Yojimbo [1961] [DVD]
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Average customer review:Product Details
- Amazon Sales Rank: #4625 in DVD
- Released on: 2000-11-06
- Rating: Parental Guidance
- Aspect ratio: 2.35:1
- Number of discs: 1
- Formats: Black & White, PAL, Widescreen
- Original language: Japanese
- Subtitled in: English
- Number of discs: 1
- Running time: 105 minutes
Editorial Reviews
Amazon.co.uk Review
This semi-comic 1961 film by legendary director Akira Kurosawa (Rashomon, Ran) was inspired by the American Western genre. Kurosawa mainstay Toshirô Mifune (Seven Samurai) is cast as a drifting samurai for hire who plays both ends against the middle with two warring factions, surviving on his wits and his ability to outrun his own bad luck. Eventually the samurai seeks to eliminate both sides for his own gain and to define his own sense of honour. Yojimbo is striking for its unorthodox treatment of violence and morality, reserving judgment on the actions of its main character and instead presenting an entertaining tale with humour and much visual excitement. One of the inspirations for the "spaghetti westerns" of director Sergio Leone and later surfacing as a remake as Last Man Standing with Bruce Willis, this film offers insight into a director who influenced American films even as he was influenced by them. --Robert Lane, Amazon.com
Special Features
2.35 Wide Screen
DVD 5
Japanese
Region 2
Commentary
Biographies And Stills
Menus
English
Synopsis
In director Akira Kurosawa's comedic YOJIMBO, a masterless samurai, Sanjuro (Toshiro Mifune), wanders into a town divided by two warring clans. After displaying his formidable swordsmanship before both clans in a brawl with street thugs, Sanjuro offers his services to the highest bidder. When one clan conspires against him, the clever warrior switches his allegiance to the other side, with the ultimate goal of tricking the two equally despicable and foolish clans into exterminating each other. Sanjuro's authority is challenged, however, when Unosuke (Tatsuya Nakadai), a brother of one of the leaders, comes to town wielding a modern contraption: a gun. In the classic final showdown, the old world samurai is pitted against new world progress, and must use both his wits and physical prowess to survive.
Perhaps Kurosawa's most overtly comic film, YOJIMBO easily ranks with the director's finest work. In this reconception of the Western, Mifune plays Sanjuro, the tough mercenary of few words, to perfection, often allowing his subtle movements and swift actions speak for him. Throughout the entire film, Sanjuro is vigilant yet stoic, conceding that he finds the scenario entertaining and absurd, and essentially has nothing to lose. Mifune's outstanding performance, combined with Kurosawa's expert direction and Kazuo Miyagawa's beautifully balanced photography, makes for one of the finest, and funniest, films in Japanese cinema.
Customer Reviews
When Destiny is as Simple as the Toss of a Stick
The beginning of this tale, when our hero tosses a stick into the air to see which way it lands to choose his path, is just one of the many elements which makes this such an amazing story and one my favorites of Kurosawa's many masterpieces. What the bodyguard chooses to do first with his newfound independence is quite surprising and ambitious, like piecing together an amazingly complex jigsaw puzzle made of human nature, or staging a performance of an epic masterpiece with no previous management, production, or directing skills. But I guess he may as well tackle a mountain, since there is not much use starting small with his skills and personality. As he orchestrates the deception, our hero is much like a master puppeteer with exquisite timing and talent to incite the mayhem to achieve his goal.
While the basic theme of this story is not unique - the result of greed, manipulation of others, and the changing of the world (tradition vs. progression) - many factors add an interesting and unusual charm to this film. There are plots within plots, surprising deception, perfectly paced mounting tension, unpredictable plot twists, stories within stories, distinctive and amusing characters (the big guy with his huge mallet is a lot of fun), the seemingly never-ending face offs, backstabbing, character flaws; and our hero continually placed in the perfect position to observe, listen, and evaluate. Also, the bodyguard's impeccable timing in manipulation of both sides is nice, fulfilling our expectations and keeping the story moving along. What if bodyguards were really like this? (mischievous, brilliant, manipulative) The famous people of the world would be in terrible trouble.
The humor in this story is wonderful, even the macabre humor of the dog carrying the human hand in its mouth while trotting along to fairly spunky music. I also love the funnier fight sequences, which seem to come right out of clown school and resemble football skirmishes instead of battles. In several of the scenes, it appears that the swordsmen are miming roasting marshmallows instead of fighting with their weapons. Nice addition of lightness to a serious tale. Our hero sticking around after he has discontinued his services purely for "the entertainment" also accentuates the humor aspect of this movie.
The mix of character types is also interesting including a dominatrix, a prodigal son, a damsel in distress, several amusing drunks, and many bumbling idiots. The ease in which our hero is able to manipulate these human beings is extremely unbelievable; however, many aspects of this film fall into that category and it is still a wonderful story. This is one of those rare instances in which certain trite, far-fetched, and predictable elements are actually good and serve to enhance the story.
The nature symbolism is a nice addition to this film including the cleansing rain allowing us to shift gears from Act I to Act II, and the dust storm, which precedes the more unpredictable part of the story serving to unsettle and disorient us.
Finally, the shadowy, light dancing, night fires scene is amazing, intensifying the town's debauchery and our hero finally stepping up to get involved in the action before ultimately getting caught in his own web. This scene is perfect, like an expertly lighted stage drawing us into Act III.
I have only described a few of the wonderful features of this film. There are many others, which warrant several viewings to truly appreciate the complexities of this story. For those who enjoy this movie, I also recommend the sequel, Sanjuro, which is equally well done.
J.H. Sweet, author of The Fairy Chronicles, and Kurosawa fan.
A masterpiece - poorly transfered
Undoubtably one of cinema's greatest works and the inspiration not just for Leone's 'A Fistful of Dollars' but a whole host of action films in years to come, none of which came close to topping this. A shame, then, that the film has been so poorly transfered to DVD - not only is it non-anamorphic (forgiveable, perhaps), but the picture is muddy and soft (unforgiveable) and, frankly, inferior to both of the VHS copies I already own. The film deserves so much better. On the plus side, the commentary track by Philip Kemp is consistently informative, and gets the disk 2 stars, but only just.
New print is very enjoyable
When I read some reviews below I was thinking long time befor I decided to buy this DVD but finally I did. BFI has relased new print of 'Yojimbo' couple months ago and its really great edition, transfered in widescreen with digitaly remastered and clear picture. I've bought and I'm very proud of it in my collection.
The film is one of the Kurosawa's finest masterieces beside 'Rashomon' or 'The Seven Samurai' or 'Red Beard', and perfomance of Toshiro Mifune is perhaps best in his excellent career. Highly recommend.
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