Product Details

• Amazon Sales Rank: #9062 in DVD
• Released on: 1999-01-25
• Rating: Suitable for 15 years and over
• Aspect ratio: 1.85:1
• Number of discs: 1
• Formats: Dubbed, PAL, Widescreen
• Original language: English, French, Italian
• Subtitled in: English, Spanish, French, Italian, Portuguese, Dutch, Arabic
• Number of discs: 1
• Running time: 149 minutes

Amazon.co.uk Review
Readers of John Berendt's bestselling novel, Midnight in the Garden of Good and Evil, were bound to be at least somewhat disappointed by this big-screen adaptation, but despite mixed reaction from critics and audiences, there's still plenty to admire about director Clint Eastwood's take on the material. Readers will surely miss the rich atmosphere and societal detail that Berendt brought to his "Savannah story," and the movie can only scratch the surface of Georgian history, tradition and wealthy decadence underlying Berendt's fact-based murder mystery. Still, Eastwood maintains an assured focus on the wonderful eccentrics of Savannah, most notably a gay Savannah antiques dealer (superbly played by Kevin Spacey), who may or may not have killed his friend and alleged lover (Jude Law). John Cusack plays the Town & Country journalist who arrives in Savannah to find much more than he bargained for--including the city's legendary drag queen Lady Chablis (playing "herself")--and John Lee Hancock's smoothly adapted screenplay succeeds in bringing Berendt's characters vividly to life with plenty of flavourful dialogue. --Jeff Shannon

Special Features
1.85 Wide Screen
DVD 9
French\Italian
English\Italian
English
Region 2
Dolby Digital 5.1 English French Italian
Dolby Digital 5.1
Interactive Menus
Production Notes
Scene Access
Arabic\Dutch\English\French\Italian\Portuguese\Spanish

Synopsis
Bringing John Berendt's international best-selling novel, MIDNIGHT IN THE GARDEN OF GOOD AND EVIL, to the screen must have been a challenge. The book is essentially an anecdotal travelogue of the fascinating city of Savannah, Georgia. The filmmakers decided to add a character, John Kelso (well played by John Cusack), a writer from New York, who's meant to represent Berendt's point of view. They also put most of the focus of the narrative on the murder trial of local millionaire socialite Jim Williams (the redoubtable Kevin Spacey). This is slightly problematic in that Kelso, a mere observer, now becomes the central character of the film. But director Clint Eastwood (straying from his usual milieu, and, atypically, not appearing the film) and writer John Lee Hancock still manage to capture the quirky spirit of the book. They're greatly aided in this regard by the lush images of cinematographer Jack N. Green and the detailed work of production designer Henry Bumstead, who create just the right atmosphere for the small city and its environs. The strong cast, including actual Savannah residents such as sparkplug transsexual the Lady Chablis, makes the film an enjoyable idyll in a strange yet welcoming place.

Customer Reviews

The lady Chablis and Minerva steal the show
"Midnight in the Garden of Good and Evil" is the story of writer John Kelso (John Cusack) from the big city hired to cover a famous Savannah Christmas party for "Town & Country" magazine. Though he arrived with the intentions of completing a mere literary postcard of 500 words, by the end of the night - after the party's host, an antique dealer (Kevin Spacey), has been accused of murdering an employee of his estate (Jude Law) - Kelso decides to remain in Savannah long enough to complete a book on the scene he describes to his agent as being, "like Gone with the Wind on mescaline."

Interesting as the main characters are, I believe it is in researching for his book that Kelso meets the two true stars of the show: Minerva, the Vodou priestess who cautions the inquisitive writer that "there ain't no answers," and The Lady Chablis, the drag queen with a Diana Ross flair who offers to unwrap her candy for the reluctant yankee. These ladies, along with the other supporting characters, such as the eccentric who glues live bees to strings that are tied to his lapel (locals treat him with a fearful reverence, afraid he may poison the city's water supply if upset), the man employed to walk a dog that died decades ago, and the career squatter/jazz musician, are the true heart of this story. They are all dynamic and charismatic enough to make me forget that, yes, sometimes the editing is a little choppy. And Savannah comes across as an exquisitely beautiful city (this movie must've done wonders for tourism).

I really love Midnight in the Garden of Good and Evil!

Andrew Parodi

Southern Belle Savannah.
Adapting a book to the screen is always a risk, and adapting a successful book particularly so, especially if it is a nonfiction book and the story has already made news (or been the subject of gossip, which in this instance doesn't seem to make much difference) long before the book was ever written. There will always be those who claim that you didn't do the book justice, or that you didn't do the real events justice, or both. But let's face it, the vast majority of us weren't witnesses to Jim Williams's record four trials, nor did we attend any of his famous Christmas parties, nor did or do we know Mr. Williams or any of the other inhabitants of Savannah featured so prominently here (even if Jerry Spence - not the attorney, the hairdresser appearing as himself in the movie - insists that ever since the publication of John Behrendt's book people have been asking him to sign their copy). All that most of us did was read the book ... yes, so did I, and I enjoyed it immensely. And maybe some have taken a trip to Savannah and gone on one of those "Midnight in the Garden of Good and Evil" bus tours. (No, haven't done that myself yet. Savannah's on my list, though.)

