Product Details

• Amazon Sales Rank: #2001 in DVD
• Released on: 2004-09-27
• Rating: Suitable for 12 years and over
• Aspect ratio: 1.33:1
• Number of discs: 1
• Format: PAL
• Original language: English
• Number of discs: 1
• Running time: 189 minutes

DVD Description

This Masterpiece Theatre adaptation of Rebecca is based on Daphne du Maurier's classic novel of the same name. Emilia Fox stars as Mrs. De Winter, a young middle class girl who meets her rich but aging husband, Mr. De Winter (Charles Dance), while he is travelling. The two fall in love almost instantly, even though Maxim is still grieving over his first wife, Rebecca, who died only one year earlier. They impulsively decide to get married and enjoy a blissful romance, until returning to Manderlay (Maxim's estate), where Mrs. De Winter finds that Rebecca still has a strange hold on everyone. This is especially true of the sinister housekeeper, Mrs. Danvers (Dianna Rigg), who goes so far as to refer to her as the second Mrs. De Winter.

Customer Reviews

Charles Dance/Emilia Fox Version - Disappointing if you've read the book!
Note: This is a good film, however I only gave it 3 stars because it was not a true adaptation of the book.

I as well have viewed both this 1997 version and the Hitchcock version and have to say, the Hitchcock has the upper hand. I don't deny that the cast of the 1997 version are very good, however, in my opinion they're not right for these specific parts.

Overall, I found this version a little disappointing, and, if I dare say, a little insulting to Du Maurier's talents. There were a few pointless scenes and a few that were changed slightly - for example the point when the main character (Fox) tells Mrs Van Hopper she is going to marry Maxim didn't actually happen in the novel, and it was in fact Maxim who told Van Hopper.

The added scenes which don't appear in the book, such as when they are in the Monte Carlo cafe and on the cruise during their honeymoon, unnecessary to the story, and the time they spent on them could have been put to better use by staying truer to the novel.

I felt that Charles Dance, as fine an actor as he is, was a little to old to play Maxim de Winter, his hair was too light and his features were too kind - in the novel he is described as a dark, brooding man. Emilia Fox, another fine actress, I felt was not as shy as she perhaps could have been.

I felt a little robbed of my 189 minutes spent watching this. Again, I will not deny that it is a good film, but if you've read the book its a disappointment. For a film that is 3 hours long, I personally believe that it could have stayed truer to the book.

So, in my honest opinion, if you've read the book, go for the Hitchcock version, but if you want a good film this isn't that bad at all!

Concerning both BBC versions and the feature film
Having viewed this (1997), the Hitchcock, and the older (1979?) BBC versions, and having read the novel umpteen times, I have to vote for the older BBC as the best version.

As regards the 1997: Charles Dance is certainly a fine actor,as are all the cast, but I found him just a bit too old (Maxim is only 42), and too fair (the second wife comments a number of times on his dark features). Jeremy Brett, the earlier BBC Maxim, was in my opinion the exact embodiment of the character, and gave him the appropriate broodiness.

Emilia Fox, while looking the part of Maxim's shy second wife, wasn't quite innocent enough (innocence is the main quality that attracts Maxim in view of Rebecca's complete lack of it). There was a glint of "knowingness" in her eye from almost the very beginning. Fox's mother, Joanna David, played the wife in the earlier version, and she was not only physically perfect for the role, but she managed to imbue the character with exactly the right amount of innocence and insecurity without the mannerisms of Joan Fontaine (who is too pretty).

I can't think why recent writers of literary film adaptions feel they must include at least one scene in which the hero and heroine are "rolling in the hay" (witness the most recent adaption of "Jane Eyre" with Toby Stephens) unless it's to attract fans of bodice-ripper fiction; I find it a bit off-putting if it isn't actually in the novel, and also a bit insulting to my intelligence and rather active imagination. That said, there is no hay-rolling the 1979 version.

I thought Faye Dunaway seriously miscast as Mrs. Hopper, and her hamminess stood out in a most glaring fashion among the other performances in the production.

I am a great admirer of Diana Rigg, but in this role I prefer both Judith Anderson and Anna Massey, neither of whom are as beautiful (no insult intended!) as Rigg, and I never thought of Mrs. Danvers as aesthetically pleasing in any way.

As for the three Favells, I don't see that streak of moral repulsiveness (as opposed to amorality) in the ultra-suave George Sanders which, for me, is essential both for his character and for the reader's further understanding of Rebecca as a villainness.

My biggest gripe with the 1997 version is seeing glimpses of Rebecca herself (a mouth here, back of the head there). SAD mistake. Du Maurier took great pains to keep Rebecca shrouded in mystery for as long as possible; even the few physical facts she gives us ("tall and slim, with that cloud of dark hair and the face of a Botticelli angel") comes through other characters as secondhand information. The second wife's fragile if not non-existent ego, and the constant undermining of her confidence, depends largely on the INDISTINCT picture she has of her glamorous predecessor, which sends her imagination into a frenzy. All this serves to illustrate that evil is much more potent when unseen.

Of course, due to time constraints, the Hitchcock leaves much of the novel out and condenses other parts; the 1997 BBC, on the other hand, adds scenes between Maxim and his wife that are nowhere to be found in the novel, and really don't add much to the story. In fact, I found them detrimental to the over-all pace. I especially object to the fabricated conversation between the two after the fancy dress ball. It would have preserved the dramatic tension much better had they stuck with du Maurier's idea that the wife doesn't get a chance to speak to Maxim until the all-important confession scene.

In conclusion, my opinion is that of the three versions, the earlier BBC is the most faithful to the novel (though I can't seem to remember if the script actually allowed Maxim to shoot Rebecca - the Hays Office interfered with the film version in this respect, compelling Hollywood to make Rebecca's death an accident - they didn't think the audience would sympathize with a murderer - and for the life of me, I can't think why Maxim strangles her in the 1997 version). I saw the 1979 quite a long time ago, when it first aired and when it replayed in the 80s; but I do remember being delighted with its faithfulness to du Maurier. And the extensive use of Debussy in the musical score was absolutely brilliant.
Unfortunately, the earlier BBC is not available on DVD or VHS; great shame, really. Has it to do with all that Debussy and copyrights?

A Modern Classic!
This review relates to the 1997 film starring Charles Dance and Emilia Fox. It is totally puzzling why most of the other reviews concern the original version, but never mind!

I borrowed this from a library, but was so impressed I have bought a copy for myself. Charles Dance is superb as the brooding, tortured aristocrat, Maxim de Winter, who attempts to find love and contentment with his second wife (Emilia Fox) after the tragic loss of his first spouse, the much admired and beautiful Rebecca. His charming, but shy, new wife struggles to cope with the demands of her new role, a situation made worse by the constant interference of the obsessive housekeeper Mrs. Danvers (terrific portrayal by Diana Rigg) whose devotion to her first mistress reaches beyond the grave!

A terrific supporting cast includes Geraldine James, Timothy West and Faye Dunaway. Some remakes are a total disappointment, but this is pure class and the scenery is absolutely stunning. Highly recommended to all!