du Temps PerduA La Recherche Du Temps Perdu by Marcel Proust
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No other novelist was so conscient that form is content as proust. The ruse of desire better than in lacan. The strategies of social distinction better drawn than in bourdieu.
The Book of Disquiet (Penguin Modern Classics)The Book of Disquiet (Penguin Modern Classics) by Fernando Pessoa
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Much before Zizek, pessoa describes the modern self as fully cartesian, but not as a unified, transcendental ego.
A Little Larger Than the Entire Universe: Selected Poems (Penguin Classics)A Little Larger Than the Entire Universe: Selected Poems (Penguin Classics) by Fernando Pessoa
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Against the stereotype that poetry is hypersubjectivezed feeling stands the poetry of pessoa.
Selected Poems (Penguin Twentieth Century Classics)Selected Poems (Penguin Twentieth Century Classics) by Paul Celan
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And that of Paul Celan.
The Man without QualitiesThe Man without Qualities by Robert Musil
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A gigantic work of fiction composed of several chapters who stand as precious philosofical essays in themselves.
Ulysses (Oxford World's Classics)Ulysses (Oxford World's Classics) by James Joyce
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Language as worldmaking. Using a mythic structure, joyce tried to encompass in a single narrative plot the whole of western culture.
Trilogy: "Molloy", "Malone Dies", "Unnameable" (Calderbooks)Trilogy: "Molloy", "Malone Dies", "Unnameable" (Calderbooks) by Samuel Beckett
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The novel, at last free of narrative.
DisgraceDisgrace by J.M. Coetzee
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Better than in most history books, this novel tells of the embeddedness of individual lives in the larger forces of history. Critical theory at its best.
Blood Meridian: Or the Evening Redness in the WestBlood Meridian: Or the Evening Redness in the West by Cormac McCarthy
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The most radical objectivist writing these days. Fiction that is decidedly non-narrative, more akin to poetry. The language is that of the epic mythmaking mode. One of the best novels in the world.
Levantado del SueloLevantado del Suelo by Jose Saramago
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The best book by Saramago is not translated into english. The reinvention of the epic, in the sense of the brechtian epic theatre, in the setting of class struggle in southern Portugal.