Granted, condensing four trials into one, adding a fictional reporter (John Kelso alias John Cusack) as a stand-in for Mr. Behrendt whose book is a first-person account, and making Mandy Nichols (director Clint Eastwood's daughter Alison) the reporter's love interest, meant altering the facts as related in the book. But let's not forget that the latter covers a period of eight-plus years and is jam-packed with a shooting, four trials, a host of social events and a cast of more memorable characters than many a novel; all of which is near impossible to transform into a movie if you neither want to skip over half the important details and move the action at breakneck speed, nor turn the project into a ten-part TV series. These changes were probably necessary byproducts of the screenwriting process. But the core elements of the story have been maintained, and apart from the relationship between Mandy and John Kelso/John Behrendt, the cast of main characters strikes me as pretty faithful to the book.

Most importantly, the person at the center of the story: antiques dealer, art lover, restorer of historic mansions and sun of Savannah's genteel society, Jim Williams, is exactly the kind of man you imagine after having read the book - portrayed by Kevin Spacey with all the charm, grace and slightly condescending noblesse you would expect from a textbook Southern gentleman, with that "coastal accent ... soft and slurring, liquid of vowels, kind to consonants" as John Behrendt writes, quoting "Gone With the Wind;" making you forget that neither Mr. Williams actually came from "old money," nor Kevin Spacey grew up south of the Mason-Dixon line. And Savannah, of course, is Savannah ... city of grand old mansions surrounding its 21 squares, cotillon balls (including a black one), a Married Women's (Card) Club, lush vegetation, shady trees, Spanish moss and sultry heat radiating from the pages of John Behrendt's book as much as it does from the movie screen in director Clint Eastwood's interpretation. The movie was shot on location, including and in particular in and around Williams's Mercer House, on Monterey Square and in Bonaventure and Beaufort Cemeteries; giving it that feeling of authenticity which is virtually impossible to replicate in a studio. In addition, almost all of the Savannah residents vital to the story readily participated in screen tests; with the glamorous Lady Chablis (in all her eccentricity more lady than many a born one, Southern or otherwise) emerging in a starring role and Williams's attorney Sonny Seiler portraying the trial judge. Even bulldog Uga, the famed mascot of the University of Georgia's football team, traditionally provided by the Seiler family and as important a member of Savannah society as all its human residents and as Patrick, the long-deceased dog still symbolically being walked by its former caregiver, was not left out ... with the minor imperfection that because Uga IV, the star of the book and the real events it describes had already followed his ancestors Uga I - III to dog heaven when the movie was shot, he had to be portrayed by his son, Uga V. And more authenticity is added by the use of several songs written by Johnny Mercer, Savannah's famous son and great-grandson of the general who built the mansion restored and inhabited by Jim Williams.

Clint Eastwood's direction evokes an only marginally modernized version of the "old South" most of which could have come straight out of a book by Faulkner or Tennessee Williams; with an eye for the atmosphere and intricacies of the place and its people that comes as a surprise only to those who merely know the one-term mayor of Carmel, CA as Dirty Harry or the Man With No Name, not as the director of "The Bridges of Madison County," like this movie a book adaptation (although set in quite a different environment). And in this approach, he proves as faithful to John Behrendt's book as in the movie's depiction of Jim Williams and his fellow Savannahians: What on the surface is the chronicle of the trial of a prominent and rather colorful member of society for the death of a wayward, hot-tempered street hustler who happened to be his sometime lover (and that of most of Savannah's society, both male and female), is truly a complex, beautifully shot portrayal of the city itself and its people; like in the book, the events as such are merely a vehicle to put into pictures what Eastwood was interested in most. Yet, the movie should first and foremost be taken at face value; it is more than just another book adaptation and in its dignified beauty, easily stands on its own two feet.

Watch the video, then read the original (true) story
A good film, though not as good as John Berendt's non-fiction novel on which it's based. 'Midnight' contains very little of director Clint Eastwood's trademark style, coming across as a little rambling in some places. Kevin Spacey is, as ever, very good - his role as the affected socialite Jim Williams shows a new side to his acting. By contrast, the usually good John Cusack doesn't really get a chance to shine in his role as the hero-narrator. But the lazy, eerie atmosphere of Savannah is well constructed, and a number of the supporting actors (particularly The Lady Chablis playing himself/herself) are very good. I totally didn't recognise Jude Law as the trashy hustler victim the first time I watched this video!